Feeds:
Posts
Comments

Posts Tagged ‘African American history’

This is a list of Black officers employed by English traders in West Africa. This record is just one page from the extensive archives of the Royal African Company.

The Royal African Company (RAC) was formed in 1660 by the royal Stuart family and City of London merchants. Trade focused on the west coast of Africa with a primary interest in trade for gold. That focus would shift to human trade. The RAC shipped more African slaves to the Americas than any other company in the history of the Atlantic slave trade. By 1752 its assets were transferred to the newly formed African Company of Merchants that would operate until 1821. The page I’ve shared has to be from a company ledger produced after 1765.

Many company records have been digitized and are accessible via a genealogical database. It is interesting to peruse these records and see the number of Black men employed by the company. These men listed may have been stationed at the trading post, Cape Coast Castle.

Cape Coast Castle (as rebuilt by the British in 18th century), Ghana

The first man, Cudjoe, was a cabboceer and linguist. Cabboceers were African men appointed by their leaders to supply European traders with trade goods including slaves. The third man Frederick Adoy was a writer, as are several other men on the list. Adoy was the son of a cabboceer and had been educated in England. Writers were the equivalent of clerks for the company. Adoy had the advantage of speaking the native languages. The last man Philip Quaque was born on the Cape Coast but taken to England as a child in 1754 by a missionary from the Society for the Propagation of the Gospel. There, he went to school, was baptized and may have studied theology at Oxford. In 1765 he became the first African ordained in the Church of England. In that same year he received his commission to serve as chaplain and spread the gospel back in Africa.

In October he and his English wife Catherine Blunt boarded the ship The King of Prussia, captained by Shepherd. If you switch over to the slavevoyages.org database, you can search for a vessell named King of Prussia.

Entry from Slave Voyages Database

The entry notes in October 1765 Captain John Shepherd and crew departed London for West Africa. After safe delivery of any goods and departure of passengers, like Quaque, Shepherd and company factors began trading activities. When the ship departs, 216 enslaved people are in the hold of the ship. At least 189 survived the voyage, with 107 sold in Grenada and 82 sold in Nevis. Shepherd than returned to London by the fall of 1766.

Quaque never returned to England, except for a short visit in 1784-1785. His wife Catherine died a year after arrival at the Cape Coast. Over time he would eventually marry two African women who bore him sons. He focused his missionary efforts on starting a school primarily for Afro-European (i.e. mulatto) children of the elites. He wrote frequently to the Society for the Propagation of the Gospel back in London. You can read his own words.

He describes in great detail his successes and challenges, challenges that included the fact he was no longer fluent in the local language. His family ties remained within the community but his cultural connection had been distorted by a childhood and devout Anglican upbringing in England. Local and global politics, as well as wars, hampered his mission at every level yet he persevered. For extra money he even worked as a writer/clerk like Frederick Adoy.

Sometimes Quaque had no students and sometimes he had over a dozen. He taught them reading, writing and arithmetic, and of course religion. He had dreams of expansion and wrote of wanting to hire Adoy and fellow Black writer John Acqua (also educated in England) as his teaching assistants. The school never thrived though it did survive. Quaque’s sons, educated in England, even assisted him for a time. Quaque died in 1816 after fifty years of service.

Cape Coast Castle Dungeon

What must he have thought of the slave trade? In the place where he taught brown and black children in a school room, down below brown and black children were chained in the holding cells awaiting transport to the New World. As a writer he would have chronicled the trade that took place. He had been chaplain to the English traders and missionary among his African people. While he vilified slavery, especially later in life, his actions suggest he believed religious conversion would save his people. Still, his criticism would be an important part of the growing abolitionist movement. And while, as indicated in his letters, he may not have felt successful, his legacy endures as does his school.

