Feeds:
Posts
Comments

Posts Tagged ‘religion’

Recently (once again), I was walking down the street, this time in Cambridge, lost in thought, and chanced upon a large white wood building that I’d seen many times. A church.  Its main doors were usually locked midweek. But this day I decided to do something I’d never done before. I went around a corner and knocked at a different door, and this is what I learned.

Now located at 8 Inman Street, Cambridge, MA, in the heart of Central Square, this church was once sited in a different part of Cambridge.  In 1822, the First Universalist Society built a meeting space in Lafayette Square, Cambridge at the corner of what was then known as Main and Front Streets.  In 1858, under the architectural supervision of Thomas Silloway, the Georgian style meeting house was significantly remodeled at a cost of $8,000.

In 1888, part of the church lot was taken by the City of Cambridge for the widening of Front Street (now Massachusetts Avenue).  After careful consideration it was decided to move the building to its present location on Inman Street.  The building was cut into two parts and, as described in the church brochure, “Over a period of five days, men and horses were used to pull the building through the 40-ft. wide streets of Cambridge.  … Telephone and telegraph service were also temporarily interrupted…” When placed in the new location, a middle portion was inserted to increase the length twenty feet.  In addition to other major remodeling efforts, over time, there were at least three series of stained glass window installations. Artisans included Redding, Baird and Co., Belcher Glass Co., and an unnamed student of John LaFarge.

By 1954, the Universalist congregation had diminished to a very small number providing the opportunity for the orthodox parish of St. Mary to obtain the structure.  Later, assessed as part of the process for listing on the National Historic Register, the building was identified to have some of the rarest stained glass in the Northeast.

That particular day, I just took a quick peek, and what a delight.

Across time and despite the change in parishes, great effort has been made to protect, preserve and expand upon the stained glass windows and other interior decoration.

Please note that if you’re in the area, tours may be arranged.

I am thankful for the opportunity to visit so unexpectedly.

And I was reminded once more …you never know what a day will bring.

Sources/Additional Readings

St. Mary Orthodox Church Website

Read Full Post »

In the shadow of the Back Bay is how the brochure describes the location of Our Lady of Victories Catholic Shrine.  I chanced upon the church yesterday after a meeting.  Crossing a street, I actually saw the back of the building first, an old brick structure with darkened windows that clearly had to be stained glass.  I made my way to the front of the building, studying the exterior and wondering if I might contact someone, some day, to ask if I might photograph the interior.

“Do you want to go inside the church?” A large man stood across the street.  He seemed to be in a hurry because he didn’t even wait for my answer before saying, “Just go down those stairs over there.” Then he continued on his way.

I went down the stairs into a little alleyway. There were a couple of older gentlemen there having a smoke. They greeted me kindly, and again without really waiting for me to say I wanted to enter the church, they directed me through a side door.

Inside was dark and warm. People moved about a bit in the shadows and I could hear a few sounds.  I could see no stained glass windows though.  Then, to my right, a gentleman walked from a side room.  He smiled and said, “You can come on in.  We’re just watching a movie.”

I thanked him for the offer, and said, “Actually, sir, I was wondering if I could go inside the church upstairs where the windows are.” His grin widened, and he said, “Of course. Just go back outside and up the stairs.  The doors are open.”

That’s what I did and following is a bit of what I saw.  There are quite a few images so please enjoy at your leisure. You can read more about the church’s history via this link.  In the future I hope to post more about the architecture and about the primary window designer, Franz Xaver Zettler.  And, by the way, I believe that the gentlemen who were so kind to me, were themselves being helped.  Located in the basement of the church is the Medeiros Center for Change.

Read Full Post »

There is a person dear in my life who on occasion drives me crazy because he is compulsively compelled to help other people. As he likes to say, why else were we put here on this earth? A man of deep faith, his favorite saint is James.  I told him to tell me about James.  He shrugged and said, what more is there to say than what is faith without good works.  Indeed.  😉 This image of Saint James is one of two Saint James’s appearing in the the stained glass window designed by Margaret Redmond of Boston (1867-1948).  As you enter the sanctuary of Trinity Church in Copley Square, the windows are located to the left toward the north transept.  In the map one receives when engaged in a tour, the windows are labeled as Eight Apostles (1927).  In fact, all twelve apostles are represented, but only eight are most easily seen from the floor of the church, depicted in sets of four.

These eight apostles are James of Alphaeus, Matthias, Thomas, Bartholomew, James of Zebedee, Simon the Canaanite, Thaddeus and Simon Barnabus.

