the completed trough
Nope, that is not the opening to one of my fairly gentle political posts. Just breathe. Those are the words I repeat to myself the night before I attempt to set up my first installation for the exhibit Peace: Cutting through Turmoil. My contribution to the show I guess I can say is a three dimensional representation of my artistic and emotional experiences after chancing upon 1930’s Federal Writers’ Project slave narratives in the public library, and then later reading more narratives online. It was a short paragraph that set me on this path, a recount of childhood memories of eating from a trough with a mussel shell. Shells pulled from the branches …
What I am creating is ephemeral. Paper, prints, words produced to physically be on display for a little less than a month. A contribution that I think will be part of a powerful whole when viewed in the company of the works by the other participants who have esteemed careers in the arts. I feel a bit like the new kid on the block. A little scary but freeing too.
It will be an assemblage of pieces and parts, words and images, some culled from nature, some acquired collaboratively with the aid of friends. The least ephemeral of the whole is the trough. While he did let me hold a chisel or two, it was Steve who carved the trough for me using a fallen tree, and a pivotal tool, both shared by friends.
Shared by friends. No matter what happens with this project it has been a wonderful collaborative effort. I was even able to involve one of my littlest friends, aged 9 and going on 21, who agreed to hold a mussel shell for me.
Hmmm. What else is there to say? Before this night is done, I have a few more shells to drill holes in and string, and I still need to discuss with Steve how to hang … oops, I can’t tell you what I intend to hang or from what. At least not yet. Meanwhile, I just breathe. 🙂
Peace: Cutting through Turmoil
Brick Bottom Artists Gallery, Somerville, MA
Opening Reception Thursday June 8, 6:00 – 8:00 pm
Words + Images 
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