Sources and Additional Reading

Bartels, F. L. “PHILIP QUAQUE, 1741—1816.” Transactions of the Gold Coast & Togoland Historical Society, vol. 1, no. 5, Historical Society of Ghana, 1955, pp. 153–77, http://www.jstor.org/stable/41406590.

slavevoyages.org

Royal African Company Records 1694 to 1743

“One of their Own Color and Kindred” Philip Quaque and the SPG Mission to Africa, by Travis Glasson, DOI:10.1093/acprof:oso/9780199773961.003.0007

The Life and Letters of Philip Quaque the First African Anglican Missionary

Read Full Post »

“I have always wanted to paint from nature, but it is too late when my work is finished for the day, so I am confined mostly to copying. On Sundays and holidays I go out to the country and paint, but holidays are few and far between and the weather doesn’t always permit. I’ve done a few farms, and last spring I did a picture of an old New England farm which I sold to C. A. Coffin of Lynn.”

The Boston Globe, Sunday, April 30, 1911

In the spring of 1911, the Boston Globe shared the story of artist John P. Rollins. Born in Lynchburg, Virginia, in 1852, he trained as a house and sign painter. While in Philadelphia practicing his trade, he began exploring painting as an art. His efforts caught the attention of African American artist David Bustill Bowser.

Bowser mentored the young artist and even encourage him to set aside his trade and focus on fine art. But Rollins was aware, despite Bowser’s success, how hard it was to make a living as an artist especially for a Black man. Curious about the world, a world he might paint one day, he took a job as a sleeping car porter on trains traveling cross country. He finally settled in Boston and worked at Young’s Hotel located in the Financial District. He worked there for 20 years, painting during his off-hours. He managed to find time to take vocal lessons at the New England Conservatory. He sang in Baptist choirs across the city and eventually served as choirmaster for several churches including Boston’s Twelfth Street Church.

After leaving Young’s Hotel, Rollins was a messenger for a large banking house. A personable man, Rollins made connections with a mercantile and social elite who began to purchase his artwork. He was able to copy the works of great masters from a simple postcard. Both his reproductions and original art caught the attention of Boston artist and teacher Walter Gilman Page.

Page allowed Rollins access to his studio. As the two men developed a relationship, Rollins introduced Page to others in the black community who were artists as well. Like Rollins they pursued their dreams of painting while working whatever jobs they could find to make a living. They worked as elevator operators, waiters and janitors. With Page’s support, in 1907, the men formed the Boston Negro Art Club. Soon thereafter they had their first exhibit showcasing many works of art. Rollins served as Vice-President of the group.

“There’s nothing like seeing other men doing good work to make one want to keep up to the standard,” said Rollins. “But the fact of being able to sell your pictures is probably the greatest help. I have always been particularly interested in painting Venice. It has been the wish of my life to go there; from the time I was a little shaver down in Virginia … Venice has been to me like a stick of candy, way up high on a Christmas tree …”

“State Street, 1801” by James Brown Marston located at the Massachusetts Historical Society

“One of the best copies I have ever made is of ‘State Street, Boston – 1801,’ the original of which is at the rooms of the Massachusetts Historical Society. There are a number of people who take an interest in my work and when some of my friends go away and travel either in this country or in Europe they send me all the postcards they can of the scenery, and it gives me great pleasure to copy and enlarge them.”

After its debut in 1907 the Negro Art Club had a few more exhibitions. By the time Rollins was interviewed by the Boston Globe in 1911 the group had likely disbanded. A 1920 Census shows that Rollins was still working as a porter at the bank and one can hope that he was still painting. Whether any of his paintings survive is unknown.

Sources and Additional Reading

https://en.wikipedia.org/wiki/David_Bustill_Bowser

Read Full Post »

There’s one positive to the long winter/long early spring commutes in Boston when your primary form of transportation is the train and bus. Plenty of time to read. Two books have been in my bag of late that I’d like share in some fashion. Very different books, indeed, but there is a common thread of poetry and the poetic. First up, Army Life in a Black Regiment, first published in 1869.

IMG_20180325_114005622

In November 1861, shortly after the start of the U.S. Civil War, the Union fleet took command of Port Royal, South Carolina and neighboring sea islands including St. Helena and Hilton Head. Plantation owners fled leaving behind 10,000 slaves, and a bumper crop of sea island cotton.

