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Visiting Virginia a few summers ago, I stopped in a small city. It was a literal crossroads of sorts. Fancy antique stores and cheap thrift shops lined the road. Around these buildings people had set up long tables for further display.  My partner and I sauntered through the buildings.  As usual in such places we found a wonderful mix of treasure and trash. Later, he wanted to peruse the tables.  Usually I would have raced ahead but I found myself hesitating as I watched one of the tables being prepared.  Two men arranged an amazing array of items, items that had one unifying theme. They all displayed the Confederate flag.

While I had to pass that table to get back to the car, I did not get close. Eye contact was made with one gentleman. With both our heads held high, we nodded in that southern way of closed lipped acknowledgement. It was not an unexpected sight especially because this encounter took place shortly after all the hullabaloo of removing the Confederate flag from institutions nationwide. Not unexpectedly, at least to me, online sales of the flag (and in-store sales depending on where one lived) went through the roof. But it’s America, right? As private citizens, those gentlemen could choose to sell the flag. And I could choose to walk away.

Recently one of my brothers who lives in southern Virginia described driving past an estate where half of the owner’s lawn was covered by a Confederate flag. I told him I wanted to ask the owner what was the intention behind such a display. He joked that I probably wouldn’t make it halfway up the driveway before the owner would step out with his licensed gun, and perhaps his dog at his side, to encourage me to leave his property. Okay, my brother became a bit more descriptive and I chastised him for making such jokes. If the owner wanted me to leave his property, he could. It’s America, right?

For those who do not know, I am an African American woman who grew up in the foothills of the Blue Ridge Mountains of Virginia. When I return to my hometown or attend a reunion at the school I attended in North Carolina or visit family now settled in South Carolina, I have at least two expectations. One is to bathe in the beauty of the southern natural landscape and two is the likelihood of seeing Confederate flags. After living in New England for nearly twenty years, I certainly have that first expectation. There is no New England state that I have visited where I have not experienced great natural beauty. But that latter expectation … no, I guess I did not have that one though I now do after last weekend.

I later described it as being caught up in a Klu Klux Klan rally but no one wore a hood. There were no torches or anyone burning but there was plenty of black smoke and revving of engines. I’m  sure there were guns but none were on display. Nothing illegal was done that I could see except for some bikers racing by in the breakdown lane but they didn’t do so for long. They just did it to keep up with the pack, or I guess I should say the convoy, of three dozen or more vehicles — trucks, cars, jeeps, bikes — driving along the highway from Massachusetts into Rhode Island, waving the Confederate flag. The American flag was flown too of course.

When I saw the first truck, a large black pick up, with Trump and Pence stenciled in white on the side, I thought, “Well, this is America.” Then as we kept driving along I saw more vehicles, a beat up Corvette with a Confederate flag nailed to the roof, more pickup trucks with large chimneys and flashing lights in addition to their flags, bikers with the flags pinned to their leathers.  I really, really, really didn’t want to be in their midst but there was no other route to our destination.

I could avoid that table in the Virginia flea market with its sea of Confederate flags but I could not escape this experience. We all had to share the road, and we did so for a very long time. Finally the vehicles all left the road, to pull into a Rhode Island rest stop.  Their final destination I have no idea. We completed our journey into the quiet of Rhode Island’s small towns.  I slumped back into the seat, exhausted. Why was I exhausted?

Well …

Later that weekend, people asked me how did I know that there were three dozen or so vehicles in the convoy. I explained that I counted them. With the luxury of being a passenger and not the driver, I looked at each vehicle surrounding and then passing me. I looked at license plates (several New England states were represented). I looked at the drivers who would not look back at me. I got the feeling that they had all been instructed to keep their eyes on the road and to do nothing intimidating individually because what they were doing as a group was much more effective.

