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Posts Tagged ‘Photography’

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When walking toward St. Paul Church, the exterior conveys a sense of simplicity as well as sturdiness, which makes sense given that the building’s design is romanesque in style. Its red brick facade blends into the surrounding historic landscape of Cambridge, MA. As it is an active Catholic church, I knew I had a short window of time to take photos before the midday mass. I felt like I had prepared myself to be focused in my photography by reading the in-depth online building tour found on the church website. Still, reading the words can never really prepare one for the actual firsthand experience of stepping into a sacred space.

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As noted on the website, “An oblong hall is divided by matching rows of columns, surmounted by a barrel-vaulted ceiling and rounded arches. Since the weight is supported by the walls, the windows are small. St. Paul’s, designed by architect Edward Graham, is modeled after the Church of San Zeno Maggiore in Verona, Italy.

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I was ready to deal with “small windows.” I was caught off guard by the beauty of the encompassing friezes and statues.

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Eventually my attention did return to the windows, of course. There are three stained glass windows near the choir stalls including John the Baptist, St. Elizabeth (his mother) and St. John the Evangelist.

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John the Baptist

 

The windows are narrow but their content looms large like these windows tucked in an alcove.

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There are 10 windows in the lower part of the nave patterned after Renaissance images of the saints …

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St. Jerome

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… and windows up high. Way up high.

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These upper story windows were hardest to see but they glowed in the late morning light.

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The church is an unexpected riot of color softened by the surrounding wood and marble. I’ve passed by the church for many years without ever stepping inside. I’m grateful to the staff for allowing me entry to photograph this very special place. You can read more about the interior of this historic building and find links for more information about its parish activities here: http://stpaulparish.org/building-tour/ 

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The most valuable qualification in an officer is common sense; contrary to general belief, it is the rarest element found in mankind.” — Major General Fox Conner (1874-1951)

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He would have been less than ten years old, I think. In a 1930s interview, eighty-two year old former slave Ike Woodward remembered as a child it was his job to lead blind Bob Conner around. Conner had been blinded in a Civil War battle. Woodward’s master, also named Ike Woodward, had sold the services of his young slave to the Conner family. In his his interview for the Works Progress Administration, Woodward would go on to remark that Master Conner was the papa of Mr. Fox Conner, a big man now in the army. That statement led me to ask: who was Fox Conner? An impressive figure it turns out.

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Conner to the left of Pershing (Source)

Conner would make his way from rural Mississippi to West Point and embark upon a stellar career in the military, serving in the Spanish American War, Pancho Villa Expedition and World War I. He earned military awards from the Purple Heart to the French Croix de Guerre. It was during World War I that he was selected by General Pershing to be a member of his operations section where one of Conner’s subordinates was George C. Marshall. A far-seeing strategist, he opposed the Treaty of Versailles seeing within it the seeds of a new world war with Germany.

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During World War I Conner would become reacquainted with and develop an enduring friendship with an officer by the name of George S. Patton. Back in the States, in the early 1920s, Conner and his wife were the honored guests of a dinner party hosted by the Pattons. Invited to this dinner was a young officer named Dwight D. Eisenhower, whom Patton thought Conner should meet. According to one biographer, Russ Stayanoff, “In Eisenhower, Conner saw a likable, eager young officer available for the “next one;” an officer that he could groom. Conner undoubtedly needed an executive officer with whom he could get along, and Eisenhower fit the bill. The fruits of that February luncheon became apparent when Conner telephoned Ike later in the same week and asked him if he would like the assignment as his executive officer in Panama.

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Today Conner is especially remembered for his mentoring of Eisenhower. As Executive Officer for Conner at Camp Gaillard in Panama, Eisenhower received an unparalleled education in military affairs that would be instrumental in his later success at the Command and General Staff School. Conner was a student of history. Whether personally with Eisenhower or through his later lectures at the Army War College, Conner influenced a generation of future leaders. He was a proponent of coalition building and the use of diplomacy in concert with strong leadership to bring about victory. His three axioms or principles of war for a democracy still discussed today: Never fight unless you have to; Never fight alone; and Never fight for long.

Thanks to the internet there appears to be an increasing amount of information available to the general public about Conner, as well as more detailed analyses of his teachings still relevant in this modern age.  A biography was published in 2011 about him and a new book more recently published in 2016. In much of the discourse about Conner that I saw there is reference to him being the son of a blind Confederate soldier. The only way I learned the little that I have of this man and of his enduring legacy was to read the remembrances of the slave “lent out” to help guide his father. Ike Woodward would work at the Conner place until the day Ike’s brother rode in by horseback and scooped him up, conveying that they were now free.

Sources & Additional Reading

Ike Woodward Slave Narrative

https://en.wikipedia.org/wiki/Fox_Conner

Major General Fox Conner: Soldier, Mentor, Enigma: Operations Chief (G-3) of the AEF by Russ Stayanoff, MA

http://www.casematepublishers.com/index.php/general-fox-conner.html#.WIZFhVUrKM8

 

 

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tomatoes

tomatoestoo

and some olives

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whiteblooms

african violet

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The Arts at the Armory Café is located on the first floor of the Armory in Somerville. In addition to tasty food, the café offers visitors art upon its walls. I’m proud to be a participating artist for its Winter Art Show along with Aline Lotter, Casey Stanberry, Eleanor Elkin, Jennifer Weigel, Jessica Dyer, Lauren Jones, Lea Ruscio, Miranda Vitello, Ponnapa Prakkamakul, and Tracie Storie.The exhibit is on display January 6-31 in the Cafe. For more information visit http://artsatthearmory.org/cafe/

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Coming soon I will share words and images from my brief journey inside St. Paul Church in Cambridge, MA. These are photos of St. John the Baptist and St. John the Evangelist.

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Three years ago on this blog, I wrote about Henry Holiday’s depiction of the Transfiguration in the stained glass window located at Trinity Church in the City of Boston. At the time I was particularly interested in the position of the hands in his window though my research revealed to me that he was especially noted for his execution of drapery.

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With a new lens and new perspective I’ve been revisiting the window, and I begin to understand what I read about his work with cloth in glass.

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These images are from the top of the window. What’s amazing to me is that much of this detail you cannot see with the naked eye.

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And yet the whole of what you see from the ground is quite stunning.

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Read an earlier post here: https://wordsandimagesbycynthia.com/2013/10/07/holidays-tranfiguration/

View the window for yourself at Trinity Church: http://trinitychurchboston.org/art-and-architecture

 

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bared branches touched by the sun

and protecting the moon

 

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About the Arnold Arboreturm: https://en.wikipedia.org/wiki/Arnold_Arboretum

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