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Posts Tagged ‘Photography’

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a calm spot before a later storm

It always happens at this particular intersection in Somerville. It’s where I  cross the street to make the final leg of my journey home. It is a one way street with two lanes of traffic, a dedicated bike lane, and a complicated long walk signal. Great for me as a pedestrian. Tough on drivers. I have become used to impatient drivers inching into the crosswalk, hoping they can catch a gap in traffic, so they can make a quick right on red. With an exaggerated sigh, I usually walk behind those cars because at least I know the drivers behind them can see me. Hopefully I can cross the street before the light turns green and everybody hits their gas pedals. A familiar sequence of events. That’s almost what happened yesterday.

There were two cars to the left of me blocking the crosswalk. I stepped behind them. But something was odd. There was a gap in traffic. One of the drivers blocking my path could have taken a right on red. Except she was too busy yelling obscenities at the driver of the car next to her. Now, I’m used to the obscenities flung around by Boston area drivers but this woman’s words were different. They stopped me in the middle of the street.

Time slowed. I scanned the front of the screaming woman’s car. There was no body damage. If the person in the other car had tried to go around her to make a right on red (which happens in that intersection), a simple “F*** you!” would have sufficed, and often does at that intersection. But this woman, a brown woman, chose to shout into the other person’s car, and I’m editing just a bit, “You, wetback, go back to your own country!”

And she kept repeating it, with such vociferous pounding anger that was so out of context to whatever fender bender may have happened, that she had silenced the drivers around her. An unusual feat in Boston. Not a car behind her honked. It was just her voice ringing in the air. I could see the muscles of her jaw as she strained to shout these ugly words at a stranger over and over and over again. That African American was no different than the young white men in Charlottesville carrying the tiki torches. No different. Hate is hate.

Then I became angry.

Sad, too, but mostly angry, and I mean really angry.

I wanted to rush up to that woman and say, “What the hell are you doing? What are you, a black Trump? Do you realize if white supremacist leaders could see you now they’d just sit back with a big smile as you display your stupidity? How dare you give into racism. Don’t you know your own history? Have you no respect for yourself? Why put down another human being that you don’t even know?”

In the end, common sense won out. I remembered that I am not 6’5,” simply 5’3″ and I could tell that the woman was a bit bigger than me. And while I remember just enough of my karate training to probably take her down, to what end? Getting physical would not have ended her ignorance or increased her empathy. Both drivers remained in their cars. No children were in danger that I could see. I had to acknowledge that I was standing in the middle of a street, the light about to turn green, with two cars to the left of me and two cars to the right of me. It would not have deescalated the situation for me to move forward … though clearly my first reaction was not to deescalate anything. The only weapon the woman brandished were words, though she did have that car. She could have backed over me. She was that irrationally enraged.

Time resumed its normal course. The light turned green. The two cars sped off. I finished crossing the street, continued my walk home, my thoughts full of disparagement. Phone calls with family and friends calmed me down. They all brought up “ignorance.” Ignorance is no excuse for such behavior. Just as there is no excuse for racism by anyone toward anyone.

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One of my favorite New Yorker covers to date, and an uplifting sight to pull from my mailbox at the end of the day. The artist is Kadir Nelson and you can read more about him, and the story behind the painting, on his website: http://www.kadirnelson.com/about

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… what do you see? Well when you look up inside Trinity Church in the City of Boston, in the nave, you see a beautiful painted ceiling with abstract patterns and artistically rendered script. I shared a fuzzy photograph with Donna McNett of DonaScarves who then worked her magic to design a stunning menswear collection that includes a necktie, bow tie and pocket square. Available exclusively at Trinity Church. Shipping is available. Send inquiries to artandarchitecture@trinitychurchboston.org. Or leave me a note and I’ll pass your message along. 🙂

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The heat is making me and my little tabletop garden a bit droopy. But we’re hanging in there. Unruly or not, it’s nice to see that spot of green next to the window. Next major gardening goal is to plant the nasturtium seeds that my cousin gave me. I’ve got the dirt now I just have to find the gumption … which will most likely happen after the temperature falls tomorrow. 🙂

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In elementary school, I learned how to plant flower seeds in a cup, something I do all the time now. I learned a few other things too. When I was maybe four or five years old, maybe six though no older, a girl who I thought was my friend did something not nice to me and so I hit her. She may have hit me first but that didn’t matter, did it? In the principal’s office, the principal looked at me and said, “Cynthia, you knew better.” When I was in middle school, maybe 8th grade (I hope it wasn’t high school), in homeroom there was this girl who was bigger than the rest of us, wealthier than the rest of us, and she bullied people. In fact, she didn’t bully me very much at all in ways that I could notice. But some of my other friends were bullied and bothered by her behavior and one day, because of an accidental arrangement of desks and chairs, they were able to inflict silent revenge by leaving her sitting unto an island by herself. I sat with her for a while, because I didn’t understand what my friends were doing. Why had they gotten up and moved to the other side of the room? I began to understand when they beckoned.  I hesitated but I did join them.  I hope I always remember the sad look on the other girl’s face as she stared at us. It did not feel good to have helped cause someone to look like that. To feel like that.

