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Sunday Musings: Hope?

Recently for the first time as an adult, I saw the movie musical Showboat.  Its most famous song is “Old Man River,” sung by Paul Robeson.  If you have not heard the song as sung by him, I encourage you to listen just once.  Similarly, I encourage you to listen to Sam Cooke’s rendition of “A Change is Gonna Come.” Despite the hardships, the pain, the unbearable burdens of this life captured in these and so many other songs about the African American experience in the U.S., there is always an underlying thread of hope that one can withstand the hardship, if only to give one’s offspring a chance at a better life.

Hope is on my mind quite a bit this Sunday and not just because I’ve been listening to old songs.   I read an excellent query posed by Dave Mance III, editor of Northern Woodlands Magazine.  He asks what gives the readers of the magazine hope.  (Read more here.)  As I started to think about my answer, negro spirituals popped into my head, but so did the cover image of the book, Delia’s Tears, a book about race, science and photography in nineteenth century America.

The focus of the book is fifteen images discovered in the attic of Harvard University’s Peabody Museum in 1976.  Today, they are iconic images.  If you have ever watched a PBS program on slavery, you have probably seen the faces.  I admit I accepted the visage of these slaves without thought to who they were and where they lived.  I accepted them as representative without thinking of them as individual.  But they were individuals.  Slaves on 1850 Columbia, South Carolina plantations photographed for a revered Harvard University professor convinced that Africans were biologically inferior.  When I look into their eyes, I wonder where these individuals found hope.  I wonder where my own slave ancestors found hope as they worked in Virginia and North Carolina.

I find hope in the sunrise and sunset.  The light that leaks in through a window, that dots the midnight sky.  I know it sounds hokey but it is true.  Even if my eyes are closed, if I can feel the sun’s rays, there is something hopeful in the sensation.  And maybe that’s it, at least for me.  There’s something about simply interacting with the world — seeing the possibilities, feeling them, hearing the stories of others –that inspires a sense of one day, just maybe, that possibility might come true for me or for the ones I care about in this world.

Anyway, that’s my random musings on a sunny Sunday in Massachusetts.  Wherever you are in the world, hope you’re having a good day.

 

Postcard Project

In the lobby of the Boston Public Library, you’ll currently find an exhibit of vintage postcards.  As I walked through the exhibit, I was reminded of how much I love sending postcards.  Plus I’ve been told a number of times this month how important postcards can be in sharing ones work.  So!  That’s all the impetus I need to produce some postcards of my work and send them out into the world.  If you would like to receive a postcard with my nature-themed images, or have a postcard sent to family, friends or colleagues, just send me a note with name and address to:  photographybycynthia[at]gmail.com. There’s no charge and addresses will not be shared.  A limited time offer through April 30, 2011.

To view my photos: http://photosbycynthia.smugmug.com/Nature

Read more about the postcard exhibit at BPL here.

Have a good day!

 

Tucked Away Then Found

Beneath the Ice

By Spot Pond

In the winter of 1632, Massachusetts Governor Winthrop and his men saw the following: “…they came to a very great pond, having in the midst an island of about one acre and very thick with trees of pine and beech and the pond had divers small rocks standing up here and there in it, which [they] therefore called Spot Pond.” Well, yesterday on New Year’s Day 2011, this is what I saw at the very same spot:

Spot Pond is centrally located in the Middlesex Fells.  I look forward to returning in the spring for some contrasting images.  Meanwhile, you can learn more about this lovely spot here.

 

My End of Year Inspirations

If there is a theme tying together these end of year inspirations, it is the idea of sharing memories and of bearing witness. Whether with pen in hand or a camera, I re-learned this year that I am a witness in this world, one who has the privilege of sharing what I see and experience with others. With that thought in mind, I share below just a few of the people, places and things inspiring me as 2010 wraps up. I thank them for being in the world and I thank you for reading this blog.

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Inspired by … Bob

As Verger at Trinity Church in Copley Square for over 40 years, Bob Yearwood has borne witness to much. He has certainly inspired me over the years I have known him with his generosity and goodwill toward all, and that was before we even sat down for a recent interview during which I learned so much more. His full interview is forthcoming in a publication to be announced. Meanwhile, here is a bit of Bob in his own words:

“I believe in being positive about life, and age has nothing to do with it. I say whatever age you are is what you are and work it out best you can. Spend time with your family. Travel. One day it will all be over. In this life, you’re only going to get what you put in. You’re getting nothing else. Enjoy yourself. ”

Most often stationed in the church’s Parish House at the front desk, he asserts, “I know I couldn’t do this job if I wasn’t a people person. Where else do you get to work amongst the people, to make the connections, to hear their stories, to see the families come through over time, see all the weddings and yes, the funerals, too. People I knew as children come back with their children. There is no better job than this job, of being a witness to these lives, to receive the people who enter these doors. Some will be helped and some not, but no matter what all will be greeted as they enter.”