PR1

PR3

A project was conceived known as the Port Royal Experiment. Its purpose? By working with this group of 10,000 freed slaves, in a relatively contained area, perhaps solutions could be found for the greater looming challenge of how to integrate into society millions of emancipated slaves.

JJSmithPlantationSlaves

fripp

At least three different groups were involved in the experiment, including Northern missionaries who focused on education and training, entrepreneurs who wanted to show the profitability of free labor versus slave labor, and the U.S. government which, most immediately, needed more men on the battlefield. These groups sometimes worked together but were more often at odds. For an excellent scholarly analysis of the Port Royal Experiment, please read Willie Lee Rose’s Rehearsal for Reconstruction: The Port Royal Experiment.

PR5

port royal students

Teachers immediately went to work setting up schools. Entrepreneurs began implementing their free labor experiment offering to pay the former slaves to cultivate the cotton.  But as for volunteering to fight for the military?

 

Contraband

escaped slaves wearing old union uniforms

Since the beginning of the war, Union officers in the field saw the need for trained black troops. Early attempts to recruit  had met with poor results and had little initial support from Lincoln’s White House. But finally, with Port Royal, a new more coordinated effort was to be made.  In November 1862, Thomas Wentworth Higginson received a letter from Brigadier General Rufus Saxton. “I am organizing the First Regiment of South Carolina Volunteers, with every prospect of success. Your name has been spoken of, in connection with the command of this regiment, by some friends in whose judgement I have confidence. I take great pleasure in offering you the position of Colonel in it … I shall not fill the place until I hear from you …”

Thomas_Wentworth_Higginson

Thomas Wentworth Higginson

Higginson was a poet, biographer and novelist as well as a Unitarian minister. From a prominent, wealthy New England family, he had long been a staunch abolitionist, social reformer and a major supporter of John Brown. Once the Civil War began, he joined the Union Army. Though he already served another regiment, he accepted Saxton’s invitation to visit Port Royal. He doubted he would accept the commission but, after meeting the people, he accepted his new role without hesitation.

During his time with the regiment he would record detailed entries in his diary about the people, the Sea Island landscape, and of course about the regiments military actions. After becoming ill, in 1864, he would return to New England, resign his commission, and resume researching and writing. Essays about his wartime experiences with the First Regiment appeared infrequently in the Atlantic. By 1869, he compiled the essays, diary excerpts and other work into the book, Army Life in a Black Regiment and Other Writings.

FirstSouthCarolinaVolunteerInfantryLarge

First South Carolina Volunteer Infantry

In the introduction to his diary entries, Higginson tells the reader:

I am under pretty heavy bonds to tell the truth, and only the truth; for those who look back to the newspaper correspondence of that period will see that this particular regiment lived for months in the glare of publicity, such as tests any regiment severely, and certainly prevents all subsequent romancing in its historian. As the scene of the only effort on the Atlantic coast to arm the negro, our camp attracted a continuous stream of visitors, military and civil. A battalion of black soldiers, a spectacle since so common, seemed then the most daring of innovations, and the whole demeanor of the particular regiment was watched with microscopic scrutiny by friends and foes. I felt sometimes as if we were a plant trying to take root, but constantly pulled up to see if we were growing.”

Of discipline there was great need … Some of the men had already been under fire but they were very ignorant of drill and camp duty. The officers, being appointed from a dozen different States … had all that diversity of methods which so confused our army in those early days. The first need, therefore, was an unbroken interval of training. During this period, which fortunately lasted nearly two months, I rarely left camp … Camp life was a wonderfully strange sensation to almost all volunteer officers, and mine lay among eight hundred men suddenly transformed from slaves into soldiers …

volunteers

Infantry Members

Each subsequent diary entry reveals Higginson’s poetic nature. “Yesterday afternoon we were steaming over a summer sea, the deck level as a parlor-floor, no land in sight, no sail, until at last appeared one light-house … The sun set, a great illuminated bubble, submerged in one vast bank of rosy suffusion; it grew dark; after tea all were on deck, the people sang hymns; then the moon set, a moon two days old, a curved pencil of light, reclining backwards on a radiant couch which seemed to rise from the waves to receive it…”(November 24, 1862)

