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Posts Tagged ‘Inspiration’

“Would you like some cold water?” he asked as I walked away.

“No but thank you,” I said. “I’m just fine.”

“It’s unopened,” he added as he pulled the gallon jug from the white shopping bag. “You can have the first sip.”

“Thanks. I’m good. You take care, ” I said and waved good-bye to the man I’d met in the woods.

In my previous two posts, I shared images of nature near an office park. I’ve photographed there several times over the years. It is a meandering site with clusters of brick office buildings with each cluster surrounded by asphalt parking spaces. A few small landscaped gardens grace the entrances of some clusters or at least they have regularly mown lawns. And then connecting these manicured areas is just enough almost-wildlands, that are just wild enough to attract rabbits, foxes, deer and even the errant coyote. But mostly it is a haven for birds.

When I visit, I am usually in the company of my partner. He heads into one of the office buildings to check on a piece of equipment. I take my camera and wander the periphery of the parking lot. I look up into the trees, I scan the gullies to see how the sunlight is falling on the water and then I come to an iron gate. The gate is reminiscent of the ones you see on farms, more for keeping large animals at bay and not so much for stopping people.

I slip past the gate and determine whether I am going to go left and make my way up the gravelly path through the more heavily thicketed and treed area or if I will go right into a more meadowy area that becomes marshlands after a good rain. But this time the meadow was completely overgrown and too full of prickly plants for me to venture there, so I made my way up the gravel path.

This area too was overgrown.  In times past I had been able to easily step off the path into the underbrush, not only to photograph wildflowers and animals but also to see what mischief local teens had been up to. You see, the gravel path ends with another iron gate and that gate abuts a small road and a residential area. With what I was wearing, and my lack of bug spray, I had decided not to step off the path that day. I made it to the second iron gate photographing what I could. The birds were singing so loud. I stopped to stare up into the trees. And that’s when I noticed the man slip past the iron gate onto the gravel path.

He hobbled along on two crutches and in one hand he also held a white plastic bag. He seemed dressed rather warmly for a day in the 90s, in his sweater and jacket and long pants. He wore white socks with his well-worn sandals. He moved very deliberately and slowly. As he came nearer, the dappled light caught in the silver of his blonde hair. He had a dark tan but as he came closer I could tell with a good shower he might become just a bit paler.

I smiled in greeting. I’ve been warned I should stop doing that so readily, but I felt no fear as he nodded in reply and then paused to say, “Birdwatching, eh? Seen any cardinals yet? I used to be able to sing their song.” After licking his lips, he began to whistle and when he got to the tweet, tweet, tweet I could genuinely exclaim, “Oh, yes, I know that sound.”

He hesitated, blue eyes darting about, and then said, “Well, okay, good luck.” He continued down the path moving just a bit faster than a snail. I stalled a bit, keeping an eye on him, and then I too began to walk down the path. I caught up with him. I had every intention of passing him so that I could continue my photographic journey in another area. But as I came up to his side he began to talk to me. Random stuff about the birds to be found in the area and during which seasons.

At some point I asked, in part to test an assumption forming in my mind, “Is this path a short cut for you?”

He said, “Oh, yes. This is a great short cut down to the Target.”

Having been to that Target, I didn’t think his statement was true but I said nothing.

He filled the silence quite eloquently.

In the course of our long walk down this short path, this gentleman would share from beginning to end in actually exquisite detail the plot of the 1950s movie, Harvey. He would share highlights from half a dozen academic and literary works that I only knew about because I’d seen their titles while browsing in the Harvard COOP bookstore. In one moment he would be talking about Kierkegaard and in the next about the Cedar Waxwing.

“You are quite the philosopher, sir.”

He shrugged. “Well, that’s what I studied at MIT along with physics.” I didn’t ask him in what year or if he finished. Later, around that subject, he would mumble something about “things happened.”

We made it to the parking lot. Maybe because he knew I would not be there much longer, he began to talk faster, telling me his name, and about his not-so-nice father who had been a famous chemist, stuff about religion. The light became too bright in his eyes on that subject so at that point I knew I needed to end the conversation.

“I need to rest,”he said and eased himself down on the curb.

“Well, nice to meet you. I’m off to photograph birds.”

As I walked away, that’s when he asked if I’d like some cold water.

I took a circuitous route through the office park that brought me back to his location. He was no longer there. I suspect he made his way back into the thicket where he likely has a spot. I think that had been his original intention, with his jug of cold water, until he came upon a small brown woman photographing birds in his woods.

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my view through the rippled glass window this morning

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I first met Monroe Chase at Trinity Church as well. Robert Yearwood, the subject of my first portraits in progress, may even have introduced us but most likely Monroe introduced himself with his hand outstretched.  Active in different ways with organizations like the Louis D. Brown Peace Institute and Trinity’s Education for Excellence Program, Monroe’s generosity, good nature and thoughtful insights are always an inspiration to me.

Monroe Chase

Previous portrait: Robert Yearwood

Learn more about …

Louis D. Brown Peace Institute

Trinity Education for Excellence Program (TEEP)

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Previously in The Story of My Art: I am a Baroque artist

And now …

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One of my mid-year photographic challenges is to photograph more people. Perhaps a post each Sunday? We’ll see … I begin with Robert Yearwood. At some point I may pair stories/brief interviews with these images. Given that Mr. Yearwood has been in this world since 1938, he has a lot of stories to tell. I first met him at Trinity Church.  I’ve learned a lot from him about patience, letting things go, and especially an idea that I have rephrased a bit — that all who enter a place, regardless of age, race, gender, or creed, the clothes upon their backs or the lack thereof, all shall be equally greeted. Whenever I want to be … not nice to someone … I try to remember that idea. 🙂

Robert Yearwood

Robert Yearwood

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Morning light falling on the north wall of the nave in Trinity Church in the City of Boston. It has been my pleasure to photograph the stained glass windows over the years but this particular morning I focused my camera on the decorative features of one wall.  Zooming in you can see the elegance of the design orchestrated by John La Farge. The ravages of time are present and so is the enduring beauty of an architectural masterpiece.

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Learn more about Trinity’s Art and History tours at trinitychurchboston.org/art-history/tours

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Koi in a pond near North Point Park in Cambridge, MA.

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