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Archive for the ‘Inspiration’ Category

This post was inspired by the images of Trump (and others) espousing hateful words against those who are different, and the audiences who are looking up at him (and others) with these beautific smiles as if he (and the others) are the second coming of … something.  Trump (and too many others) are playing upon peoples’ fears and I’m not sure what to do except when the opportunity arises to reach out to those who think that I am different, and perhaps fearsome, and hold out my hand.  But sometimes I can’t make myself take my hands out of my pocket and I will excuse myself by saying, “Well, I am not a saint.” But what is a saint? It is a concept found in many cultures and across different religions.

There is a word that I overuse: timeless.  Yet timeless is what comes to mind whenever I read the words of Theodore Parker Ferris in the book, Death & Transfiguration.  It is a small book of sermons he began compiling shortly before his own death in 1972.  The book’s cover is unfortunate I think because these days, especially for people who know nothing of Ferris, they are not drawn to pick up a small book with only those words on the cover in black and green on a white background.  Even when I hold the book, people come up to me and ask what’s wrong, why am I reading a book about death.  I’m not reading a book about death. I’m reading a book about life. About how we live and about how we could live.

I keep returning to a sermon he wrote about saints. In a sermon titled The Unknown Saints he invokes the “image of Christ” – words that fit his life and times.  But looking past that historical and theological specificity to the heart of his message – generalizing his “image of Christ” to encompass the range of behavior we all recognize as holy, however labeled — do not his words fit these times as well?

… we stand before the staggering fact that in a world so steeped in sin, there are still people who live saintly lives.  By sin I mean anything that blurs the image of Christ; anything that blurs his image either in you or in the world.  The word sin means vastly more than that, but seldom can we take in at any one time all that it means.  Right now it means anything that blurs the image of Christ. The pursuit of money as an end in itself is one of the things that blurs the image of Christ. Everyone, of course, has to make a living, and he has the right to have the opportunity to make a living; but not everyone has to make a fortune, and when this becomes the obsession of his life, to make not only the money he needs to live on and a little extra to spare, but to make enough to give him excessive power and inordinate pleasure, then his money begins to blur the image of Christ. It does to his image of Christ what glass wax does to a window before it is wiped off; it cuts off the view.

The bitterness brought to light by a political campaign like some we have been through blurs the image of Christ. It has brought out into the open, and this may be healthy for all I know, hostilities that run deep beneath the well-paved surface of our national life. It has revealed the fact that we are much less mature as people than we thought we were, and perhaps it is better for us to know the truth; but in the meantime this bitterness which is bred by hostility, and this immaturity which it reveals, blurs the image of Christ.  We look at ourselves and at our world through the distortions of the most adolescent political campaign of the twentieth century.

The desire for freedom which rejects every conceivable restraint, where there is no respect for law and order, or decency, or the rights of others, no consideration for other people, this too blurs the image of Christ. We see ourselves and our world through screens of litter, licentiousness, and violence.

The refusal to face facts when the facts hurt; this is another thing that smears the image.  There is a social revolution going on in our country and in our world.  In our own nation a submerged race is reaching for its rights.  If it is not recognized, it will seize by force what those in power refuse to give it.  Thousands of people refuse to face the fact that there is any such revolution going on and, if they do face it, they refuse to face the fact that the people who are reaching for their rights have a right to reach, and that the rest of us will not find it easy to do the right thing when we have done the wrong thing for so long that we have come to think that it is right.

By sin I mean the self-centeredness in your own life which leaves no room for the spirit of Christ.  We all have to cope with this because in a sense we are all self-centered.  We are all deeply concerned about our own lives.  We are made that way, we can’t help it.  But when that self-concern reaches the point where it excludes everything else except the things that concern our own pleasure, our own welfare, or our comfort, when it reaches the point that there is no room left for the spirit of Christ, then that self-centeredness blurs the image of Christ.  In fact it blots it out.

And yet, in spite of the fact that we are living in a world so steeped in sin, there are people who are nevertheless living saintly lives. They are not perfect, not by any means.  They are living imperfect lives, under difficult circumstances, without word of complaint.  They do not win all the games, but they never play a crooked game.  They have their faults but in some peculiar, mysterious way, they are lovable faults. They make mistakes, but their mistakes do not make them. Everyone makes mistakes, but there are some people who are made by their mistakes; they are shaped and molded by them. Other people make mistakes, but their mistakes do not make them; they rise above them, go on in spite of them, and sooner or later master them.

In an un-Christian world, these people are the unknown saints.”

Would Ferris today think that there is a whole industry today in blurring the image of Christ? Clearly there is much money being made in promoting hateful behavior.  Is it behavior that has become so common, so taken for granted, that people do not even recognize what is being done to them and taking place around them?

Just something to think about perhaps. Meanwhile I am grateful for those who are able to take their hands out of their pockets and reach across the aisle.

Please note that the above words by Ferris is just an excerpt of the full sermon.  His book, Death & Transfiguration, can be purchased online and at the Shop at Trinity Church in Copley Square.

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I recently ordered some seeds.  At first, it felt like an extravagance.  Not a lot of money was spent but there were certainly other things I could have put that money towards.  Immediate needs. But I bought the seeds thinking long-term for when the winter settles in, and all the leaves are gone from the oak tree and the sunlight shines through the many windows of the house.  Even in the bitter cold, when on the one hand I am able to photograph ice on the inside of the windows, there are sunlit nooks just warm enough for sprouts to grow and even on occasion my bucket of little potatoes.