dressparade

Dress Parade of the First South Carolina Volunteer Infantry

“… One adapts one’s self so readily to new surroundings that already the full zest of the novelty seems passing away from my perceptions, and I write these lines in an eager effort to retain all I can. Already I am growing used to the experience, at first so novel, of living among five hundred men, and scarce a white face to be seen, — of seeing them go through all their daily processes, eating, frolicking, talking, just as if they were white. Each day at dress-parade I stand with the customary folding of the arms before a regimental line of countenances so black that I can hardly tell whether the men stand steadily or not; black is every hand which moves in ready cadence as I vociferate, “Battalion! Shoulder arms!” nor is it till the line of white officers move forward, as parade is dismissed, that I am reminded that my own face is not the color of coal.” (November 27, 1862)

HenryWilliams

Infantry Member Henry Williams

Higginson paints a poetic picture of both people and place. “All the excitements of war are quadrupled by darkness; and as I rode along our outer lines at night, and watched the glimmering flames which at regular intervals starred the opposite river-shore, the longing was irresistible to cross the barrier of dusk, and see whether it were men or ghosts who hovered round those dying embers. I had yielded to these impulses in boat-adventures by night … and fascinating indeed it was to glide along, noiselessly paddling, with a dusky guide, the reed-birds, which wailed and fled away into the darkness, and penetrating several miles into the interior, between hostile fires, where discovery might be death.

The book is a time capsule chronicling an important period in American history. These soldiers predated the more famous Massachusetts 54th regiment led by Robert Gould Shaw. Higginson brings to life the courage, the ingenuity and discipline of these early troops.  He shows them to be as human as their white counterparts, their brothers in arms. And though the people of the Sea Islands, for the most part, had known nothing other than slavery, they were prepared with the right training to fight for and defend their freedom and that abstract thing known as “the Union” that their labor had sustained for generations.

frippplantation

Higginson’s book reminded me of the unique nature of the Sea Islands, a uniqueness that Higginson remarks upon in a post-war essay about the Negro as a Soldier. “I had not allowed for the extreme remoteness and seclusion of their lives, especially among the Sea Island. Many of them had literally spend their whole existence on some lonely island or remote plantation, where the master never came, and the overseer only once or twice a week.”

Under these conditions the slaves developed a patois that is now known as Gullah, a blending of standard English and its Southern regionalisms with different West African languages. By the time the Civil War began, there were over 400,000 slaves in South Carolina alone. Such a large investment in labor was needed for the labor intensive yet highly profitable cultivation of cotton and especially rice.

EdistoIsland

During one expedition along the Edisto River with his now-trained troops, Higginson confronts the enemy near some of these rice fields.

“The battery — whether fixed or movable we knew not — met us with a promptness that proved very short-lived. After three shots it was silent, but we could not tell why. The bluff was wooded, and we could see but little. The only course was to land, under cover of the guns. As the firing ceased and the smoke cleared away, I looked across the rice-fields which lay beneath the bluff. The first sunbeams glowed upon their emerald levels, and on the blossoming hedges along the rectangular dikes. What were those black dots which everywhere appeared? Those meadows had become alive with human heads, and along each narrow path came a straggling file of men and women, all on a run for the riverside. I went ashore with a boat-load of troops at once. The landing was difficult and marshy. The astonished negroes tugged us up the bank …They kept arriving by land much faster than we could come by water … What a scene it was! With the wild faces, eager figures, strange garments, it seemed, as one of the poor things reverently suggested, [like judgment day]. “

Bless you” and “Bless the Lord,” were the exclamations Higginson remembers hearing over and over again. “Women brought children on their shoulders; small black boys carried on their backs little brothers … Never had I seen human beings so clad, or rather so unclad … How weak is imagination, how cold is memory, that I ever cease, for a day of my life, to see before me the picture of that astounding scene!” That day they rescued approximately two hundred slaves.

