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Posts Tagged ‘Photography’

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In elementary school, I learned how to plant flower seeds in a cup, something I do all the time now. I learned a few other things too. When I was maybe four or five years old, maybe six though no older, a girl who I thought was my friend did something not nice to me and so I hit her. She may have hit me first but that didn’t matter, did it? In the principal’s office, the principal looked at me and said, “Cynthia, you knew better.” When I was in middle school, maybe 8th grade (I hope it wasn’t high school), in homeroom there was this girl who was bigger than the rest of us, wealthier than the rest of us, and she bullied people. In fact, she didn’t bully me very much at all in ways that I could notice. But some of my other friends were bullied and bothered by her behavior and one day, because of an accidental arrangement of desks and chairs, they were able to inflict silent revenge by leaving her sitting unto an island by herself. I sat with her for a while, because I didn’t understand what my friends were doing. Why had they gotten up and moved to the other side of the room? I began to understand when they beckoned.  I hesitated but I did join them.  I hope I always remember the sad look on the other girl’s face as she stared at us. It did not feel good to have helped cause someone to look like that. To feel like that.

The homeroom teacher saw what had happened. She made everyone rearrange their chairs and desks to form more of a community, and she pulled me aside at the end of the day to say, “Cynthia, you knew better.” When I look back I know that I had some awfully good teachers and that they reinforced what I was learning at home: how to be a good human being, how to be kind to those around me or at least not treat them with disdain, how if I had nothing nice to say, then say nothing. I learned, and continue to learn to this day, how to hold myself accountable for my actions. Ignorance is no excuse. That is what I thought today as I read about a man in Alabama who disrupted a peaceful protest parroting that idiot who made the “womp, womp” sound. He held up one of those signs that have become too familiar once more in this country. If the article was accurate than the man had spent time as a high school teacher and I could not help but wonder how had this man grown up, how did he live each day, and what had he taught those children in his care.

Did you notice what I did above?

I referred to Corey Lewandowski as an idiot. This, after having mentioned, that I grew up learning that if you have nothing nice to say, then say nothing. But the other thing I’ve learned as an adult, and continue to learn,  is that sometimes you do have to say something. You call the jackass a jackass. But do so with purpose. The unholy brilliance of a Trump and his minions like a Lewandowski, or channels like Fox News and Breitbart, is that they spout complete and utter garbage, manipulating the human psyche with words and altered images, seeding and cultivating fears, and fostering once more a white nationalist agenda (and I say white regardless of how many brown people on occasion are sent out to repeat their vitriol). And they stir up in those who disagree a malignancy as well. I don’t like to curse. I don’t like to think harmful thoughts about other people. It infuriates me that these men and women threaten to make me less than what I am by devolving to their level of speech and action. I hold myself accountable for my actions but who is holding them accountable?

We hold them accountable with our votes and with our pocketbooks. You don’t have to be a billionaire to make a difference with your dollar. Every effort makes a difference, at every level. Involvement is key. Tiring though. But who said democracy was going to be easy?  There is no endpoint to the struggle. The same issues of today I find in newspapers from the late 1880s and early 1900s …labor, immigration, emigration, exclusion, economics, wealth inequality … perturbations in the system causing people to experience fear and to isolate themselves with the greatest benefit to those wealthy enough to live in a bubble anyway. An endless struggle to find the “right” balance.

July 4th is on the horizon. I already see the shenanigans starting, stories about who’s patriotic and who’s not, the flag and what does it mean today, the anthem, bending the knee and so on and so forth. My father and forefathers, once they were no longer slaves, fought for this country in the various wars and the idea of what America stood for and the potential for what it could still achieve. They fought for the idea of democracy and a United States, ever changing, where their children would have the opportunity to become their fullest self. They fought for the idea that others, as brown as them or far whiter than them, would be able to come here and do that as well. I despise this administration but I do not despise this country. I still see the potential. That is what I fight for.

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The statues stand on the shore of the Hudson River, ever-changing, at least for now. They are the effort of one man who has no special goal and who with his silence invites the viewer to read the rocks, as did the author of this guest post who shared these words and images over one hot, tumultuous weekend as the nation’s ears rang with the cries of a child.

