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Posts Tagged ‘stained glass’

I couldn’t help myself. Despite how I ended the previous post, I had to dig just a little deeper and this is what I found.

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In 1902 this was the archway over the altar in Faith United Parish, then known as the Calvinistic Congregation Church. In 1904 that archway was altered to incorporate a memorial to the parents of Daniel Simonds. Simonds was the son of Abel and Jane Todd Simonds. Abel Simonds was the founder of the Simonds Manufacturing Company, a company operating and still headquartered in Fitchburg. Son Daniel was an astute businessman who led the company’s growth internationally. With his great wealth, he invested heavily in his hometown of Fitchburg and in the good works of his church.

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In the April 16, 1904 issue of The Congregationalist and Christian World, Volume 89, there is a note in the Record of the Week section stating that at the Fitchburg Calvinistic Congregation Church “Choir arch redecorated and its center supplied with windows of beautiful design, the whole a gift of Daniel Simonds, in memory of his parents. They were dedicated Easter Sunday.” Unfortunately no artist or studio is named in the article.

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As for mystery #2 …

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Based on information gleaned from Fitchburg Sentinel newspapers from 1930, it appears that the window, named The Resurrection, was a gift to the church by Mrs. Daniel Simonds, born Ellen Gifford.

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Again, no clues as to studio or artist at this time. But who knows what might be revealed one day. 🙂

 

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As noted on its website, the church currently known as Faith United Parish is home to a number of beautiful stained glass windows. Located on Main Street in the city of Fitchburg, Massachusetts, both the building and its congregation have evolved over time and continue to do so. Originally known in the 1800s as the Calvinistic Congregational Church, it merged with the First United Methodist Church in 1967, forming an urban cooperative ministry.

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The building, which was to be the third meeting house for this congregation, was designed in 1897 by architect and parishioner H. M. Francis who was influenced by the Romanesque Revival sparked by Henry Hobson Richardson with his creation of Trinity Church in the City of Boston. Standing outside the building on the corner of Main and Rollstone streets, one is immediately struck by the heavy stone facade, rounded arches, tall tower with its beautiful clock, and dark tracery of the interior stained glass windows.  Thanks to Pastor Jeff Conlon who allowed entry inside to see the windows firsthand.

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The rose window was designed by the Boston firm of Redding, Baird and Company. It measures twenty feet in diameter and its theme is the angelic choir.

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The six angels are the spirits of Praise, with scroll; Love, holding the sacred dove, Music, blowing the trumpet, Music, playing the harp, Teaching, reading from the Book of Life, and the herald-angel of Easter morning.

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The description of the rose window is taken from the 1902 book, A History of the Calvinistic Congregational Church and Society, Fitchburg, Massachusetts. In 1902there were only two memorial stained glass windows in place, one given by Edward G. Bailey in memory of his mother Mrs. Rodney Wallace …

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and the other given by George Hildreth in memory of his wife Pauline C. Hildreth.

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These windows, plus three others added in 1903, are credited as Tiffany Studio windows designed by artist Frederick Wilson.

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While not widely known today, Frederick Wilson was a major ecclesiastical designer of the late 19th and early 20th centuries. He was employed most notably by Tiffany for nearly thirty years and worked for other studios at the same time including Heaton, Butler and Bayne.

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Resurrection Angel

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Call of Matthew

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Two other figurative windows are present though not necessarily attributed to Tiffany or Wilson.

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While the above window does have similar opalescent and drapery glass as the Tiffany windows, the final window I photographed is strikingly different.

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A 1938 article in the Fitchburg Sentinel newspaper references this window, the Gifford Memorial window, as having been gifted to the church during the prior ten years. By the 1920s there was a distinct move away from the opalescence and designs that Tiffany and John La Farge had made famous. The use of rich colors and a reworking of the medieval inspired a new generation of artists. As for the name of this artist and his or her studio it is unclear without further research.

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While my focus tends to be stained glass, there were many other beautiful features to be seen inside as well as without, and I’m not the only one who thinks so. The building is considered one of the most important examples of Richardsonian architecture remaining. In 1979, the building was enrolled in the registry of National Historic Places. You can learn more about this important building and its church services via the following link. It was a great pleasure to visit.  http://www.faithunitedparish.com/index.htm

 

Sources & Additional Reading

https://en.wikipedia.org/wiki/Calvinistic_Congregational_Church

https://en.wikipedia.org/wiki/Henry_M._Francis

A History of the Calvinistic Congregational Church (1902)

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I took a field trip today to visit a church, one of many, in Fitchburg. Still sorting through photos. Will post more about this welcoming church and its lovely windows soon!

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… this floral detail caught my eyes.

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Borders define and divide space. Depending on context, borders also complement and accentuate that which they surround. And that is the case with the four 19th century stained glass windows at Trinity Church designed by Burlison and Grylls, of London, England.

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The four windows, located along two walls, purchased by four different families in honor of loved ones, depict in rich dark colors six stories from the bible and other illustrations representing faith, patience, fortitude, charity and hope. While the stories vary quite a bit, from Stephen being stoned as the first Christian martyr to Dorcas wrapping her cloak around someone less fortunate, each is framed by the same bold floral pattern.

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In vibrant yellow gold, black and white, the borders create a sense of unity among the four windows, illuminating the stories across what could have been a very dark length of space. And they provide design inspiration.

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When designing merchandise based on stained glass windows, I tend to deconstruct and then reconstruct. As I sorted through photographs of these windows, I eventually found myself staring at just one flower. And then as I played in GIMP with that one flower it began to grow, and grow, and return to its original self …

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and this visual building would continue until something new emerged … a bold new pattern, derived from a wonderful sunlit border, that celebrates the original beauty, and reveals its own bright story in cloth, glass and ceramic.

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Merchandise bearing this pattern, including silk chiffon scarf and coaster, will soon be available at the gift shop in Trinity Church located in Copley Square. Meanwhile, see the church windows and their glorious border for yourself. Tour information available here: https://trinitychurchboston.org/visit/tours

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A door has to be functional but it can also be beautiful. It boggles my mind to imagine that over 140 years ago someone sat down and put pencil to paper to design this door for Trinity Church in the City of Boston and perhaps thought, hmmm, well, besides adding a snazzy brass doorknob, what else can I do to jazz up this door? 🙂  My mind works in a different way. As I watch the sun shine through this decorative glass in the upper part of the church doors I begin to wonder how might these wonderful geometrics and bright colors be translated into other forms. You might be surprised! Stay tuned to this blog and follow the Trinity Church Shop Facebook page for updates on merchandise featuring these motifs.

 

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Restock of the Purity silk chiffon scarf arrived in the mail today just as the sun began to set. Beautiful light shining through the window fell upon the fabric. The design is inspired by details from the stained glass window by John La Farge. The scarf will be available at the shop at Trinity Church. In the works … a design based on the church’s painted ceiling. Stay tuned!

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Walking by Sanders Theater in Harvard Square.

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