You’ll find  Ieposolyma-The New Jerusalem in an area known as the north transept of Trinity Church in Copley Square.  It is an upper level window that rests beside another John La Farge masterpiece, The Resurrection (1902).  The New Jerusalem was completed and installed eight years earlier in 1884.

As described by scholar James L. Yarnall in his biographical study of John La Farge, this window depicts “the vision of the New Jerusalem described in the book of Revelation. The design fused Byzantine architecture and Mannerist figures from Correggio with a dazzling array of jeweled opalescent glasses.”

If you’re in Boston, see firsthand how the sunlight shines through all of this magnificent glass — this window apparently contains every kind of glass La Farge ever used including pressed jewels, confetti glass, and opalescent glass.  Tour information available here.

I tend to focus on the pieces that make up the whole, but if you search online you’ll find some photographs of the whole window, like this one.

stationery works

I have an unofficial postcard club of 5, 6 and 7 year olds.  It is mostly a quarterly mailing of nature-themed images.  I have offered to hand the postcards to my young friends but they seem to like the idea of a handwritten note, a stamp applied, and the piece of paper traveling around the world (so to speak) before winding up in their mailbox, addressed to them specifically.  I have told the older ones that one day soon I expect a note in return.  ;)

If you follow this blog, you know how much I love producing postcards of the stained glass windows at Trinity Church in Copley Square.  Of late, I’ve been focusing my attention on the painted walls.  Expect a future post about the original paintings orchestrated by John La Farge in the late 1800s and later painting done over the decades during various renovations.

This postcard is of St. Paul on the west porch of Trinity Church.  I especially love the reflection of the church in the glass of the neighboring John Hancock building.  This postcard is now available at the Shop at Trinity Church.

colors aswirl

the interior of a broken shell

ripples upon the water

The story behind the image:  Steve and I were taking a short walk along Revere Beach.  The tide had receded quite a bit.  He followed the water. I stayed on shore searching out seashells and stones and wishing I’d worn a thicker sweater.  As he returned to me, he suddenly paused and shouted, “Come here. You have to see this.” I raced over and looked down at where he was pointing.  Lines and curves in the sand?  “Bifurcation diagrams in nature,” he exclaimed.  I peered more closely, frowning.  He tried explaining the mathematics of what he saw for me. “It’s like the multiplication of little streams leading to chaos.” “Well,” I said slowly, “I’m reminded of those Asian landscape paintings of mountains with cascading waterfalls over the rocks.”  We studied the sand for a bit longer, he helping to point out different ways to frame photographs of the bifurcation he was seeing, and we both appreciating our different perspectives of the world.

A poster print of this “mountainous” scene is available online here.





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