The homeroom teacher saw what had happened. She made everyone rearrange their chairs and desks to form more of a community, and she pulled me aside at the end of the day to say, “Cynthia, you knew better.” When I look back I know that I had some awfully good teachers and that they reinforced what I was learning at home: how to be a good human being, how to be kind to those around me or at least not treat them with disdain, how if I had nothing nice to say, then say nothing. I learned, and continue to learn to this day, how to hold myself accountable for my actions. Ignorance is no excuse. That is what I thought today as I read about a man in Alabama who disrupted a peaceful protest parroting that idiot who made the “womp, womp” sound. He held up one of those signs that have become too familiar once more in this country. If the article was accurate than the man had spent time as a high school teacher and I could not help but wonder how had this man grown up, how did he live each day, and what had he taught those children in his care.

Did you notice what I did above?

I referred to Corey Lewandowski as an idiot. This, after having mentioned, that I grew up learning that if you have nothing nice to say, then say nothing. But the other thing I’ve learned as an adult, and continue to learn,  is that sometimes you do have to say something. You call the jackass a jackass. But do so with purpose. The unholy brilliance of a Trump and his minions like a Lewandowski, or channels like Fox News and Breitbart, is that they spout complete and utter garbage, manipulating the human psyche with words and altered images, seeding and cultivating fears, and fostering once more a white nationalist agenda (and I say white regardless of how many brown people on occasion are sent out to repeat their vitriol). And they stir up in those who disagree a malignancy as well. I don’t like to curse. I don’t like to think harmful thoughts about other people. It infuriates me that these men and women threaten to make me less than what I am by devolving to their level of speech and action. I hold myself accountable for my actions but who is holding them accountable?

We hold them accountable with our votes and with our pocketbooks. You don’t have to be a billionaire to make a difference with your dollar. Every effort makes a difference, at every level. Involvement is key. Tiring though. But who said democracy was going to be easy?  There is no endpoint to the struggle. The same issues of today I find in newspapers from the late 1880s and early 1900s …labor, immigration, emigration, exclusion, economics, wealth inequality … perturbations in the system causing people to experience fear and to isolate themselves with the greatest benefit to those wealthy enough to live in a bubble anyway. An endless struggle to find the “right” balance.

July 4th is on the horizon. I already see the shenanigans starting, stories about who’s patriotic and who’s not, the flag and what does it mean today, the anthem, bending the knee and so on and so forth. My father and forefathers, once they were no longer slaves, fought for this country in the various wars and the idea of what America stood for and the potential for what it could still achieve. They fought for the idea of democracy and a United States, ever changing, where their children would have the opportunity to become their fullest self. They fought for the idea that others, as brown as them or far whiter than them, would be able to come here and do that as well. I despise this administration but I do not despise this country. I still see the potential. That is what I fight for.

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The statues stand on the shore of the Hudson River, ever-changing, at least for now. They are the effort of one man who has no special goal and who with his silence invites the viewer to read the rocks, as did the author of this guest post who shared these words and images over one hot, tumultuous weekend as the nation’s ears rang with the cries of a child.

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Words and Images by Donna Stenwall

He literally balances one rock on top of another. That is it. It is amazing. Kids come by and knock them down and he keeps building. He’s been at it for 2 years. He thinks he will stop in August. The Parks Department said they wouldn’t be able to adopt it and care for it. Who knows what will happen.

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In this moment, what do I see? The gentleman in the middle reminds me of the potbellied clown tipsy as he holds on to the lamppost. A paint on velvet picture from my youth.

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The proud Victorian woman with her starched bonnet, chest held high, as they made their way from Europe to New York to start a new life.

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The Puritan escaping persecution for her beliefs. Is she waiting for another ship to arrive? Gazing towards the world she left behind to start a new life in a new world. Would she even recognize this country she held with such hope and such promise? I do not.

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Like his big brother Phillips Brooks in Boston, the Reverend Frederick Brooks was making a name for himself inside and outside of the pulpit doing good works in Cleveland, Ohio.  In 1874 he returned to the Boston area to find a teacher for a school that he had founded. In the course of his travels, on a stormy night on September 15, he left a disabled train in East Cambridge and decided to walk along the bridge. As his father recounted, “The night being dark, he fell through the draw and was drowned. He was thirty-two years of age. The body was not found until the 20th in the Charles River. Funeral services were held September 24 …” In Cleveland, Frederick Brooks had served as rector of St. Paul’s, a prominent church.  And that may be why Trinity Church vestryman Charles J. Morrill. if he had a hand in the selection of theme, chose to honor the memory of Frederick Brooks by funding a memorial window depicting Three Scenes in St. Paul’s Life. The window is located on the northern wall of the nave, designed by Henry Holiday of London, 1878.

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The story begins with a young Saul sitting with his teacher Gamaliel.

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The center picture represents Saul’s conversion to Christianity.

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The final image is of Saul, now Saint Paul, preaching to the people of Athens. As a whole the window is almost overwhelming … which makes sense given that it tries to capture one of the most complicated life stories in “just” three scenes. What is it I always say? See for yourself when you have the opportunity.

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https://trinitychurchboston.org/visit/tours

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http://bit.ly/2n7vg2z

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https://rdbl.co/2Kpk9iW

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