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Posts Tagged ‘imagination’

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You have only to do an online search for “street art” and “dublin” to discover the backstory as well as the ongoing evolution of graffiti arts in Dublin, Ireland. One of my favorite quick reads was this 2014 article: https://untappedcities.com/2014/02/24/the-evolution-of-dublins-street-art-scene/dublinstreetart2

Even on the cloudiest days, art brightens the city. I expect that one could orchestrate a whole tour of the city focused on street art and the artists who produce the very diverse works. It can be found up high …

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and down low …

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there’s the fun …

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and the poignant.

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There appeared to be few limits on presentation given this sculptural figure on a wall.

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More so than any other city I’ve been in, Dublin with its art everywhere made me want to put away my phone and to truly look around me. You never knew what you might see.

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upon a white sheet of paper and for some reason the petals reminded me of a ball gown and so I tried to draw little legs and high heeled shoes. My nine-year old friend said the shoes looked a bit like rabbits but we agreed that was okay. 🙂

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I suspect my perspective of these flowers, mostly planted in a median strip, are somewhat colored by having recently watched a documentary on the Hubble telescope. Enjoy, and have a good day, folks.

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Okay. So I’ve been thinking about this since spring really sprung and the oak that arches over the house finally leafed out. To sit with a big piece of white paper before me. To sketch a rectangle and then crisscross the rectangle with diagonal lines. And then with markers or even paint to place dabs of color on the branches to symbolize what I have seen. Red for the cardinals. Blue for the jays. A swoosh of gray for the squirrels. Yellowish-green for the finches. Black-specked brown for the sparrows. But what shall I do for the raccoon I saw yesterday? 🙂

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After confirming that the flowers were edible, Ricky of Ricky’s Market asked me to tell him how they tasted. Well, they don’t taste like much to me, but what wonderful brightness they add to a salad. Like sunlight.

I have to return to Ricky’s soon and I am contemplating picking up some white flowers. If I place their petals upon the dark green leaves of spinach and kale will I be reminded of the moon this time? We shall see. 🙂

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It can be hard to read a coffee table sized book while sitting on a Boston subway during rush hour. But that’s what I was trying to do after a visit to the library to retrieve the book Nature’s Chaos, a collaboration between photographer Eliot Porter and writer James Gleick. I sat snugly between, on my left, an older African fellow wearing a very puffy and, I’m sure, warm coat.  On my right sat a young Chinese boy wearing a very puffy and, I’m sure, warm coat. The little boy kept getting in trouble with his dad because he was a bit hyper.

I’d been waiting a long time for this book.  Carefully, very carefully, trying to respect the space of my neighbors, I opened up the book into a narrow V-shape. I figured the text I could read later, but I wanted a peek at Porter’s vast landscapes.  I could see a little but not enough.  Wider I opened the book.  I peered closely at the sweeping patterns in cracked mud and lava flows. There were leaves on water and sunset clouds.  As I lost myself in these scenes, perhaps the book fell open wider still because all of a sudden I noticed something.

Now the African gentleman was a bit more subtle but I could tell he was looking at the book with me. He’d adjust his glasses as I turned a page and every now and then he’d bend over slightly, trying to see the cover to find out what in the world I was looking at. The little boy hadn’t learned how to be subtle. He just peered right over my arm. I didn’t bother looking at his dad. I just began pointing out features on the page to the boy. Occasionally I’d drag my finger along a seemingly mundane scene, like orange flowers in a green field or vines on a tree trunk. I’d say softly, “That’s pretty cool, hunh?” His eyes never leaving the page, he’d nod and say softly, “Yeah.”

On the last page, I made a dramatic show of closing the book and saying in a little louder voice, “And that’s it!” The little boy (and the gentleman too I suppose) slid back into his chair.  His father whispered to him.  The little boy looked up at me.

“Thank you,” he said.

I smiled. “You’re welcome.”

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It must be a sign of the times that as I flipped through Edgar Allan Poe’s Tales of Mystery and Imagination as illustrated by Harry Clarke, I could not help but think what a great adult coloring book these illustrations would make. Perhaps not all of the illustrations … unless you’re into zombies and the Walking Dead. But these scenes from Poe’s short story Morella

and these from The Colloquy of Monos and Una called to me with their flower and nature imagery.  Harry Clarke (1889-1931) is perhaps more widely known for his stained glass work. Whether working with glass or with paper for his book illustrations, I wonder at the sources of his creative vision. I’m not always sure why I am inspired to do something but it sure is fun to take time to explore the possibilities. And to talk with other artists about their influences.

I can’t talk with Mr. Clarke but I am lucky enough to have access to a number of artists in my local community. Stay tuned for future updates about artists and their inspirations.

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