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tomatoes

tomatoestoo

and some olives

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One day I stood before a giant globe atlas with a friend in elementary school. We liked to spin it round and round. That day, and I’m not sure why, he stopped the globe and pointed at a place. He looked at me and said with a smile, “That says nigger. That’s what my mama told me.” I squinted at the spot (I needed glasses) and then I said to him, matter of factly, “No. That says Niger. I think your mama got it wrong.” His smile faded. And then we went out to play.

One day in high school computer class (Pascal!) I sat next to a friend whom I’d known since elementary school. We were both geeky. I wore a short skirt and one of my first pair of pantyhose. I almost felt grown up. He kept rubbing my knee. I was beginning to think he might like me. I didn’t know how to giggle but I did smile at what he was doing. I guess he noticed because he said  all of a sudden, “Cynthia, my mother doesn’t like black people. She wouldn’t let me bring you home.” I simply said, “Okay.” And in my mind’s eye I remembered his mother and my mother talking cordially at a parent-teacher meeting.

One day not long ago I stood in a place where I was tasked to welcome strangers. Two men walked in, one wearing a t-shirt emblazoned with a Nazi symbol and the other wore a t-shirt that said, white people are the best people. I did not feel very welcoming but to be welcoming was my job. In the end, on that day, the gentlemen and I conversed about everything except what they wore on their shirts and the color of my skin. We went our separate ways both still existing and having to live with each other in this world.

All of these things happened to me before Trump was voted in as President. I don’t blame Trump for racism, conservatism, alt-right, Breitbart and all the other ugliness in this world. I blame him for fanning the flames of hate. I hold him accountable for the blinders he chooses to wear about what he has done and his active willful ignorance about the scale of the harm he will do to this nation and the world with his cabinet choices.

He has become the President of a flawed, great nation. That nation will not fall with his presidency but it may fracture in ways not even conceived of yet. Will I hold him, Pence and others accountable? Yes! But I will also hold myself and others accountable if we do not take every opportunity, each day, no matter how seemingly small, to become better educated, informed, engaged and active world citizens.

One day …

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The Arts at the Armory Café is located on the first floor of the Armory in Somerville. In addition to tasty food, the café offers visitors art upon its walls. I’m proud to be a participating artist for its Winter Art Show along with Aline Lotter, Casey Stanberry, Eleanor Elkin, Jennifer Weigel, Jessica Dyer, Lauren Jones, Lea Ruscio, Miranda Vitello, Ponnapa Prakkamakul, and Tracie Storie.The exhibit is on display January 6-31 in the Cafe. For more information visit http://artsatthearmory.org/cafe/

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Coming soon I will share words and images from my brief journey inside St. Paul Church in Cambridge, MA. These are photos of St. John the Baptist and St. John the Evangelist.

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Three years ago on this blog, I wrote about Henry Holiday’s depiction of the Transfiguration in the stained glass window located at Trinity Church in the City of Boston. At the time I was particularly interested in the position of the hands in his window though my research revealed to me that he was especially noted for his execution of drapery.

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With a new lens and new perspective I’ve been revisiting the window, and I begin to understand what I read about his work with cloth in glass.

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These images are from the top of the window. What’s amazing to me is that much of this detail you cannot see with the naked eye.

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And yet the whole of what you see from the ground is quite stunning.

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Read an earlier post here: https://wordsandimagesbycynthia.com/2013/10/07/holidays-tranfiguration/

View the window for yourself at Trinity Church: http://trinitychurchboston.org/art-and-architecture

 

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I’m not as limber as I once was and so I was having difficulty getting through the window but I didn’t have to fret for long because a stranger took my hand and pulled me through and when I lost my shoe on the rim of the window frame, he picked it up and gave it back to me and then turned and continued to help other strangers out of the train.

I wasn’t sure that I’d write about the chaotic experience of being on the Orange Line train yesterday in Boston’s Back Bay Station that filled with smoke. In the moment I was less concerned about the possibility of a fire in the station and more concerned about the growing panic of the people around me. Later I just wanted to let the incident go. But then today I picked up something and I remembered the feel of that man’s hand holding mine.

It was rush hour. People had had a long day and just wanted to get home. The car in which I stood was not packed but it was tight enough especially as most of us wore the beginnings of our winter gear. The lights were on but there wasn’t much air circulating and the intercom system must not have been working because there was no news being shared by anyone. The train had partially pulled away from Back Bay Station before coming to a halt, and later, officials would note that that was the reason the train operator could not open the doors, because of the danger of people stepping onto the tracks and landing on the electrified third rail. But most people were not thinking of that as the smoke grew thicker, and from inside the car, we could see people on the platform start to run for exits.