The other apostles — Andrew, Phillip, Peter and Paul — are paired above each set of four apostles.

A causeway not accessible by the public except during special events obscures their view …

… but assorted postcards and prints capturing their details are available in Trinity’s Book Shop.

What I enjoy about these windows is the explosion of colors.  Regardless of time of day or even season, there is always some new detail to discover.  For many reasons, they are an inspiring sight.

As the spring progresses, I hope to learn more about the artist Margaret Redmond, her life and her work.  As I do, I’ll be sure to share stories. Take care.

Read Full Post »

I was racing around the Back Bay of Boston and decided at some point that I needed to rest for a bit and so I stepped inside of the Old South Church at the corner of Boylston and Dartmouth Streets.  There were so many people sitting quietly that I decided that perhaps I should too (especially given the weight of my backpack).  And so I sat and focused my camera mostly on one window.  A large window above the chancel said to illustrate the announcement of the birth of Jesus to the shepherds.  Designed and produced by Clayton & Bell of London and installed in 1875.

Learn more about Old South Church, its history and current activities, via this link.

Read Full Post »

Of all the buildings that I was able to step into in Galway, I was able to spend the most time at the Galway Cathedral.  Dedicated on August 15, 1965 by Cardinal Cushing of Boston, it is noted as the youngest of Europe’s stone cathedrals.  Its art and architecture reflect many different styles and periods from Byzantine to Gothic to Romanesque.

Detail from St. Michael, by Patrick Pollen of Dublin

Detail from St. Michael, by Patrick Pollen of Dublin

Online, there are many images of the exterior.  My camera tended to focus on the variety of stained glass windows, mosaics and carvings on the interior walls.  In addition to learning the larger story of the building’s creation, it has been a pleasure to research and learn about the individual artists, like Patrick Pollen, who dedicated so many years of their lives to producing artwork for this cathedral.

Detail from St. Gabriel, by Patrick Pollen of Dublin

Detail from St. Gabriel, by Patrick Pollen of Dublin

It will take me a while to sort through the images and continue my research.  There are always stories to discover! Until I pull together my words and images about this beautiful structure, here are few images to peruse.

Read Full Post »

As I’ve written about before, one of the great pleasures for me of stepping into a church is to see the wide variety of artistic expression through stained glass.  Such is certainly the case with a quick visit to St. Augustine’s, a Gothic church in Galway completed in 1859.

Apparently during renovations in the 1970s, the original window over the main altar was replaced by a new window depicting the Resurrection. The artist is George W. Walsh.You can read a bit more about Mr. Walsh via this link. His father, with whom he apprenticed for several years, was a pupil of stained glass artist and illustrator Harry Clarke.

While no one seemed to mind me meandering about with my camera, I focused mostly on that window above the altar with its many lovely parts making an incredibly beautiful whole.

The other window that caught my attention happened to be a depiction of St. Augustine himself.  Later I discovered that Mr. Walsh also composed and completed that window.

It was a bit rainy that day so I did not take many exterior shots, but via this link you can view the building.  On this webpage, you can read just a bit more about the history of the Augustinians in Galway and more about the construction of this particular building.

 

Read Full Post »

I’ve been on a bit of whirlwind travel for work and pleasure. In addition to spending time among swans, I managed to step into a few churches along the way.  Here’s a bit of the beauty to be found at the Priory of St. Mary’s, The Claddagh, Galway, Ireland.  I hope I have the opportunity to return one day.

Read Full Post »

Lazarus and the Rich Man by Gustave Dore

Lazarus and the Rich Man by Gustave Dore

“No individual can live alone, no nation can live alone, and anyone who feels that he can live alone is sleeping through a revolution. The world in which we live is geographically one. The challenge that we face today is to make it one in terms of brotherhood. … Through our scientific and technological genius, we have made of this world a neighborhood and yet we have not had the ethical commitment to make of it a brotherhood. But somehow, and in some way, we have got to do this. We must all learn to live together as brothers or we will all perish together as fools.”

Words spoken not today but nearly fifty years ago by Dr. Martin Luther King Jr during  this talk at the National Cathedral in Washington, DC on March 31, 1968.  In this day and age of soundbites and tweets, it might be a challenge to read in entirety but I hope you have the opportunity to do so.  I chanced upon it while researching Dives and Lazarus.  I was curious about the parable that inspired one of my favorite pieces of music.

Five Variants of Dives and Lazarus by Ralph Vaughn Williams I play to help me unlock a part of my brain when I am stuck on a writing project.  The music moved me long before I truly understood the story at its core.  A friend explained the story of the rich man, Dives, and the poor man, Lazarus, a parable appearing in the Gospel of Luke.  He recently summed it up as a story of inequality and early trickle down economics.