EscapedSlaves1862

escaped slaves 1862

 

Higginson, with his Boston Brahmin background, was an outsider looking into another culture. There is condescension on occasion but while he may refer to the former slaves as docile, he makes clear he knew they were not mentally deficient as so many others would report in northern publications. “I cannot conceive what people at the North mean by speaking of the negroes as a bestial or brutal race. … I learned to think that we abolitionists had underrated the suffering produced by slavery among the negroes, but had overrated the demoralization.”

Higginson viewed his troops as human beings who had been denied basic human privileges, privileges he had literally fought for long before the Civil War. Throughout the book he presents the former slaves as active participants in shaping their own destiny.”One half of military duty lies in obedience, the other half in self-respect,” Higginson writes. “A soldier without self-respect is useless.” Recognizing what he describes as the bequest of slavery, Higginson worked with his officers to “impress upon [the troops] they did not obey their officers because they were white, but because they were their officers, just as the Captain must obey me, and I the general; that we were all subject to military law, and protected by it in turn.”

Over time, more black regiments were formed. In 1864 the First South Carolina Volunteer Infantry’s name was changed to the Thirty-Third United States Colored Troops. The men served until February 1866 when the troop was finally mustered out. “It is not my province to write their story, not to vindicate them … Yet this, at least, may be said. The operation on the South Atlantic coast, which long seemed a merely subordinate and incidental part of the great contest, proved to be one of the final pivots on which it turned. All now admit that the fate of the Confederacy was decided by Sherman’s march to the sea. Port Royal was the objective point to which he marched, and he found the Department of the South, when he reached it, held almost exclusively by colored troops. Next to the merit of those who made the march was that of those who held open the door. That service will always remain among the laurels of the black regiments.”

TWHigginson

Thomas Wentworth Higginson

“… we who served with the black troops,” Higgins writes, “have this peculiar satisfaction, that, whatever dignity or sacredness the memories of the war may have to others, they have more to us. … We had touched upon the pivot of the war. Whether this vast and dusky mass should prove the weakness of the nation or its strength, must depend in great measure, we knew, upon our efforts. Till the blacks were armed, there was no guaranty of their freedom. It was their demeanor under arms that shamed the nation into recognizing them as men.”

 

Sources and Additional Reading

https://en.wikipedia.org/wiki/1st_South_Carolina_Volunteers

https://en.wikipedia.org/wiki/Thomas_Wentworth_Higginson

Army Life of a Black Regiment

Army Life in a Black Regiment (Amazon)

http://www.bostonathenaeum.org/library/book-recommendations/athenaeum-authors/colonel-thomas-wentworth-higginson

https://www.emilydickinsonmuseum.org/thomas_wentworth_higginson

https://opinionator.blogs.nytimes.com/2011/11/06/rehearsal-for-reconstruction/

https://www.lowcountryafricana.com/project/history-of-the-33rd-united-states-colored-troops-usct/

http://www.drbronsontours.com/bronsonportroyalexperiment.html

https://www.sciway.net/afam/slavery/population.html

Art and Picture Collection, The New York Public Library. (1862).Bombardment of Port Royal, S.C. Retrieved from http://digitalcollections.nypl.org/items/510d47e0-f9a8-a3d9-e040-e00a18064a99

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. (1861 – 1865).Two views. Dress parade of the First South Carolina Regiment (Colored), near Beaufort, S.C. Retrieved from http://digitalcollections.nypl.org/items/510d47e0-c8e9-a3d9-e040-e00a18064a99

Please note that the Library of Congress has an extensive collection of photographs available online from this period in U.S. history.

 

Read Full Post »

Crisis1927NewArtist

I’ve been researching the year 1927 for a project and came across an issue of  The Crisis Magazine for that year. In this issue, several new artists were featured. Even though they were not the focus of my research, I became curious about who these people were and who they became. I knew of Countee Cullen but the others … I began by looking up Blanche Taylor Dickinson. The article in The Crisis notes that she “received honorable mention for her poem, “That Hill,” in The Crisis contest of 1926. Four of her poems have recently been accepted to appear in “Present Day Poets.” She was featured alongside Cullen, Loren R. Miller, Anita Scott Coleman and Eulalie Spence.

