Christus Consolator by Ary Scheffer, 1851
Following is the last stanza of a poem by John Greenleaf Whittier written in 1859 but with a relevance for this day as well:
O heart of mine, keep patience! Looking forth,
As from the Mount of Vision, I behold,
Pure, just, and free, the Church of Christ on earth;
The martyr’s dream, the golden age foretold!
And found, at last, the mystic Graal, I see,
Brimmed with His blessing, pass from lip to lip
In sacred pledge of human fellowship;
And over all the songs of angels hear;
Songs of the love that casteth out all fear;
Songs of the Gospel of Humanity!
Lo! in the midst, with the same look He wore,
Healing and blessing on Genesaret’s shore,
Folding together with the all tender might
Of His great love, the dark hands and the white,
Stands the Consoler, soothing every pain,
Making all burdens light, and breaking every chain.
Whittier wrote the poem in response to a publisher producing a book of prayer with a cover image of Ary Scheffer’s painting Christ Consolator … but with the image of the enslaved black man removed.
In preface to the poem, Whittier wrote: “It is hardly to be credited, yet is true, that in the anxiety of the Northern merchant to conciliate his Southern customer, a publisher was found ready thus to mutilate Scheffer’s picture. He intended his edition for use in the Southern States undoubtedly, but copies fell into the hands of those who believed literally in a gospel which was to preach liberty to the captive.”
John Greenleaf Whittier (1807-1892) and broadsheet of his poem Our Countrymen in Chains
Described as a Quaker, poet and abolitionist, Whittier wielded words as a warrior poet to fight for the end of slavery. A literary giant and inspiration to many, it was his friendship with two people that enabled me to learn about his poetic response to someone’s efforts to rewrite history by altering a work of art.
Lucy Larcom (1824-1893) and Phillips Brooks (1835-1893)
Lucy Larcom was a respected teacher, poet and author. Based on her letters and biographies, throughout her life, she grappled with spirituality and religion. After hearing Phillips Brooks sermons at Trinity Church in Copley Square, they began a correspondence that developed into a deep friendship. He became a religious guide in her life. She was also close friends with Whittier. In one of her letters to Whittier, in 1892, she wrote:
“I have always thought of thee as a spiritual teacher. And then in late years to have had in addition the teachings and friendship of Phillips Brooks has been a great and true help. I thank God that you two men live and, “will always live,” as he says to you, and that I have known you both. When [Brooks] called at Mrs. Spaulding’s after seeing you, he told us about the Ary Scheffer poem and repeated it to us from the words “O heart of mine,” through to the end, as he went away, standing before the picture — Christus Consolator,” which hangs at her parlor door …”
All three of these literary figures died within a few months of each other. Lucy Larcom was the last and she writes … yes, poetically … about the loss of each of these men and her gratitude for their guidance in her life. It was but random chance finding her letters online that enabled me to revisit Whittier’s works and appreciate how, like Brooks in the pulpit, he used words to make a difference. An endless need across time …
Sources & Additional Reading
Lucy Larcom: Life, Letters, and Diary by Daniel D. Addison, 1894.
https://en.wikipedia.org/wiki/Lucy_Larcom
Full text of On a Prayer Book by John Greenleaf Whittier, 1859.
Our Countrymen in Chains by John Greenleaf Whittier, 1842
Words + Images 
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