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Posts Tagged ‘poetry’

I don’t think the wind and rain this morning really constitutes a storm, per se, but there is a ruggedness to the weather that makes me reminisce about a younger me who would relish dashing outside, however briefly, to experience a summer storm. Not so much now. I am wrapped in a thick sweater, sipping hot coffee, and tempted to slip back under the covers where a sleepy Steve still resides. I’ll wake him in a bit because he has a calvacade of people coming through today, friends, family, tai chi teachers and so on. Meanwhile I share a poem I wrote, way back when, all the way back in 2010, about the storms of my youth in Virginia.

Summer Storms

The food I’ve purchased and brought North with me. 

But the weather I could not carry in a cardboard box.

So when people ask  what I miss, that is what I tell them,

I miss most the southern summer storm.

You know the ones,

the ones with rolling thunder trailing white lightening in their wake.

Sheets of rain falling like milk from the sky. 

Such deafening noise and blinding light.

Children trembling as we peered past drawn curtains.

Unending it seemed but then poof! 

Like magic it would stop, leaving silence in the air. 

Darkness would part for the sun.  Birds sang.

All that remained of the storm would be puddles

and leaves strewn across the front porch.

We’d step outside into a golden light. 

God had scrubbed the world clean.

Just for us, you know, so that we could play. 

And play we did until the sun set

and the lightening bugs came out and danced with the stars. 

We would sit in the damp

winding down from another day well done. 

That is why I miss the summer storm.

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One of my favorite poems is This is Just to Say by William Carlos Williams. I thought of that poem as I stepped out onto the porch today and picked some greens. He ate plums. I picked some swiss chard. 🙂

Here is What I Have to Say

I’ve been eating 

the swiss chard 

from a pot

on the porch

just like a rabbit

nibbling a few leaves 

at a time

so delicious

crisp and crunchy

colors bright green

and oh yes the ruby

all divine

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Hard to believe it was nine years ago that Mr. Langosy allowed me to share the story of his art. What a remarkable man and such a pleasure to have known him and his family. Donald Langosy passed away this week and what a legacy he leaves behind. An active artist until the end, his last exhibit, The Journey of Eduardo Gunkla, is currently on display at the Multicultural Arts Center in Cambridge, MA, until January 9th. A virtual gallery is also accessible online. https://multiculturalartscenter.org/eduardo-gunkla/

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Here’s a challenge. In this age of quick reads, read this whole poem, Let America Be America Again, by Langston Hughes. Indeed try reading passages out loud. Written about 90 years ago, it could have been written today. And therein lies the sadness and yet the hope. Read on …

https://www.poetryfoundation.org/poems/147907/let-america-be-america-again

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When I saw Donna’s photos from Lovell, Maine I knew I wanted to share them and so I asked her for some words to accompany them. She shared a poem written by her partner’s daughter, Kristin Roberts, and suggested Kristin’s words might work instead. A perfect pairing. The poem, written by Kristin in the 7th grade, attests to her sensitivity and great observational skills about nature, about the people who engage with the Lovell landscape, and about the passage of time. Please enjoy this lovely pairing of words and images that capture the season.

Photo by Donna Stenwall

Autumn

Crimson, buttercup, marigold leaves swirl rustling around in rhythm of Autumn. The icy winds swipe.

Bee charmers with nets on their crowns, collect the pure golden honey from dripping cones. Farmers collect apples just before the tart crispy fruit turns to ripe.

The bitter winds nip at my face, redden my cheeks, numb my fingers, while icy blue Jack frost freezes Queen Anne’s lace.

Warm golden summer’s gone.

Photo by Donna Stenwall

Oaks and birches are stripped bare. Rifle shots ring out in echo as sharp eyed hunters bring down swift graceful deer.

Sweet singing birds long ago flew south, replaced with huge black crows with their loud mocking mouths.

Soft fluffy snow will soon replace corpsed grass. And the awful sight soon will pass.

Photo by Donna Stenwall

My lawn is littered with bright leaves, each unique in its own way. Dark misty evening is extended. Gray dawns are gloomy, bright mornings have ended.

Brilliant gay summers will be here at last, when the silver season after golden Autumn soon comes to pass.

by Kristin Roberts (1981-2011)

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This is a ramble with no meaning except I felt a need to put fingers to the keyboard and share an experience from this day.  I’ve been saving watermelon rind trying to decide if I will try to make some watermelon pickles. Now, I have never eaten such a pickle in my life though when I was little I used to admire their beauty in big jars on store counters. As a child I ate plenty of the fruit itself. My oldest brother still reminisces about the big ones with the big black seeds. I think I remember watermelons so big I could sit on them. Those are hard to find. Small, round, seedless (and in my humble opinion oftentimes tasteless) has become the store norm. I’ve lost my taste for watermelon flesh though I’ve been buying watermelon slices of late. Not for me but for a certain person in my life who needs to drink more water but doesn’t and so I simply place saucers of sliced cold watermelon in front of him. Hydration is hydration.