1200px-WEB_DuBois_1918

Three years earlier, Dickinson had written W. E. B. Du Bois, co-founder and editor of The Crisis. “I am a teacher and a reader of The Crisis but am just becoming a suscriber. You edit a fine magazine and it is a great factor in helping to bring us more and more into the recognition of the opposite race.” Enclosed with the letter were poems but no envelope with return postage because, as Dickinson wrote, if the poems were unacceptable to Du Bois, “you have a waste basket handy I am sure.”

Du Bois read her poems and then sent a reply, despite her lack of return postage. “You have some poetic feelings but are not good enough to publish. You must read more poetry. Buy Rittenhouse’s Little Book of Modern British Verse.”

Dickinson does indeed read Rittenhouse and other compilations. In 1925 she wrote Du Bois once more.

Once before I was ‘nervy’ enough to write you a personal letter and you were kind enough to advise. So pardon this second intrusion and say, ‘She is determined to hold out to the end.’ I have read or you might say studied the book you mentioned … and feel that I have profited thereby. I have made a study of several others, too. Now if I could see a few expressions of mine in our own magazine, CRISIS, I imagine I should feel as I imagine one feels in your own sphere. I am not working for money now but for RECOGNITION. It is unwomanly of me to beg favor of your staff but I do ask please read these lines from the angle of the writer and others less favored and see what you can find in them that deserves criticism or comment.”

Du Bois’s reply? “I do not think that the poems which are enclosed are quite good enough for publication but I do think that the course of study upon which you are embarked is worth while and I hope you will keep it up.”

Dickinson, who’d been writing since childhood, would continue to work at her craft and her poetry would be published in a number of publications during the late 1920s. A little but not a lot is written about her life. Born in 1896 to a prosperous Kentucky farmer, she did well in school (including having her writing published), attended university, became a school teacher and worked as a journalist. She married a truck driver and moved around a bit. In 1929 she interviewed Amelia Earhart for the newspaper, Baltimore Afro-American. In 1930 Dickinson would deliver a speech about “The Cultural Values of Negro Poetry,” but little writing can be found after this time.

Her poetry is quite moving and suggestive of how she (or perhaps women around her) may have felt about life as a woman in the 1920s in general and as an educated African American woman specifically.

“Ah, I know what happiness is …

It is a timid little fawn

Creeping softly up to me

For one caress, then gone

Before I’m through with it …

Away, like dark from dawn!”

— excerpt from poem, A Sonnet and a Rondeau, 1927

Her words can be raw as in this excerpt from, The Good Wife, appearing in a 1932 newspaper, where her words reference the to-this-day divisive issues of class, color and even education level within the African American experience.

All day long

I been sipping suds.

Money making’s mine- 

Money spending’s Bud’s.

Folks keep asking,

How could I

Let a man black as Bud

Take my eye.

I keep rubbing

‘Till my po’ head swim.

‘T ain’t worthwhile to answer

‘Cause Bud ain’t courted them!

BlancheTaylorDickinson

Her work can be found online and in print anthologies from and about the period known as the Harlem Renaissance. Blanche Taylor Dickinson died in 1972.

Sources & Additional Reading

http://credo.library.umass.edu/view/full/mums312-b168-i213

http://credo.library.umass.edu/view/full/mums312-b169-i545

http://credo.library.umass.edu/view/full/mums312-b169-i546

Shadowed Dreams: Women of the Harlem Renaissance by Maureen Honey

Kentucky African American Encyclopedia edited by Smith, McDaniel and Hardin, p. 142

New Negro Artists, The Crisis, February 1927, p. 206

The Good Wife, The Greeley Daily Tribune, October 10, 1932, p. 3.

Revelation, https://www.poetrynook.com/poem/revelation-16

Read Full Post »

The recipes are good. They are simple, elegant and refined, like the family sharing its history through food.  The preface describes the book as telling the story of five kitchens and three generations of women. “Mother-daughter duo” Alice Randall and Caroline Randall Williams use the book to share stories from the kitchen, a place that could be both forboding and a place of great calm, depending upon one’s generation (e.g. slavery) and one’s location (e.g. north vs. south).  Traditional, mostly southern recipes, are reworked.  Flavoring agents like bacon dripping, ham hocks, and butter are replaced by olive oil, or no oil at all.  But fear not.  As I told my big brother, a traditional southern cook, flavors have been retained if not indeed heightened with the liberal use of spices. My favorite recipes were the simplest like the Warm Onion and Rosemary Salad, Herb-Roasted Salmon Fillet, Fiery Green Beans and Links Salad composed of green beans, green peas, cucumber and basil.