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Words and Images by Donna Stenwall

He literally balances one rock on top of another. That is it. It is amazing. Kids come by and knock them down and he keeps building. He’s been at it for 2 years. He thinks he will stop in August. The Parks Department said they wouldn’t be able to adopt it and care for it. Who knows what will happen.

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In this moment, what do I see? The gentleman in the middle reminds me of the potbellied clown tipsy as he holds on to the lamppost. A paint on velvet picture from my youth.

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The proud Victorian woman with her starched bonnet, chest held high, as they made their way from Europe to New York to start a new life.

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The Puritan escaping persecution for her beliefs. Is she waiting for another ship to arrive? Gazing towards the world she left behind to start a new life in a new world. Would she even recognize this country she held with such hope and such promise? I do not.

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Like his big brother Phillips Brooks in Boston, the Reverend Frederick Brooks was making a name for himself inside and outside of the pulpit doing good works in Cleveland, Ohio.  In 1874 he returned to the Boston area to find a teacher for a school that he had founded. In the course of his travels, on a stormy night on September 15, he left a disabled train in East Cambridge and decided to walk along the bridge. As his father recounted, “The night being dark, he fell through the draw and was drowned. He was thirty-two years of age. The body was not found until the 20th in the Charles River. Funeral services were held September 24 …” In Cleveland, Frederick Brooks had served as rector of St. Paul’s, a prominent church.  And that may be why Trinity Church vestryman Charles J. Morrill. if he had a hand in the selection of theme, chose to honor the memory of Frederick Brooks by funding a memorial window depicting Three Scenes in St. Paul’s Life. The window is located on the northern wall of the nave, designed by Henry Holiday of London, 1878.

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The story begins with a young Saul sitting with his teacher Gamaliel.

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The center picture represents Saul’s conversion to Christianity.

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The final image is of Saul, now Saint Paul, preaching to the people of Athens. As a whole the window is almost overwhelming … which makes sense given that it tries to capture one of the most complicated life stories in “just” three scenes. What is it I always say? See for yourself when you have the opportunity.

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https://trinitychurchboston.org/visit/tours

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http://bit.ly/2n7vg2z

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https://rdbl.co/2Kpk9iW

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Detail from St. Luke as Physician and Evangelist, a stained glass window located in the south transept of Trinity Church in the City of Boston, designed by Heaton, Butler & Bayne of England, 1920, in memory of James Sullivan Amory (1809-1884) and his son Robert Amory (1842-1910), a noted physician.

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The online shop Redbubble promotes this item as a wall tapestry but I have to admit I use it as a sheer window drape as well. The photo is of a Somerville sunset. Your choice how to drape or hang this fluid digital print. Available here  https://rdbl.co/2KarrDm

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I’m a details oriented person for the most part, in fact so much so, that I know I sometimes miss the big picture. But by being details oriented it becomes easy to recognize things … in this case … As my companion and I walked around the perimeter of Saint Mark’s Episcopal Church I could see the outlines of the stained glass windows. I pointed. “That for sure is Tiffany Studios, and maybe that one, too.”  “You’re sure?” he asked. “Oh, yes,” I said with more confidence than I actually felt. “Look at the faces and the opalescent glass. The drapery. Signature Tiffany.”

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He took me for my word and began helping me tug on doors. A homeless man making himself comfortably in a shady corner waved us over and said, “You need to go to that door.” We thanked him. It was locked but eventually, as service was about to begin, an usher unlocked the door and let us in. He was very kind.

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As my companion talked with him about the organ, I snapped away trying not to disturb parishioners starting to settle in. And this is what I saw …

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As for if and how many of the windows are actually Tiffany Studios, I don’t know for sure. That would involve a deeper level of research and conversation with the church historian or archivist.

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But just as fascinating would be to discover more about the windows that are decidedly modern looking in a style I’m not yet familiar with on the East Coast.

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Sometimes reminiscent of Chagall for me. What do you think?

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Anyway, mostly when I see glass of such different styles in a sacred space I am reminded that the building like the people can be dynamic. A lovely, quick visit … 🙂

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https://stmarksberkeley.org/

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