But now I have these rinds … and I’m in a creative place in my life right now … and so I told him I might try my hand at pickles. And when this person heard my intentions, he remembered words from a poem. “Reflections on a gift of watermelon pickles,” he said. We looked it up, a poem by John Tobias.  As I began to read it out loud, Steve, who has a wicked memory for poetry, stopped me to say, “I don’t think I’ve ever actually read the poem. I just know those few words.” And so I finished reading the poem and he was silent and when I looked up I saw that he had been moved to tears.

I think my big brother who is near Steve’s age would cry too. Not so my 12-year old friend. Her response to reflections on a life lived would be quite different than people five decades older. This is a rambling post with no photographs because there is no photograph that can compare to the rich imagery embedded throughout the poem … except maybe one day I’ll come across one of those big ol’ watermelons and split it open and let the sun shine on the pink flesh, black seeds and white rind … and maybe that would be an appropriate pairing of image with the following words. We’ll see …

 

Reflections on a Gift of Watermelon Pickle Received from a Friend Called Felicity

During that summer
When unicorns were still possible;
When the purpose of knees
Was to be skinned;
When shiny horse chestnuts
(Hollowed out
Fitted with straws
Crammed with tobacco
Stolen from butts
In family ashtrays)
Were puffed in green lizard silence
While straddling thick branches
Far above and away
From the softening effects
Of civilization;

During that summer–
Which may never have been at all;
But which has become more real
Than the one that was–
Watermelons ruled.

Thick imperial slices
Melting frigidly on sun-parched tongues
Dribbling from chins;
Leaving the best part,
The black bullet seeds,
To be spit out in rapid fire
Against the wall
Against the wind
Against each other;

And when the ammunition was spent,
There was always another bite:
It was a summer of limitless bites,
Of hungers quickly felt
And quickly forgotten
With the next careless gorging.

The bites are fewer now.
Each one is savored lingeringly,
Swallowed reluctantly.

But in a jar put up by Felicity,
The summer which maybe never was
Has been captured and preserved.
And when we unscrew the lid
And slice off a piece
And let it linger on our tongue:
Unicorns become possible again.

by John Tobias

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Christus Consolator by Ary Scheffer, 1851

Following is the last stanza of a poem by John Greenleaf Whittier written in 1859 but with a relevance for this day as well:

O heart of mine, keep patience! Looking forth,

As from the Mount of Vision, I behold,

Pure, just, and free, the Church of Christ on earth;

The martyr’s dream, the golden age foretold!

And found, at last, the mystic Graal, I see,

Brimmed with His blessing, pass from lip to lip

In sacred pledge of human fellowship;

And over all the songs of angels hear;

Songs of the love that casteth out all fear;

Songs of the Gospel of Humanity!

Lo! in the midst, with the same look He wore,

Healing and blessing on Genesaret’s shore,

Folding together with the all tender might

Of His great love, the dark hands and the white,

Stands the Consoler, soothing every pain,

Making all burdens light, and breaking every chain.

Whittier wrote the poem in response to a publisher producing a book of prayer with a cover image of Ary Scheffer’s painting Christ Consolator … but with the image of the enslaved black man removed.

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In preface to the poem, Whittier wrote: “It is hardly to be credited, yet is true, that in the anxiety of the Northern merchant to conciliate his Southern customer, a publisher was found ready thus to mutilate Scheffer’s picture. He intended his edition for use in the Southern States undoubtedly, but copies fell into the hands of those who believed literally in a gospel which was to preach liberty to the captive.

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John Greenleaf Whittier (1807-1892) and broadsheet of his poem Our Countrymen in Chains

Described as a Quaker, poet and abolitionist, Whittier wielded words as a warrior poet to fight for the end of slavery. A literary giant and inspiration to many, it was his friendship with two people that enabled me to learn about his poetic response to someone’s efforts to rewrite history by altering a work of art.

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Lucy Larcom (1824-1893) and Phillips Brooks (1835-1893)

Lucy Larcom was a respected teacher, poet and author. Based on her letters and biographies, throughout her life, she grappled with spirituality and religion. After hearing Phillips Brooks sermons at Trinity Church in Copley Square, they began a correspondence that developed into a deep friendship. He became a religious guide in her life. She was also close friends with Whittier. In one of her letters to Whittier, in 1892, she wrote:

“I have always thought of thee as a spiritual teacher. And then in late years to have had in addition the teachings and friendship of Phillips Brooks has been a great and true help. I thank God that you two men live and, “will always live,” as he says to you, and that I have known you both. When [Brooks] called at Mrs. Spaulding’s after seeing you, he told us about the Ary Scheffer poem and repeated it to us from the words “O heart of mine,” through to the end, as he went away, standing before the picture — Christus Consolator,” which hangs at her parlor door …”