The Rich Man and the Poor Lazarus by Hendrick ter Brugghen, 1625

The Rich Man and the Poor Lazarus by Hendrick ter Brugghen, 1625

I was curious who else may have used or been inspired by such a perspective of that parable.  Thus, I found Dr. King’s talk from 1968.  During the talk, of Dives and Lazarus he wrote:

“… Because our expressways carry us from the ghetto, we don’t see the poor. … Jesus told a parable one day, and he reminded us that a man went to hell because he didn’t see the poor. His name was Dives. He was a rich man. And there was a man by the name of Lazarus who was a poor man, but not only was he poor, he was sick. Sores were all over his body, and he was so weak that he could hardly move. But he managed to get to the gate of Dives every day, wanting just to have the crumbs that would fall from his table. And Dives did nothing about it. And the parable ends saying, “Dives went to hell, and there were a fixed gulf now between Lazarus and Dives.”

There is nothing in that parable that said Dives went to hell because he was rich. Jesus never made a universal indictment against all wealth. …  Dives didn’t realize that his wealth was his opportunity. It was his opportunity to bridge the gulf that separated him from his brother Lazarus. Dives went to hell because he was passed by Lazarus every day and he never really saw him. He went to hell because he allowed his brother to become invisible. …”

Lazarus and the Rich Man by Fyodor Bronnikov

Lazarus and the Rich Man by Fyodor Bronnikov

Regardless of one’s religious beliefs, throughout the talk there is a sad timelessness to King’s words about racism, injustice, economic inequality, and silence.  But there is also a beautiful timelessness about the power and potential of people to make a difference. Near the end of his talk, he says:

“There is nothing new about poverty. What is new is that we now have the techniques and the resources to get rid of poverty. The real question is whether we have the will.  In a few weeks some of us are coming to Washington to see if the will is still alive or if it is alive in this nation. We are coming to Washington in a Poor People’s Campaign. Yes, we are going to bring the tired, the poor, the huddled masses. We are going to bring those who have known long years of hurt and neglect.  … We are not coming to engage in any histrionic gesture. We are not coming to tear up Washington. We are coming to demand that the government address itself to the problem of poverty. … We are coming to ask America to be true to the huge promissory note that it signed years ago. And we are coming to engage in dramatic nonviolent action, to call attention to the gulf between promise and fulfillment; to make the invisible visible.”

 

 Sources/Additional Reading

Rich Man and Lazarus

Remaining Awake Through a Great Revolution by Martin Luther King Jr, 1968

More on the March on Washington for Jobs and Freedom 1968

More about Ralph Vaughn Williams and his composition

Five Variants of Dives and Lazarus on Youtube

 

Read Full Post »

It is another one of those hidden gems in an architectural masterpiece that sits in the heart of the city of Boston.  The Sunday School Windows were designed by Clayton & Bell of London, England.  The left window depicts the story of the Presentation of Jesus, with Simeon holding the baby in his arms …

while standing nearby are Mary and Joseph.

The right window tells the story of Jesus in the Temple, with the doctors in the room …

as a young Jesus both listens and asks questions …

with two little children beside him.

Most captivating to me are the hands and the eyes, and the mix of colors and patterns within the glass, and how all of these components are pulled together to tell stories without words.

While these windows, a gift of the Children of Trinity Sunday School, are not viewable as a part of a traditional tour of Trinity Church in Copley Square, many other beautiful works can be seen as part of a tour of this historic landmark.  Learn more here.  Meanwhile, I look forward to sharing more images from this building and other structures in the future.

Read Full Post »

Detail from the Lucy R. Woods Window, Trinity Church, Boston

Detail from the Lucy R. Woods Window, Trinity Church, Boston

It is one of the many hidden gems of Trinity Church in the City of Boston.  According to archival records, the Woods Window was commissioned in memory of Miss Lucy R. Woods (1847-1904).  Miss Woods taught the Young Ladies’ Bible Class in the church Sunday School for thirty-three years, beginning in 1871.

The window was executed by John Hardman and Company, Birmingham, England, and designed by Dunstan John Powell, grandson of noted English architect and artist Augustus Pugin.

The window is located in a stairwell not easily accessible to the public but postcards and prints will soon be coming to the Book Shop.

Until then, you can read more about the original 1906 unveiling of the window here.  Hope to share more information about this window, and other hidden gems, in the near future.

 

Read Full Post »

« Newer Posts - Older Posts »