Even as I was starting to say, please, be calm, I felt my own panic rising. And then people began to scream, especially when they realized the doors were not opening. People began beating at the windows. The smaller windows on the sliding doors were easier to break. Individual flight was on many a person’s mind for sure but others were trying to help scared people through the small openings. Then in the part of the car where I stood, a man on the platform motioned people away from a larger window. He was not a train official or one of the policeman stationed in the area. He was just a regular guy. He kicked at the window, again and again, until it flew in, a single large sheet, shattering into a spider’s web pattern but no jagged edges did I see. People started leaping out the window while that man and some others stood, held out their hands and helped strangers out. I did not stop to ask his name but I think I shall never forget him.

Read more: Boston Globe article

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i keep sitting down to write you about this painting… and each time i draw a blank… it is a favorite of mine… a poster of it welcomes you into my studio …” — Donald Langosy, 2016

detail from nymphs and satyr by bouguereau

detail from nymphs and satyr by bouguereau

Of late I’ve become quite bold in asking people to share with me in words and sometimes images the beauty that they experience. I want to understand why a certain piece of music heard, a poem read, or a moment in a certain field can move them so deeply. In painter Donald Langosy’s case, I wanted to know why he was so moved by Bouguereau’s Nymphs and Satyr (1873), a painting held in the collection of the Clark Art Institute in Williamstown, MA. I’d learned from Langosy’s daughter that, as with Titian, it was a work of art Langosy might like to see in person one day.  And so I asked him to please tell me why, and as I waited for his words, I did a little bit of my own research into this Bouguereau.

Adolphe William Bouguereau (1825-1905) was a French figurative painter noted for producing rather luminous works with Classical, mythological and religious themes. His work was very popular with the European and American public during his lifetime. He received top prices for his work. He not only painted portraits, but he also decorated private homes, churches and public buildings.

Pieta, 1876

pieta, 1876

Quite prolific, he apparently produced over 800 finished paintings. In addition, beginning in the 1860s he taught at the Academie Julian in Paris. Among his many students over the years he would teach Henry Ossawa Tanner and Ellen Day Hale. As I read criticism about his work from across the different decades, both the words beautiful and escapist were applied. During the height of Bouguereau’s career there was a new movement starting in the French art scene, Impressionism. Many within this new school were not enamored of Bouguereau’s work and actively belittled it. Despite the controversy surrounding his subject matter, so polished and dreamy during an age of great turmoil, few denied the mastery of his technique.

sadly,” notes Langosy, “Bouguereau is remembered for his unending number of paintings of little girls and poetically posed young virginal women…. which is unfortunate… for it distracts from his many accomplishments…like this one, which is among the finest masterpieces ever painted…

…compositionally outstanding…. but outstanding because of the remarkable brush work… which is brilliant because of his command of color and line….. the sensual twirl feeling of the nymphs… the satyr in a diagonal angle attempting to brace himself against their attempts to over power him… Bouguereau’s subtle sense of line accenting the individual rhythms of the different poses…

…rhythm of line is what creates three dimension on a two dimensional plane…. and then there are the leaves and grass and the water… egads!….i’m speechless… i haven’t written enough about this painting… but now you will understand why it took me this long to write

And that is how I came to learn of nymphs, satyrs and appreciate the work of Bouguereau through the words of Donald Langosy.

 

Additional Readings & Images

http://www.clarkart.edu/Art-Pieces/6158

http://www.bouguereau.org/

http://www.getty.edu/art/collection/artists/780/william-adolphe-bouguereau-french-1825-1905/

https://commons.wikimedia.org/wiki/William-Adolphe_Bouguereau

 

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The Beebe Estate is a historic house located at 235 W. Foster Street in Melrose, MA.  A lovely example of Greek Revival architecture built in 1828 as a home by William Foster, it is now an arts and cultural center. It is my pleasure to have three framed photographs appearing in Nature: Our Most Precious Resources, an arts exhibit hosted at the estate this September by the Friends of the Middlesex Fells. The opening reception was held September 2nd and it was a well attended gathering as you can see in the embedded video. Throughout the three remaining Saturdays in September you have the opportunity to visit and peruse the beautiful works on display. Enjoy. 🙂

Friends of the Fells; Exhibit; Opening Reception; Sept 2, 2016 from Julie Kelleher on Vimeo.

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Visiting Virginia a few summers ago, I stopped in a small city. It was a literal crossroads of sorts. Fancy antique stores and cheap thrift shops lined the road. Around these buildings people had set up long tables for further display.  My partner and I sauntered through the buildings.  As usual in such places we found a wonderful mix of treasure and trash. Later, he wanted to peruse the tables.  Usually I would have raced ahead but I found myself hesitating as I watched one of the tables being prepared.  Two men arranged an amazing array of items, items that had one unifying theme. They all displayed the Confederate flag.

