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a glorious pair

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I was in a field in Woburn today. Yes, that same field in an office park that I’ve photographed over the years. It is a small bit of green that is a haven for birds, I think. The air is always full of birdsong. The other sound you hear is the cry of the hawks. I heard it as I stood in the parking lot today and, looking up, I saw a pair circling their domain. I had no intention of trying to photograph them. They were too fast and too high. My goal was to try to capture the little birds, maybe a cardinal, a blue jay or a robin or two. I had a short window of time and was having little success. I found myself photographing industrial artifacts scattered throughout the field. Quite fun actually but then I did that thing that I like to do that I always hope I remember to do and that was to look up. There, across the field, up high on a telephone phone was the silhouette of a hawk. Too far to get a “good” shot, I knew, with the point and shoot camera I had but somehow I felt compelled to try. The sun blinded me, but I kept taking shots anyway. Of all the ones that didn’t come out, I liked this one, of the bird, its tail feathers lit by that sun. And at some point as I photographed this hawk it raised its head and I followed where it looked and there was its mate. It flew low, landing in a tree. Hunting. I was able to get a bit closer and get a better picture of it. What a glorious pair.

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tree magic

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While I wish this far into April that the trees had more leaves on their branches, they do present a beautiful silhouette as the sun sets against a blue and white sky.

take a bow

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CynthiaSpringTotesApril2018

These canvas tote bags featuring my nature photography are now available atΒ http://bit.ly/2qBb3UD

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I’ve been quite pleased with my own tote bag. While there are several options when ordering through the site, I tend toward the Basic Style with Black Cotton Strap. This one, featuring details from a Margaret Redmond stained glass window, will soon be available at the shop at Trinity Church in the City of Boston.

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Also available online are several new pencil cases or pouches. I use mine as a wallet-like carryall. See a growing collection of pouches atΒ http://bit.ly/2EQ3PjR

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riverine poetry

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It was a windy day when I recently walked along the Charles River. The river itself did not move very fast. The water was low and though it be mid-April, all around were the dead leaves of the previous seasons. Only a few daffodils brightened the shore. I decided to work with what I had and so I photographed the leaves in their watery haunt. Most of the images didn’t come out, at least to my liking, but this one seemed rather poetic to me.

by the river

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windruffled

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A little brown bird by the river. We were both shivering in the wind.

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Beauty is everywhere throughout the Copley Square branch of the Boston Public Library. You just have to look up. πŸ™‚

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Poetry Made Visible (2017) is described as “a guidebook for tourists and natives of the Boston Area, for students and teachers, for lovers of poetry and lovers of public art.” Well, in order to review the book and write about it, I knew I had to use the book. So I began with the first chapter focused on the main branch of the Boston Public Library in Copley Square. As I walked around what Bresler refers to as “the temple of poetry,” an amazing thing began to happen. I walked around the library with an open book, reading, pausing, looking, and guess what? People began to notice me. They too paused and looked and, since they had no book in-hand, their brows furrowed as they tried to see what I might be seeing, carved into stone or sculpted into a door.

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Poetry with her halo, McKim building door

As I traveled around the library, I found myself engaging with librarians. While Bresler does an amazing job of pointing out the poetry integrated into the library’s exterior and interior structure, the challenge is that the Boston Public Library’s interior design is quite dynamic and in the past year there have been major renovations and redecoration. So I had to converse with the librarians to ascertain where certain sculptures had been moved because the book’s walking directions don’t always match up.

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Dare I say that I believe that the librarians had a great time helping me to track down the various sculptures mentioned, and peering into the book because it was a resource that was helping them to see their building with fresh perspective. And I think that’s the strength of this book. As the title suggests, Bresler truly does make poetry visible. I’ve lived in Boston long enough that I take the Boston Public Library for granted, but with his book in-hand I paused and peered up and truly looked at what was there. And so did the little kid next to me.

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Throughout the book he asks thought-provoking questions. They cannot be answered by “yes” or “no.” One must actually pause, ponder, reflect. I can imagine a teacher or a parent using excerpts of this book to help guide their students or children in seeing the world around them and exploring how something done so long ago, whether the poem or the sculpture, has relevance to their lives today.

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Maya Angelou Bust in Boston Public Library

You’ve heard of a date movie? This is a date book.” So it says on the back cover. Well, when you look at the list of Dispersed Sites of poetry that he has compiled, I can see that it would be fun to make a date with a friend to see a site, to reflect upon the poets remembered, and the contemporary artists capturing their spirit in stone and more.

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As has the Boston Public Library, the City of Boston and surrounding areas will continually change. I do hope that the sculptures and other public artworks that Bresler has captured survive over time. I think Bresler’s book is a wonderful reminder of the literary heritage of the Greater Boston area and the important role of poetry in society.

Poetry Made Visible: Boston Sites for Poetry Lovers, Art Lovers & Lovers