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Today I made my annual donation to one of the nonprofits I support, WalkBoston.  As a card carrying pedestrian (and dreamer), believe me, I need help crossing the road.  I made the donation in memory of my Aunt Thelma who used to describe her walks to me.  Following is a blog post I wrote about her two years ago, about how she influenced who I am today, including how I can choose to give myself to others.  This bright, beautiful day is her birthday so it seems like a good time to give back, and give thanks for her having been in the world.  At the end of the post is a youtube video of Dives and Lazarus by composer Ralph Vaughn Williams.  It was music Steve had shared with me, and music I remember replaying until I could collect the words to write about a lovely woman who in her own unique way helped me learn to walk in this world.  Please enjoy the words and the music, and have a good day.

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Memories

My mother taught me to cook, to plant flowers, and to tell stories.  From her I learned to love books and to love writing.  She passed away before I ever wrote and had published my first story.  During her life, I never traveled abroad.  She never knew me with a camera in my hand.  She never met Steve or any other fellow in my life.  But her sister, my Aunt Thelma did.

In Aunt Thelma’s bedroom dresser are the postcards I sent to her from my travels all over the world.  On her bookshelves are the magazines and other clippings of my work.  And, last year, after I returned from my travels with Steve in Japan, she made me create a photo book for her.  “I need tangibles I can hold in my hand,” she said when I pointed out the pictures were viewable online.  “And include a picture of that fellow you’re seeing.  I don’t know if I’ll ever see him any other way.”  They never did meet, but she read about him, and they spoke on the phone once.  I sat next to her on her couch as she laughed with him on my cell phone.  I remember him asking her what he should call her.  She laughed and said, “Well, why you don’t call me what everyone calls me.  Aunt Thelma.”  After she hung up, she asked me if he was a good man.  I said yes.  And then we went on to talk about my brothers and their families.

Growing up in Virginia, my mother made it clear early in my life if I was ever in trouble I could call my Aunt Thelma who was living in New York.  When my mother died, Aunt Thelma traveled to Virginia and was there with me and my brothers, along with the rest of the family.  When my father died unexpectedly a year and half later, she couldn’t make it, but I will always remember standing in a hospital waiting room on the phone with her crying and her saying over and over, “You go ahead and cry.  It’s alright to cry.”

In bad times but mostly good, I called her, especially after I got a cell phone.  I could call her randomly as I returned home from work.  She’d laugh at my stories and in the end, wind up telling me to be careful as I crossed the street.  She always ended her calls with, “I love you, Cynthia.”

My Aunt Thelma passed away this weekend.  I will miss her.  I am thankful that she was in my life.  I learned a lot.  In NY this weekend, as the family gathered, I held one of my young cousins in my arms.  She was crying.  “I’m sorry,” she said as she tried to wipe her face.  I said, “Why are you apologizing? For crying? Don’t ever apologize for crying.  It’s alright to cry.  Do you know who taught me that?” When she shook her head, I said, “Aunt Thelma.”

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Jordan Playing in the Leaves, photo by Dad

Jordan Playing in the Leaves

My brother is not off the hook for his guest post about music and mountains, but I must admit that this photo he did share of his son at play in a field of leaves was quite an autumn treat.  A 3-year old the size of a 5-year old with big brown eyes filled with wonder at the world.  My brother wrote that it is an image that makes him want to sit and write “about the joy and emotions of Fall and Winter.”  I hope he does put pen to paper (or fingers to keyboard) and that Jordan keeps playing in the leaves. 😉

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It has been a hard month, a hard summer, a hard year, for so many family and friends.  I read their words and hear their voices, and all I have been able to do, in the end, is absorb and listen.   On occasion I have been able to touch, to hug, and to encourage others to take such action.  Sometimes I have offered words of advice but I am beginning to think that, for the most part, those words of advice could be a song or poem or a passage from a book.  The words from my mouth are not so important as is my literal or figurative presence.  I am lucky to have them in my lives as well.

Despite the title of this post, I do not feel at the center of it all, whatever “it” may be.  As a writer, photographer, storyteller, I feel on the periphery, observing the chaos of life from odd angles that reveal ambiguities, sadness, horror, pain but almost always, great beauty, too.  When I talk with the friends and family who are struggling I find myself wishing … and then I stop myself.  I cannot live other peoples’ lives, but I can and often do ask them, “Without ignoring all that’s going wrong, what is going right? What’s one thing making you happy?”  One lovely friend will have a tendency to say, “Well, at least my cat is not dead … yet.”  And I’ll say, “Exactly!” 😉

These are the rambling thoughts that come to mind this Sunday morning as I hold close in my heart those who may be feeling a bit alone or vulnerable or just unsure of next steps.  I certainly feel that way about some things too.  And with that said, what is one thing making me happy at this moment?  It is the morning sun falling upon this apple creating a little apple universe.  At least I see the stars.

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I did not think the petunias would grow indoors.  I thought they’d bloom for a short while and then fade away, but somehow they have lasted the summer and now bloom confidently into the fall.

They have outlasted the basil, thyme and mints.

