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Posts Tagged ‘stained glass windows’

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Detail from stained glass window by Margaret Redmond (1867-1948). Located at Trinity Church in the City of Boston and dedicated to her friend and fellow painter Susan Hinckley Bradley (1851-1929). You can read more about Redmond and Bradley here:

https://en.wikipedia.org/wiki/Margaret_Redmond

https://en.wikipedia.org/wiki/Susan_Hinckley_Bradley

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blueandgreen

 

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pastel window trim

I’m not sure I quite get Pantone’s “living coral” as Color of the Year but it did engage my brain … like the visual equivalent of a writing prompt … to seek out where that color might already be around me. I haven’t found it (yet) but I did chance upon a photo of decorative glass composed of other lovely pastel shades. And as I stared at that photo I began to imagine what might happen if I continue this new year with my interpretation and expression of John La Farge’s idea of “construction by color.” As you can see in the following slide show, you never know what might happen when you take colors, turn them on their sides, weave them together, shrink and repeat them … and so on and so forth until glass is translated into fabric.

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The scarf, 36 x 36, will soon be available exclusively at the shop at Trinity Church. You can follow the shop facebook page and instagram account to stay on top of this and other items I’m honored to have appear on the shelves.

 

 

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A new scarf designed for the shop at Trinity Church in Boston. It is 36 x 36 making it versatile as do the variety of bright, bold colors. It dresses up the simplest outfit. Coming January 2019. Inspired by the stained glass designer John La Farge.

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You’ll find this original design at the Welcome Center gift shop at Trinity Church in the City of Boston. The source of inspiration is the decorative detail found around the window Purity designed by John La Farge. You can learn more about the shop here.

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Luke

Detail from St. Luke as Physician and Evangelist, a stained glass window located in the south transept of Trinity Church in the City of Boston, designed by Heaton, Butler & Bayne of England, 1920, in memory of James Sullivan Amory (1809-1884) and his son Robert Amory (1842-1910), a noted physician.

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I’m a details oriented person for the most part, in fact so much so, that I know I sometimes miss the big picture. But by being details oriented it becomes easy to recognize things … in this case … As my companion and I walked around the perimeter of Saint Mark’s Episcopal Church I could see the outlines of the stained glass windows. I pointed. “That for sure is Tiffany Studios, and maybe that one, too.”  “You’re sure?” he asked. “Oh, yes,” I said with more confidence than I actually felt. “Look at the faces and the opalescent glass. The drapery. Signature Tiffany.”

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He took me for my word and began helping me tug on doors. A homeless man making himself comfortably in a shady corner waved us over and said, “You need to go to that door.” We thanked him. It was locked but eventually, as service was about to begin, an usher unlocked the door and let us in. He was very kind.

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As my companion talked with him about the organ, I snapped away trying not to disturb parishioners starting to settle in. And this is what I saw …

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As for if and how many of the windows are actually Tiffany Studios, I don’t know for sure. That would involve a deeper level of research and conversation with the church historian or archivist.

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But just as fascinating would be to discover more about the windows that are decidedly modern looking in a style I’m not yet familiar with on the East Coast.

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Sometimes reminiscent of Chagall for me. What do you think?

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Anyway, mostly when I see glass of such different styles in a sacred space I am reminded that the building like the people can be dynamic. A lovely, quick visit … 🙂

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https://stmarksberkeley.org/

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