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Archive for the ‘Inspiration’ Category

I slowly move away from the computer. I find my camera and then begin to meander about the house looking for … looking for anything to photograph. Yesterday I settled on a large blue goblet picked up at an antique store for $3.

I photograph without purpose until purpose finds me. In this case I began to focus on the beautiful irregularities in the glass. Did doing so solve the writer’s block?

Not sure. Time will tell. But it was a good moment, to lose myself in the blue.

 

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standing in the rain

standing in the rain

My cousin Tim is an artist extraordinaire who creates elaborate urban settings with detailed maps. As a child I watched him do this with pencil to blank paper. He must have quite a collection of notebooks. But at some point he began working with MS Paint. He recently shared with me his latest creation and when I have his permission I hope to share his work and the stories behind his world. Meanwhile, I had to update my hardware and I “discovered” that I had Paint on my machine. I told Tim, “You create maps. I can’t even make a straight line.” He told me about holding down the shift key to solve that problem. He promised to continue sharing his maps with me and I mostly promised to share my adventures with 21st century technology that most people have known about for ages. Between tutorials from young cousins and Youtube videos, I may continue to delve into this digital art world. Meanwhile, here’s my fun for the day. Be well. 🙂

 

 

 

 

 

 

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James Weldon Johnson and Aaron Douglas

James Weldon Johnson (1871-1938) and Aaron Douglas (1899-1979)

Originally published in 1927, James Weldon Johnson’s book, God’s Trombones, is a slim volume composed of a prayer and seven poems: Listen, Lord–A Prayer, The Creation, The Prodigal Son, Go Down Death, Noah Built the Ark, The Crucifixion, Let My People Go, and The Judgement Day. The verses were inspired by his experiences attending black churches throughout the American south. The preachers’ oratory inspired Johnson to write these poems and, in the book’s preface, to reflect upon the nature of oration and folk traditions. His poems, I assume, inspired his artistic collaborators, Aaron Douglas and Charles B. Falls. The signature styles of two very different artists were brought together to complement Johnson’s words.

lettering by Charles Buckley Falls

Lettering by Charles Buckley Falls (1874-1960)

A publication was produced that is really quite distinctive with regard to words, images and overall concept. Johnson as scholar as well as poet produced a tome that captured in a unique way the power and importance of religion in the African American experience. He makes real even for those not having attended black churches how the preachers – God’s trombones – used word, rhyme and rhythm to give voice to the stories in the bible even when no bible was present.

Illustration

It would be easy to pick up this book, to skip the preface and go straight to the poems. But don’t. Johnson’s preface is critical, for his brief and cohesive insights into religion and the American experience, and for his guidance in how to truly appreciate what he was attempting to do with this book.

I claim no more for these poems than that I have written them after the manner of the primitive sermons. In the writing of them I have, naturally, felt the influence of the Spirituals. There is, of course, no way of recreating the atmosphere — the fervor of the congregation, the amens and hallelujahs, the undertone of singing which was often a soft accompaniment to parts of the sermon; nor the personality of the preacher — his physical magnetism, his gestures and gesticulations, his changes of tempo, his pauses for effect, and, more than all, his tones of voice. These poems would better be intoned than read; especially does this apply to “Listen, Lord,” “The Crucifixion,” and “The Judgment Day.” But the intoning practiced by the old-time preacher is a thing next to impossible to describe; it must be heard, and it is extremely difficult to imitate even when heard. …

“… The tempos of the preacher I have endeavored to indicate by the line arrangement of the poems, and a certain sort of pause that is marked by a quick intaking and an audible expulsion of the breath I have indicated by dashes. There is a decided syncopation of speech — the crowding in of many syllables or the lengthening out of a few to fill one metrical foot, the sensing of which must be left to the reader’s ear. The rhythmical stress of this syncopation is partly obtained by a marked silent fraction of a beat; frequently this silent fraction is filled in by a hand clap. …

The ensuing poems do read like song and the power of the words are echoed and strengthened by the complementary visusals.

Illustrations by Douglas for the poems, The Creation, The Prodigal Son, and Go Down Death.

Illustrations by Douglas for the poems, The Creation, The Prodigal Son, and Go Down Death.

Noah Built the Ark

Illustration and complementary chapter head for Noah Built the Ark

Illustration for The Crucifixion

Illustration for The Crucifixion

Illustration for Let My People Go

Illustration for Let My People Go

     

Both Johnson and Aaron Douglas are considered key figures of the Harlem Renaissance. Charles B. Falls was a noted illustrator and designer especially remembered for the posters he created during World War I and II as part of the Victory Books Campaign.