There’s a Homemade Peanut Butter recipe. The authors describe peanut butter “as a bass note that can carry a wide variety of top notes” and encourage users, once comfortable with the basic recipe, to add spices. Be creative. Set no limits.  It’s a sentiment that fits the family.

Many of the book’s recipes from Mama’s Tequila Ice to Eggplant Tower with Mashed White Beans open with brief headnotes that describe the family connection to the dish.  Whether its a variation on a meal served while hosting parties during the Harlem Renaissance or a reworking of a meal had as family members traveled overseas in Yugoslavia, each recipe clearly has meaning.

While its an eclectic mix of recipes, overall the book is quite a culinary inspiration.  The recipes don’t begin until page 80.  Those first seventy-nine pages are a poetic examination of five kitchens, and American history, beginning with Minnie Randall (1897-1976) through Caroline Randall Williams (b. 1987).  Reviewing the book has reawakened my desire to ask family members about their memories of food past and what they’d like to cook in the future.  You don’t need to be of African American heritage to enjoy this book.  It’s an American experience that can be shared, quite deliciously, by all.

I received this book from Blogging for Books for this honest review.

More Info …

Author Bios

SoulFoodLove

Read Full Post »

… there was a school and on the campus there was a chapel and inside the chapel there was a stained glass window known as The Singing Window.

photo by Carol M. Highsmith

photo by Carol M. Highsmith

 

Sources and Additional Readings

Learn more about the photographer Carol M. Highsmith on the Library of Congress website: Carol M. Highsmith Archive.

Learn more about Tuskegee University including its tours and the history of the chapel.

Read Full Post »

I’d seen the sculpture many times inside Trinity Church but not truly appreciated it. A man holding a cup, a cup-bearer, but the person depicted had no context for me.  I knew nothing of his significance in the past or in the present.  There were too many other visuals capturing my attention, like sunlight through stained glass windows.  Only recently have I returned with greater respect to the relief of Elijah Winchester Donald, Rector of Trinity from 1892 until 1904.

Detail of E. Winchester Donald Sculpture by Bela Pratt

I unexpectedly re-discovered the sculpture, and the man depicted, while researching the history of a church thousands of miles away at what is now known as Tuskegee University in Tuskegee, Alabama.

During my research I came across an issue of The Southern Workman, a publication founded in 1872 by General Samuel Chapman Armstrong of Hampton Institute, Hampton, VA.  Armstrong would leave his mark on American history for many reasons, one of which included founding Hampton just after the Civil War. There, a young Booker T. Washington, formerly a slave, would become a student and eventually a teacher. In 1881, when people in Alabama, wanting to start a new institute for black students, reached out to Armstrong for principal recommendations, Armstrong suggested young Washington who applied for the position and got the job.

The August 1895 issue of The Southern Workman made note of Tuskegee’s achievements, including recent receipt of anonymous funds to build a new chapel.  But prior to those funds being received graduation commencement services took place and, the journal describes the event in this way:

Years late, Booker T. Washington would describe the moment in a slightly different way.  In 1901, Washington wrote Up from Slavery, the chronicle of his journey from slavery, his attendance at Hampton and eventual leadership at Tuskegee and well beyond.  As Washington wrote, money had been found to start Tuskegee, with money set aside to pay future instructors, but no provisions had been made for securing land and buildings.

Later in his autobiography, Washington gives his personal recollection of the 1895 Tuskegee commencement in which Dr. Donald spoke:

The chapel would be built, designed by Robert R. Taylor, the first African American graduate of MIT. The chapel would be erected between 1896 and 1898, a structure some scholars say Taylor considered his masterpiece.