All three of these literary figures died within a few months of each other. Lucy Larcom was the last and she writes … yes, poetically … about the loss of each of these men and her gratitude for their guidance in her life. It was but random chance finding her letters online that enabled me to revisit Whittier’s works and appreciate how, like Brooks in the pulpit, he used words to make a difference. An endless need across time …

Sources & Additional Reading

Lucy Larcom: Life, Letters, and Diary by Daniel D. Addison, 1894.

https://en.wikipedia.org/wiki/Lucy_Larcom

Full text of On a Prayer Book by John Greenleaf Whittier, 1859.

Our Countrymen in Chains by John Greenleaf Whittier, 1842

Christus Consolator

 

 

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nearsunset

Eventually I had to mute the television. I could not listen to his voice, and so I watched him speak. I watched him gesticulate wildly. I watched him make the schoolboy faces suggestive of a naughty teen making fun of others and which brings out the naughtiness of the other schoolboys who laugh though they mostly know they should know better.  But since there’s no one around to hold any of them accountable, why not poke a little fun, right?

I watched the people behind him bathed in his dark light, their own eyes fiercely bright, as they gave praise to that which stood before them … this bold entity that made them feel good! Trump was nothing like them and yet in their minds they saw themselves or what they sought to be. A white man of inherited privilege and of wealth speaking crudely and with malice about all that was not wealthy and white and not American based on a skewed view of what it means to be American.

And what does it mean to be American? What would happen if every member of Congress had to sit and compose a 500-word essay on the subject? The President and V.P. could do it as well. How about everyone who is a member (so far) of the President’s cabinet? Or maybe better yet, as a writing prompt, have them each read the following poem by Emma Lazarus and respond to it in writing. Full sentences. No tweets. No emojis. Wouldn’t that be something to see?

The New Colossus
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

 

 

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wetleaf2018

It was a windy day when I recently walked along the Charles River. The river itself did not move very fast. The water was low and though it be mid-April, all around were the dead leaves of the previous seasons. Only a few daffodils brightened the shore. I decided to work with what I had and so I photographed the leaves in their watery haunt. Most of the images didn’t come out, at least to my liking, but this one seemed rather poetic to me.

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Poetry Made Visible (2017) is described as “a guidebook for tourists and natives of the Boston Area, for students and teachers, for lovers of poetry and lovers of public art.” Well, in order to review the book and write about it, I knew I had to use the book. So I began with the first chapter focused on the main branch of the Boston Public Library in Copley Square. As I walked around what Bresler refers to as “the temple of poetry,” an amazing thing began to happen. I walked around the library with an open book, reading, pausing, looking, and guess what? People began to notice me. They too paused and looked and, since they had no book in-hand, their brows furrowed as they tried to see what I might be seeing, carved into stone or sculpted into a door.

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Poetry with her halo, McKim building door

As I traveled around the library, I found myself engaging with librarians. While Bresler does an amazing job of pointing out the poetry integrated into the library’s exterior and interior structure, the challenge is that the Boston Public Library’s interior design is quite dynamic and in the past year there have been major renovations and redecoration. So I had to converse with the librarians to ascertain where certain sculptures had been moved because the book’s walking directions don’t always match up.

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Dare I say that I believe that the librarians had a great time helping me to track down the various sculptures mentioned, and peering into the book because it was a resource that was helping them to see their building with fresh perspective. And I think that’s the strength of this book. As the title suggests, Bresler truly does make poetry visible. I’ve lived in Boston long enough that I take the Boston Public Library for granted, but with his book in-hand I paused and peered up and truly looked at what was there. And so did the little kid next to me.

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Throughout the book he asks thought-provoking questions. They cannot be answered by “yes” or “no.” One must actually pause, ponder, reflect. I can imagine a teacher or a parent using excerpts of this book to help guide their students or children in seeing the world around them and exploring how something done so long ago, whether the poem or the sculpture, has relevance to their lives today.

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Maya Angelou Bust in Boston Public Library

You’ve heard of a date movie? This is a date book.” So it says on the back cover. Well, when you look at the list of Dispersed Sites of poetry that he has compiled, I can see that it would be fun to make a date with a friend to see a site, to reflect upon the poets remembered, and the contemporary artists capturing their spirit in stone and more.

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As has the Boston Public Library, the City of Boston and surrounding areas will continually change. I do hope that the sculptures and other public artworks that Bresler has captured survive over time. I think Bresler’s book is a wonderful reminder of the literary heritage of the Greater Boston area and the important role of poetry in society.

Poetry Made Visible: Boston Sites for Poetry Lovers, Art Lovers & Lovers

 

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