Over time the book has been reprinted numerous times including an edition by Penguin Classics, edited by Henry Louis Gates and with an introduction by Maya Angelou. As Johnson wrote in his preface the poems are really meant to be performed and over the years many individuals and institutions have done just that. Recordings can be found online.  You can also find the book fully digitized and viewable online thanks to the Documenting the American South project at University of North Carolina at Chapel Hill, my primary source for this post. I hope you have the opportunity to view the book in-hand or online: http://docsouth.unc.edu/southlit/johnson/johnson.html

 

Sources & Additional Readings

God’s Trombones (digitized) – http://docsouth.unc.edu/southlit/johnson/johnson.html

James Weldon Johnson – https://en.wikipedia.org/wiki/James_Weldon_Johnson

Aaron Douglas – https://en.wikipedia.org/wiki/Aaron_Douglas

Charles Buckles Falls – https://en.wikipedia.org/wiki/Charles_Buckles_Falls

The New Negro Renaissance – http://exhibitions.nypl.org/africanaage/essay-renaissance.html

More about the Victory Books Campaign – http://arcweb.sos.state.or.us/pages/exhibits/ww2/services/books.htm

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In a church, I walked into a room to photograph a specific set of stained glass windows that were at eye level, and when I turned to walk out I happened to look up and this is what I saw hanging on the wall. I don’t yet know the name of painter or painting. That research continues, and if you have any incites please let me know. I’m not a formal student of fine arts but I can imagine that there are layers upon layers of meaning in the choice of colors, the flowers shown, etc. More information to follow in the near future I hope.

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I need to prepare for winter in all sorts of ways. I am beginning by planning my garden. I finally, finally, finally cleared away those things that had died or had served their time and their purpose. I consolidated the potted herbs that thrived like the oregano with those herbs struggling but worth nurturing like the tarragon. Spread around me are empty pots, vases and votives. So many votives in different colors and sizes. I love lighting tealight candles in the winter time, not so much to banish the darkness but to bring out the beauty as light and shadow dance on the various surfaces.

In previous winters I’ve grown tomatoes and potatoes in addition to herbs, sprouts and edible flowers. I live in a house with many windows so there is a wonderful greenhouse effect. Though I sometimes freeze the plants do surprisingly well as light pours in at different angles throughout the wintry days. It’s not yet happened but it will — the oak tree that towers over one side of the house will lose its leaves and even more light will enter. I try to remember that as I plan my gardening strategy.

It is also a decorating strategy. What is it that I want to see and perhaps even need to see in the winter time as I enter a room or hallway in my home? What do I want others to see? While I don’t think I think it through that thoroughly it is a rather, soothing creative time. It might also be a procrastination time … there are so many books I need to read, want to read, and things I need to write. But I choose to believe that putting those things aside, concentrating on this task of cleaning, arranging and strategizing is part of my creative process.

I am done for the day and pleased enough with the results so far. My to do list for next week includes buying a small bag of potting soil and then I’ll begin to plant my sprouts and we’ll see what else falls in to the soil.

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Focusing my camera on rocks and water and sand on the shores of Revere Beach. There’s a story in their interaction but I just don’t know how to read it yet. That’s why yesterday I picked up Tristan Gooley’s How to Read Water. It’s subtitle – Clues and Patterns from Puddles to the Sea – captured me. If I don’t post for a while, it’ll be because I’m lost a darn good book. Meanwhile, have a good weekend, folks. 🙂

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… light, wind, and water in action at the Copley Square fountain in Boston. It was a breezy day with bright sun. I sat by the water’s edge with my camera tucked away, intent upon eating a late lunch. I’m glad I had no expectation because I may not have seen what I did see just by sitting quietly by the water. After a while I could not ignore what I was seeing and so I had to put away my lunch, dig out my camera, and begin to photograph the motion before me.

Autumn leaves floating on the water’s surface first caught my attention, but the brightest of the leaves lay on the bottom.  I’m not sure what forces kept them there even as the fountain’s mechanics and nature’s wind erratically churned the water. The sun was bright too, low angled. It dispersed in the waters producing rainbows.

Nearby buildings and surrounding trees were reflected so they appeared to float above the sunken leaves. A friend came over and sat next to me, and while I listened intently, yes I did, my eyes kept sliding back to the water to see what a friend describes as the accidental and casual things water does to light.

Accept for playing around with my ISO settings on the spot, there is minimal post processing of these images. If you chance by the fountain and sit by its side, if the day is sunny and the wind is rippling the water’s surface, this is what you might see too. Or maybe something different. But I think it will all be beautiful.

 

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🙂

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I finally found the leaf, curled but not crumbled, at the bottom of a bag. It survived the trip from South Carolina through three states before returning to Massachusetts. It came from a tree in my uncle’s yard originally planted by his wife. One day at the kitchen table she mentioned making a cup of fig tea. I’d never heard of such a thing.

She pointed to the tree outside, wide canopied with dark flat leaves, and said it was too bad we hadn’t been visiting when the branches had been weighted down with fruit and the birds were all about. She sometimes made a jam, she said, but this year she just pulled off some leaves to dry and make tea. As I snapped off my leaf, I promised to photograph it as it dried and then its final journey into tea. She laughed.

I think this leaf has a bit more drying to do and until then makes a fun photographic subject.

 

 

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