The sprouts grow in little dishes so I’m not working with much dirt but whether a few inches of soil or a foot, it brings me joy sometimes and calm always.  I feel grounded.  Of late I’ve been interacting with friends, family and even strangers for whom the winter is a tough time. I’m tempted to send them all seeds so that they can create winter gardens and perhaps find calm and maybe even joy.  But I’m not sure that gardening works that way for everyone.  I may do it anyway, out of selfishness, because the act would make me feel good.

I did this past summer mail a young friend a package of edible flower seeds.  Someone who can be a little down and get stuck inside her head.  I thought working with her hands might be good.  She texted me back a picture of the unopened colorful seed packet sealed in a beautiful glass jar.  What else could I do but applaud her on the composition of the picture.  I mean, who am I to dictate how someone gardens.  Later when she came to visit in person I let her taste some of the sprouts I had growing, some mild mixture of greens.  I happened to have an unopened package of the seeds tucked away.  I gave them to her … along with a little bag of dirt.  The next text I received was of a bowl of growing greens.

Just some random thoughts this Sunday morning as I stare at empty vessels waiting for their seeds. The pictures are images of dried flowers from the Belle Isle Reservation.

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I thought I’d take a moment to say thank you.  Thank you for viewing this blog.  Thank you for the comments that I don’t always respond to but I read and enjoy every one.  And most of all thanks for the support and encouragement on this creative journey.  Have a wonderful day. 😉

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but it didn’t matter. The waters were still beautiful. Like the clouds had come down to earth.

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As far as I know, I have no Slavic blood in me but I do not think you need to be of Slavic heritage in order to appreciate the beauty and majesty of Alphonse Mucha’s Slav Epic anymore than you need to be of African American heritage to appreciate the Singing Windows at Tuskegee.

They both employ, in vastly different ways, visual storytelling to convey the histories of peoples and their journeys from subjugation to celebration, from despair to hope. As described on the Mucha Foundation website:  “The Slav Epic (Slovanská epopej) is a series of twenty monumental canvases (the largest measuring over 6 by 8 metres) depicting the history of the Slav people and civilisation. Mucha conceived it as a monument for all the Slavonic peoples …

The idea of the work was formed in 1899, while Mucha was working on the design for the interior of the Pavilion of Bosnia-Herzegovina, which had been commissioned by the Austro-Hungarian government for the Paris Exhibition of 1900.

In preparation for the assignment he travelled widely through the Balkans, researching their history and customs as well as observing the lives of the Southern Slavs in the regions that had been annexed by Austria-Hungary two decades earlier. From this experience sprang the inspiration for a new project – the creation of ‘an epic for all the Slavonic peoples’ that would portray the ‘joys and sorrows’ of his own nation and those of all the other Slavs. ”

On that website you will find a picture of all 20 paintings, a description of the stories depicted in each painting, and “related objects” which include photographs of Mucha at work on particular canvases, working with models, etc.

I read several reviews that said do not go out of your way to see this exhibit. I would say, if you have the opportunity to visit Prague, do all that you can to go out of your way to view this exhibit.  What struck me? The scale of this creation, the source of the inspiration, the vision of the artist and the dedication to completion. And of course the use of color and the expression of light.

It took Mucha approximately five years to shop his idea around and find a benefactor and then over a dozen years to produce his epic even as he produced all of the other art — the posters, the advertisements, murals, etc. — which are considered his definitive works.

Through December 2016 the exhibit can be found at the Trade Fair Palace in the City of Prague (http://www.ngprague.cz/en/exposition-detail/alfons-mucha-the-slav-epic/) and the online exhibit can be found on the Mucha Foundation website (http://www.muchafoundation.org/gallery/themes/theme/slav-epic).

 

Sources & Additional Readings

http://www.muchafoundation.org/gallery/themes/theme/slav-epic

https://en.wikipedia.org/wiki/The_Slav_Epic

1925 Article about the Epic as a Work in Progress

a 2010 post about the troubled history of the paintings

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It was a bit of a race against time.  A storm was rolling in. So though we knew we had a few hours before the sun was due to set we didn’t have that great a window of time for light. We raced, as fast as the trolley would take us and then putting foot to pavement, from the Mucha Foundation back to Prague Castle and the St. Vitus Cathedral.  Why? Because at the Mucha Foundation we’d seen a drawing of a stained glass window that Mucha had designed for the St. Vitus Cathedral but he had passed away before seeing it executed. But then while watching a brief foundation video on Mucha we learned that a company had funded the execution of the window and it was in the cathedral.  We made it back to the cathedral in time to purchase a ticket and track down the window. And what a sight it was.

And now there is a race against time to catch a flight home and so I will simply leave you with a few images and a few links. Read more about this amazing artist here: http://www.mucha.cz/index.phtml?S=biog&Lang=EN and http://www.muchafoundation.org/

More to share when I return to the States. Until then, be well.

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… these along the famed Charles Bridge.

You can learn a bit more about the Charles Bridge here: https://en.wikipedia.org/wiki/Charles_Bridge.

There were so many people massed about the statues along the Charles Bridge, photographing the statues and the birds, that I began to train my camera into the surrounding landscape.

And then in quiet spots I’d train my camera on the statues once more.

It must be one of the most photographed and painted places in the world. Even if you aren’t able to visit yourself, there are many beautiful images out there to be viewed in books and online. Enjoy.

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Yes, I have sought out stained glass in Prague and what beauty there is to be found like these images from the St. Vitus Cathedral at the Prague Castle.

Only a quick glimpse this trip …

… I hope to visit again for a longer period of time.  The windows were breathtaking as was the light they cast upon the stone.

Learn more about this cherished structure here: https://www.hrad.cz/en/prague-castle/guidepost-for-visitors/st-vitus-cathedral.shtml

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