I don’t know if it’s nature or nurture, likely a combination, but there’s a thing that happens to me in certain situations. It’s the confluence of past and present. There’s a scene in the movie 12 Years a Slave, and a scene in the movie Glory, and scene in any movie  involving slavery, where a man or woman is tied up and whipped. I have many a friend and family member, of different races and ages and life experiences, who will turn away. I cannot. My back straightens. I hold my head high. Not so much to bear witness but it feels almost like channeling ancestors who did what they had to do to survive but they would not be subjugated. To sit in that position for an hour, so tense, was exhausting.

In that Virginia flea market, when I made eye contact with the vendor selling the Confederate flag, and nodded at him in acknowledgement, in a different day and age, for such behavior, for stepping out of my place, I would have been whipped. I know, I know. There some who might say, there you go stirring up the past again. But that past is a part of my American heritage, and every American’s heritage.

I am a major proponent of “just go with flow” and “just let things go.” Being caught up in that convoy for about an hour, those philosophical tendencies were replaced with something else. I increasingly wanted the drivers to look at me. I wanted to look into his or her eyes and to see who they were. And I wanted them to see me. As with the man in Virginia with the Confederate flag covering his lawn, I want them all to explain to me the intention of their display and to do so with other words than “It’s about heritage, not hate.”

I had my camera with me, of course, but I refused to pull it out. There was no need to capture in pixels and post on this blog such imagery. But I did want to share an experience that I will not let go of but I will certainly move beyond.

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In September, the Friends of the Middlesex Fells presents Nature, Our Most Precious Resource, an exhibit of artwork celebrating the beauty of the Middlesex Fells Reservation. I’m honored to have three pieces in the show, 12 x 12 prints capturing the bright-hued beauty I’ve experienced in the Fells over the years. The event is hosted at the Beebe Estate in Melrose with an opening reception scheduled for September 2nd, 7-9 PM. Further details can be found below or by calling 781-662-2340.

Learn more about Fells at Friends of the Middlesex Fells: http://www.friendsofthefells.org/

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They could have stayed in the land where they had been born, a land that over time their ancestors had come to consider home. During the war the land had been bloodied but the war was over. A few cities and institutions had been destroyed but for the most part key systems and infrastructures had been preserved.  Yes, war had ended, and with war’s end some change had come.  Were they not free? A big change, for sure, but clearly not enough.

Word spread of a different place, a place with more opportunities, where one could make a fresh start.  It would be an all or nothing gamble. Not everyone was sure of such a gamble but some were.  Families mobilized.  All they need do to reach this promised land was to cross the river.  And they did.

Not everyone was happy.

This is how one group’s journey was described by an observer:

“… today there are sixty or seventy … of all ages and sexes on the river bank … singing and shouting … waiting for a government boat that will give them free transportation … These emigrants are the most lazy … too lazy to make a living in this warm and generous climate, where nature holds out to them her arms laden with rich and magnificent fruits that never fail. She points to her lakes … with unfailing yield of food from the waters, and can boast of a soil more productive than any other. Yet this lazy class of emigrants are compelled to go [elsewhere] to make a living or be fed by a magnanimous government.  The most important of these emigrants have abandoned comfortable homes, and many of them have no means to pay passage … and what money they had was expended … [They] have been deceived by designing rascals in our midst who have held out flattering hopes and promises for the future that can never be realized. …”

As for that elsewhere considered a promised land? It was Kansas. The river crossed was the Mississippi.  The emigrants were African Americans departing the south in what’s considered to be one of the first major migrations after the Civil War. The above excerpts were posted in the Boston Post on May 2, 1879 (just fourteen years after the end of the Civil War and two years after the end of Reconstruction) in a letter written by a resident of Vidalia, Louisiana to his client in Massachusetts. His client owned a Louisiana plantation.

While over six million people were freed by the end of the Civil War, many continued to work the fields where they had once been enslaved. Few other employment options existed.  By the late 1870s, white southern elites returned to power and quickly undid many of the advancements made with regard to voting rights and economic opportunities for blacks. As economic pathways disappeared and violence increased, people sought a promised land and that land was out west and especially Kansas, home of the mythic John Brown.

One concern sparked by the exodus of African Americans was, who would work the fields?  In his 1879 letter, the author includes a clipping from another southern voice reflecting upon this potential impact and proposed federal actions.