While I had to pass that table to get back to the car, I did not get close. Eye contact was made with one gentleman. With both our heads held high, we nodded in that southern way of closed lipped acknowledgement. It was not an unexpected sight especially because this encounter took place shortly after all the hullabaloo of removing the Confederate flag from institutions nationwide. Not unexpectedly, at least to me, online sales of the flag (and in-store sales depending on where one lived) went through the roof. But it’s America, right? As private citizens, those gentlemen could choose to sell the flag. And I could choose to walk away.

Recently one of my brothers who lives in southern Virginia described driving past an estate where half of the owner’s lawn was covered by a Confederate flag. I told him I wanted to ask the owner what was the intention behind such a display. He joked that I probably wouldn’t make it halfway up the driveway before the owner would step out with his licensed gun, and perhaps his dog at his side, to encourage me to leave his property. Okay, my brother became a bit more descriptive and I chastised him for making such jokes. If the owner wanted me to leave his property, he could. It’s America, right?

For those who do not know, I am an African American woman who grew up in the foothills of the Blue Ridge Mountains of Virginia. When I return to my hometown or attend a reunion at the school I attended in North Carolina or visit family now settled in South Carolina, I have at least two expectations. One is to bathe in the beauty of the southern natural landscape and two is the likelihood of seeing Confederate flags. After living in New England for nearly twenty years, I certainly have that first expectation. There is no New England state that I have visited where I have not experienced great natural beauty. But that latter expectation … no, I guess I did not have that one though I now do after last weekend.

I later described it as being caught up in a Klu Klux Klan rally but no one wore a hood. There were no torches or anyone burning but there was plenty of black smoke and revving of engines. I’m  sure there were guns but none were on display. Nothing illegal was done that I could see except for some bikers racing by in the breakdown lane but they didn’t do so for long. They just did it to keep up with the pack, or I guess I should say the convoy, of three dozen or more vehicles — trucks, cars, jeeps, bikes — driving along the highway from Massachusetts into Rhode Island, waving the Confederate flag. The American flag was flown too of course.

When I saw the first truck, a large black pick up, with Trump and Pence stenciled in white on the side, I thought, “Well, this is America.” Then as we kept driving along I saw more vehicles, a beat up Corvette with a Confederate flag nailed to the roof, more pickup trucks with large chimneys and flashing lights in addition to their flags, bikers with the flags pinned to their leathers.  I really, really, really didn’t want to be in their midst but there was no other route to our destination.

I could avoid that table in the Virginia flea market with its sea of Confederate flags but I could not escape this experience. We all had to share the road, and we did so for a very long time. Finally the vehicles all left the road, to pull into a Rhode Island rest stop.  Their final destination I have no idea. We completed our journey into the quiet of Rhode Island’s small towns.  I slumped back into the seat, exhausted. Why was I exhausted?

Well …

Later that weekend, people asked me how did I know that there were three dozen or so vehicles in the convoy. I explained that I counted them. With the luxury of being a passenger and not the driver, I looked at each vehicle surrounding and then passing me. I looked at license plates (several New England states were represented). I looked at the drivers who would not look back at me. I got the feeling that they had all been instructed to keep their eyes on the road and to do nothing intimidating individually because what they were doing as a group was much more effective.

I don’t know if it’s nature or nurture, likely a combination, but there’s a thing that happens to me in certain situations. It’s the confluence of past and present. There’s a scene in the movie 12 Years a Slave, and a scene in the movie Glory, and scene in any movie  involving slavery, where a man or woman is tied up and whipped. I have many a friend and family member, of different races and ages and life experiences, who will turn away. I cannot. My back straightens. I hold my head high. Not so much to bear witness but it feels almost like channeling ancestors who did what they had to do to survive but they would not be subjugated. To sit in that position for an hour, so tense, was exhausting.

In that Virginia flea market, when I made eye contact with the vendor selling the Confederate flag, and nodded at him in acknowledgement, in a different day and age, for such behavior, for stepping out of my place, I would have been whipped. I know, I know. There some who might say, there you go stirring up the past again. But that past is a part of my American heritage, and every American’s heritage.

I am a major proponent of “just go with flow” and “just let things go.” Being caught up in that convoy for about an hour, those philosophical tendencies were replaced with something else. I increasingly wanted the drivers to look at me. I wanted to look into his or her eyes and to see who they were. And I wanted them to see me. As with the man in Virginia with the Confederate flag covering his lawn, I want them all to explain to me the intention of their display and to do so with other words than “It’s about heritage, not hate.”

I had my camera with me, of course, but I refused to pull it out. There was no need to capture in pixels and post on this blog such imagery. But I did want to share an experience that I will not let go of but I will certainly move beyond.

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