Inspired by … Family

My oldest brother is nearly fifteen years older than I. I’ve learned from my older relatives that he used to carry me around like I was his child. He used to dress my younger brother and I up as twins. Now that our parents are gone, he has in a sense become the family’s memory keeper. And as the memories surface he shares the stories. Recently, he called to share a memory, a memory sparked by a scene of Charlie Brown learning how to dance. “You were like four. Ma found out I was planning to go to the prom. She asked me, ‘ Do you know how to dance?’ When I admitted no, she said, ‘Well, let me show you.’ Back then it was a slow dance. None of that fast cutting up a rug stuff. Right there in the living room she showed me how to dance. And that’s how I danced at the prom.”

Inspired by … Flowers & Technology

While Anulfo just wrote about his love affair with calla lillies, I must admit that I end the year intrigued by an amaryllis. Large red flowers bloom from a single stalk. Yes, I said red. The adjacent picture is in shades of blue because the other thing that has been intriguing me as the year nears its end is technology. I still prefer to leave my photographs untouched, but I am learning that there is fun to be had in manipulating images, especially images of flowers.

Shades of Gold

You know how I love colors. Well as the year wrapped up, yellow completely enthralled me, in all its many shades.

And Finally …

Friends inspired me in every way. To be calm. To be bold. To be focused and on task. To dream. I hope they help me do all those things next year!

Have a Happy New Year! 😉

Anulfo Baez writes The Evolving Critic, a Metro Boston Blog for Art, Architectural, Urban Planning and Community Explorations. It is clear when you meet him, or when you read his excellent blog, his passions for art and architecture and for all things that fall in the urban sphere. But what I did not know until I shared my photographs with him was his love for the calla lilly. He has consistently encouraged me to photograph this plant and finally I asked him, “Why? What is it with you and the calla lilly?” What he shared helps me better understand Anulfo, and reminds me of the powerful lingering influences of one’s childhood experiences.

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A Fascination with the Toxic

Image 1: Calla Group by Anulfo Baez

Growing up in a tiny rural town on the Southern coast of the Dominican Republic, meant that I was always surrounded by trees, shrubs and flowers. I grew up with my feet firmly planted on the ground (literally) anxiously looking after our banana, lime, pomegranate, cherry, guava and coconut trees. Flowers like hibiscus, passion flowers, fragrant white oleanders and calla lilies nurtured sweet and colorful memories of my homeland.

More than any of the tropical flowers I grew up knowing and caring after, calla lilies have always been my favorite. I’m fascinated by the elegant trumpet-like flower and their dark green leaves. Through my studies in the history of art and architecture, I’ve noticed that I have not been the only person fascinated with this toxic South African flower ( if ingested, the calla is known for causing oral irritation, intense burning and irritation of mouth, tongue and lips, excessive drooling, vomiting, difficulty swallowing). Artists like Imogen Cunningham, Tina Modotti, Georgia O’Keefe, Diego Rivera and Robert Mapplethorpe among others, have all explored the infinite and awe inspiring beauty of the calla lily.

One of my all time favorite photographers Imogen Cunningham (1883-1976) allowed for a very intimate, almost scientific view of a calla. Often linked to the Precisionists, Cunningham’s later works are in sharp focus and often depict views of American industrialization and modernization. Yet Cunningham today is celebrated for her close-ups of plant forms and female nudes.

Image 2: Imogen Cunningham Calla Lily (1925)

Another photographer whose work I admired is Robert Mapplethorpe, who portrays the calla lily as an extension of the human body. His images of flowers are charged with eroticism, allowing for a deep personal connection between the photograph and those who experience it.

Image 3: Robert Mapplethorpe Calla Lily (1984)

Both Cunningham and Mapplethorpe proved that the possibilities are endless when it comes to photographing callas and as a person who grew up by callas, I can understand and relate to artists who seek to highlight the beauty of the calla lily.

Read more about Anulfo and his views in his own words.

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Sources

Image 1: Anulfo Baez

Image 2: The Robert Mapplethorpe Foundation

Image 3: The J. Paul Getty Museum, Los Angeles

Snowbound Beauty

Though I had to cancel a major trip, given the stories emerging about the impact of this most recent storm on the east coast, I certainly have nothing to complain about. Especially not when I can walk by the river and see these sights.

High Notes!

I’ve decided to end the year on a high note by sharing the words and images of others, as well as my own.  First up, a new rendition of Jingle Bells.  Yes, Christimas has passed but as I look out at the remnants of the Blizzard of 2010, I’m still feeling rather jolly and in the holiday spirit.

Jingle_Bells

If I uploaded the song correctly (you know me and technology), then simply click on the above link.  Lead singers are Arianna and Sana with Natasha, Mark and Nicki in the background.  Sana, I am pleased to share, is my young cousin, a talented young woman with a beautiful voice and an artist’s eye.  Below is a self-portrait she painted in high school.  Enjoy and have a good day!

Winter by the River

As I walked along the Charles River yesterday, I found myself transfixed by the winter grasses and the bared branches of the trees.  In the winter light, they became surreal.

Today, as I write this post, a gentle snow falls in the city.  I’ll be curious to see what the river looks like tomorrow!