“The proposition of [President] Garfield to appropriate from the Treasury of the United States seventy-five thousand dollars for the relief of these emigrants … it is one the of most “cheeky”propositions, to use a cant expression, we have ever heard.  Here is a people, probably in combination with Garfield himself and other haters of the South, who leave their comfortable homes in the South, and under certain unexplained influences go voluntarily to the West to better their condition.  They there find only those who have persuaded them into such a wild goose chase … They find the conditions identical with what had been told them over and over again by intelligent men in the country they have left, they find the same difficulties and trials which every class of immigrants have to encounter when moving to a new country, and they are thrown on their own resources to no greater extent than the thousands of white immigrants who every year throng the Western Territories. Why does not Mr. Garfield ask the Congress of the United States to appropriate money for the temporary support of German and Irish and other European emigrants? They are as worthy …

“If this proposition to support this band of crazy wanderers should be adopted and money appropriated for keeping them in idleness, there would be created a drain on the public Treasury which hundreds of millions would not satisfy … and the time would not be long before our Western friends would have a surfeit of their colored brethren. … How long is this peculiar care for this class of our population to continue? … The colored people are as free as the whites … He has the same right as the white man has to emigrate but he has no further right than the white man for assistance …

“The place of those who go from the South will doubtless be soon supplied by the Chinamen, and what would Mr. Garfield say if the people of the South should apply to Congress for a year’s support for the almond-eyed Mongolians who may be brought here to develop our cotton lands?”

There are other letters from that time that echo the same sentiments about the roles of African Americans, the Chinese immigrants and more but I stop here. The history of that time — of emigration, migration and refugees arriving in a new land — is complex and is part of what makes America so darned unique.  Though no wall around Kansas or along the Mississippi was mentioned, as I read the words, I could not help but think of Trump. He is nothing new. Nor are the people who look up to someone like him, a man who puts down everyone, and who enables some peoples’ worse base instincts toward selfishness, fear of others and violence.

I do not find hope in these old letters but I am reminded that we as a nation have survived such people and attitudes before.  I have seen many stories of late debating whether or not Alex Haley’s Roots should have been remade. I don’t know but I do believe that there are always lessons to be learned from studying and remembering the past.

Sources

Boston Post, May 2, 1879, page 2, “The Negro Exodus”

National Archives Exodus to Kansas

 

 

 

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… in the waters of the pond below.

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… books by Bruno Munari on drawing trees and drawing the sun. Online descriptions suggest they were written for children but I think what is meant is children of all ages.  Unexpected finds as I walked through the library. Thank goodness I have a big backpack.

More information about Bruno Munari

Brainpickings on Munari: https://www.brainpickings.org/2012/11/22/bruno-munari-design-as-art/

drawing a tree:  http://www.artbook.com/8887942765.html

drawing the sun: http://www.artbook.com/8887942773.html

Wikipedia on Munari: https://en.wikipedia.org/wiki/Bruno_Munari

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Available as PDF for $5.99 or in print. Other books can be viewed on my pinterest board. Enjoy.

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It has become tradition. After visiting Dublin I produce a small book chronicling my travels. The 2015 edition is now available for purchase in print or for immediate download: http://www.blurb.com/b/6648069-dublin-green

p.s. Of course, there’s a cybersale in effect. Save 40% until December 1st with the code: CREATIVE40

http://www.blurb.com/b/6648069-dublin-green

 

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… paired with a powerful poem referencing Icarus.  It can take a while for the free version of the 52 page journal to load but it is worth it to start from page one and work your way to the end.  This Fall 2015 edition of Dirty Chai Magazine is filled with beautiful art, creative nonfiction, fiction and poetry.  As the editor Azia DuPont notes in her opening letter there are a number of sensitive pieces dealing with tough topics chosen “not for their shock value but for their humanity.”  As always I am honored to have one of my photos selected to share the page with such works. Enjoy.

https://dirtychaimag.files.wordpress.com/2015/10/dirtychaiissueviiifall2015.pdf

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I must say …

I do love winter light.

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