Robert R. Taylor

Robert R. Taylor

In 1900 author Max Thrasher wrote: “The building of this chapel illustrates, as well as any one instance can, the methods of the industrial training at Tuskegee.  The plans for the building were drawn by the school’s instructor in architectural and mechanical drawing.  The bricks, one million two hundred thousand in number, were made by students in the school’s brick yard and laid by the men in the brick-laying classes.  The lumber was was cut on the school’s land and sawed in the saw mill on the grounds.  The various wood-working classes did the work which in their departments.  The floor is of oak; all the rest of the finish in in yellow pine, and the use of this wood … The pews were built after a model designed by one of the students, and another student designed the cornices. The tin and slate roofing was put on by students, and the steam heating and electric lighting apparatus was installed by them …” Before his death in 1904, Donald would have an opportunity to speak in this chapel.

Though from two very different backgrounds, Donald and Washington appear to have greatly respected one another. In 1895  Donald established the Trinity Church Oratorical Prize, an award for the best written and best delivered paper on an assigned subject, a student prize that continues at Tuskegee, with different sources of funding, to this day.  For many reasons, Washington often made his way up North, cultivating philanthropists, accepting honorary degrees, attending national conferences, and speaking in places like Trinity.  In 1897 he was invited to deliver an address at the dedication of the Robert Gould Shaw Monument in Boston.  Prior to his arrival, Donald sent him a letter:

In 1901, Donald presented the dedication address for a new campus building at Tuskegee.  In attendance were noted business leaders and philanthropists including George Foster Peabody and John D. Rockefeller Jr. Before them was a magnificent campus, once a few fragile buildings, transformed by student-labor into a thriving educational institute with over 100 hundred instructors and staff, 50 buildings both functional and aesthetic, over 2500 acres of land with solid farming infrastructure and students applying from around the world.

Chemistry Lab 1902

Chemistry Lab 1902

Instructor George Washington Carver

Tuskegee Instructor George Washington Carver

Donald’s dedication address was made just a few decades after the end of the Civil War.  There was still great philosophical debate about what was to become of the millions of African Americans formerly enslaved.  Like Washington, Donald seemed to believe that education and skill building were the key for black people to let go of the past, achieve success in the present, and build a foundation for future excellence.

During the address, Donald would say: “We are in the presence of a fact. Whether or not the negro can be raised to self-respect, industry, thrift and ethical soundness, let the doctrinaires debate. One thing we know, whereas he was blind to his only chance, now he sees. He has only to keep his eyes open and use his chance to rise clean out of the condition into which 200 years of enforced servitude and thirty-five years of stupid, selfish and merciless political exploitation thrust him down.”  His words would become controversial with statements including “an educated negro without a vote is worth infinitely more than ten illiterate white men who vote as often as the polls are open.

Until the end of his days, in person and in writing, Donald would support the efforts of Washington at Tuskegee and those at other Southern black schools educating new generations.  He supported the efforts of many people inside the U.S. and from abroad trying to make social change.  He may have thought he was being militant.

As was said by the Rector of Grace Church in his memory, “his supreme gift was not militancy,–however it may have seemed to some, as well as to himself,–his supreme gift was not militancy, it was sympathy; he gave drink to the thirsty; he satisfied the longing soul; his true emblem was not the claymore, as he fancied, it was the chalice.”

Others stated, “Some of us disagreed with him, some of us thought his positions untenable, but none of us doubted his fraternal regard.”

His memorial was completed January 27, 1907, the bas relief by sculptor Bela Pratt and its setting designed by Donald’s friend, Charles A. Coolidge.

As for that chapel at Tuskegee, it would continue to evolve but that is a story for another day.

Sources & Additional Reading

Up from Slavery by Booker T. Washington

History of Tuskegee (University Website)

Tuskegee: Its History and its Work (1900)

Samuel Chapman Armstrong (Hampton University Website)

MIT Archives – Robert R. Taylor

Bela Pratt Sculpture of E. Winchester Donald

Trinity Church Art & History

The King’s Cup Bearer, Sermon in Memory of E. Winchester Donald, 1904

Read Full Post »