They soak up the sun near the hardier herbs – the oregano, sage and rosemary.  The plant’s white flowers shade the poinsettia that is still bright green and the stellar red garden mum, a hostess gift still hanging on.

I think I have tried to grow petunias indoors before with little luck.  They are a complex flower for me, not my favorite and yet I can’t help but think of them as my mother’s plant.

She grew them in wooden boxes and converted tires that my father made and arranged in the yard for her.  We shall see if this plant thrives into the winter months.  Not to rush time, but I can’t wait to see the white blooms against the window with snow falling down.

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I can be a bit slow.  It took me well over a year to visit and then participate in Cowbird.  A friend had suggested I check out the site as a new creative outlet.   I’m glad she did.  It is a community of storytellers.  I’ve posted a few stories — really a collection of simple words, rather stream of conscious, like diamonds in the rough or perhaps just gravel, but words I do not wish to lose.  I am honored to have had one such collection featured today:  plums.  If you haven’t already, please check out the site.  A source of lovely words and images.

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This morning I received several different examples in my inbox that referenced the use of creativity.  First I received a Daily Reflection courtesy of Alive Now Magazine, a publication in which I’ve had photos appear.  Today’s reflection was “Imagine you are giving a party inviting the poor, crippled, lame, and blind in today’s world. How would you need to engage your creativity to offer them your hospitality?”  You can read the full reflection here. It was strange to see this reflection about using creativity to offer up hospitality, and then to read this NYTimes article and some other articles highlighting how people are engaging their creativity to devise new strategies for relocating the homeless, and not always in positive ways.

A Rodin Sculpture at Boston MFA

A Rodin Sculpture at Boston MFA

The articles made me mad but the reflection brought to mind my mother.  One holiday season she invited to dinner a mentally challenged neighbor.  He had no family coming to visit that year and we had plenty of food.  But, you see, my mom was a very private person.  For others, and maybe even this same man, in the past she had always made up a plate and sent my father or brothers down the street to knock on doors and share some food.  I do not know why she invited this man to our house this time.  I think she was creative in her approach so that she could do this “good deed” and maintain some sense of privacy that was important to her.

Gerber at the Kitchen Table

Gerber at the Kitchen Table

The man was invited to sit in what the family considered “Pop’s chair” in the living room.  My mom served him the first plate, and my dad served him his refills.  After eating, the man watched TV and even took a nap.  My younger brother and I were small enough to ask out loud, and too loud, “When is he leaving?”  She shushed us but I could tell my mom felt the same way.  After he did leave, my mom swore she’d never do such a thing again.  She never did the exact same thing again (that I can remember) but she did do other things of a similar nature — good deeds that sometimes exceeded her comfort zone. Deeds done creatively.

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As soon as my brother uttered the words, I smiled and shook my head.  Once again I was proven right.  I may feel compelled to put my words out into the world, but it is my brothers who are the poets in my family.  In this case, my youngest brother was simply sharing his growing understanding of what it means to be a father — the ups and downs and everything in between.  And with this understanding he was able to look into the past from a different perspective.  “I remember,” he said, “walking towards Pop.  He was sitting in that chair, lost in thought, tilted over, looking like a dandelion without light.  I don’t know which of us he was worried about that day or if he was sitting there wishing he’d done some things differently in life or maybe he was just missing Ma.  But then he saw me and he straightened up and he smiled.  It was like the sun had come out.  I was his light.  That is what my son is like for me.”

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We spoke by phone.  I sat in my kitchen in Somerville, MA while my younger brother sat outside his home in Lynchburg, VA.  After I had described my latest walk by the water and what I might write about, he said, “Mmmhmm.  I think you should write some more about porches.”

“Porches?”

“Yes.  About what it’s like to sit on the porch steps at night, in the quiet and in the cool, with fireflies in the distance.  They look like stars.”

I imagined him sitting on his little back porch.  I thought about the seeds I had sent him and his family.  “Next year, I am sending you night blooming flowers.”

“That’s fine,” he said, and then he added, “And you should write about wearing glasses, how we wear them to see clearly, these wire frames that are not heavy but somehow you feel their weight all the time, and if you have long eyelashes you’re constantly batting them against the lenses.  Yeah, there’s always contacts … but somehow when you wear glasses and then you sit and you take them off … you can’t see as clearly and yet there is a certain sense of freedom.  A weight has been removed.  Though your view is a bit blurry somehow you can see with greater clarity the beauty all around.”

“I gave you a blank notebook.  Why don’t you write these things?” I say.

“Because you’re the writer,” he said.

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As spring draws to a conclusion, the last of my dandelions have fallen apart helped by a sudden gust of wind from an open window.  I wonder what the summer will blow my way.  Meanwhile here’s a gallery of the dandelion images.  FYI, the folks at Talking Writing Magazine paired some of the images with an essay by Fran Cronin about a mother letting her daughter go as She’s Leaving Home for college.  An excellent read.  Check it out.  Meanwhile have a good Thursday!

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There is a time and place for everything.  I guess now is a time and place in my life to collect seashells and rocks and blossoms that I let dry in the sun.  As I collect these things, I ponder.  Here is a recent essay inspired by a broken bowl of stone and shells:  fragile beauty.

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