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It was very heartening for me to learn of the creation of the SNCC Digital Gateway (snccdigital.org), a multimedia website and repository created jointly by the SNCC Legacy Project, Duke University’s Center for Documentary Studies, and the Duke University Libraries. The site shares the stories of the Student Nonviolent Coordinating Committee, a student-led, southern-based, civil rights group founded in 1960 at Shaw University. They provided strategic leadership on the ground mobilizing people of all ages and races in the face of violence and threat of death. One of the SNCC staff members profiled is Fannie Lou Hamer. Please do read her full profile (link below) but I will share this excerpt which moved me deeply.

“Whether calming people with her singing or speaking truth to power, Mrs. Hamer’s voice could not be ignored. … Mrs. Hamer did not shy away from the dangers of challenging segregation and the denial of voting rights in Mississippi. “I’m gonna be standing up, I’m gonna be moving forward, and if they shoot me, I’m not going to fall back, I’m going to fall 5 feet 4 inches forward.”

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Fannie Lou Hamer 1917-1977

P.S. If you’re looking for further inspiration about the power of resistance in the face of tyranny, please revisit the excellent documentary, Freedom Riders, which aired on PBS in 2011.

Source

https://snccdigital.org/

http://dukemagazine.duke.edu/article/a-gateway-to-the-wisdom-of-civil-rights-activists

https://en.wikipedia.org/wiki/Fannie_Lou_Hamer

https://snccdigital.org/people/fannie-lou-hamer/

power and potential

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In elementary school, I learned how to plant flower seeds in a cup, something I do all the time now. I learned a few other things too. When I was maybe four or five years old, maybe six though no older, a girl who I thought was my friend did something not nice to me and so I hit her. She may have hit me first but that didn’t matter, did it? In the principal’s office, the principal looked at me and said, “Cynthia, you knew better.” When I was in middle school, maybe 8th grade (I hope it wasn’t high school), in homeroom there was this girl who was bigger than the rest of us, wealthier than the rest of us, and she bullied people. In fact, she didn’t bully me very much at all in ways that I could notice. But some of my other friends were bullied and bothered by her behavior and one day, because of an accidental arrangement of desks and chairs, they were able to inflict silent revenge by leaving her sitting unto an island by herself. I sat with her for a while, because I didn’t understand what my friends were doing. Why had they gotten up and moved to the other side of the room? I began to understand when they beckoned.  I hesitated but I did join them.  I hope I always remember the sad look on the other girl’s face as she stared at us. It did not feel good to have helped cause someone to look like that. To feel like that.

The homeroom teacher saw what had happened. She made everyone rearrange their chairs and desks to form more of a community, and she pulled me aside at the end of the day to say, “Cynthia, you knew better.” When I look back I know that I had some awfully good teachers and that they reinforced what I was learning at home: how to be a good human being, how to be kind to those around me or at least not treat them with disdain, how if I had nothing nice to say, then say nothing. I learned, and continue to learn to this day, how to hold myself accountable for my actions. Ignorance is no excuse. That is what I thought today as I read about a man in Alabama who disrupted a peaceful protest parroting that idiot who made the “womp, womp” sound. He held up one of those signs that have become too familiar once more in this country. If the article was accurate than the man had spent time as a high school teacher and I could not help but wonder how had this man grown up, how did he live each day, and what had he taught those children in his care.

Did you notice what I did above?

I referred to Corey Lewandowski as an idiot. This, after having mentioned, that I grew up learning that if you have nothing nice to say, then say nothing. But the other thing I’ve learned as an adult, and continue to learn,  is that sometimes you do have to say something. You call the jackass a jackass. But do so with purpose. The unholy brilliance of a Trump and his minions like a Lewandowski, or channels like Fox News and Breitbart, is that they spout complete and utter garbage, manipulating the human psyche with words and altered images, seeding and cultivating fears, and fostering once more a white nationalist agenda (and I say white regardless of how many brown people on occasion are sent out to repeat their vitriol). And they stir up in those who disagree a malignancy as well. I don’t like to curse. I don’t like to think harmful thoughts about other people. It infuriates me that these men and women threaten to make me less than what I am by devolving to their level of speech and action. I hold myself accountable for my actions but who is holding them accountable?

We hold them accountable with our votes and with our pocketbooks. You don’t have to be a billionaire to make a difference with your dollar. Every effort makes a difference, at every level. Involvement is key. Tiring though. But who said democracy was going to be easy?  There is no endpoint to the struggle. The same issues of today I find in newspapers from the late 1880s and early 1900s …labor, immigration, emigration, exclusion, economics, wealth inequality … perturbations in the system causing people to experience fear and to isolate themselves with the greatest benefit to those wealthy enough to live in a bubble anyway. An endless struggle to find the “right” balance.

July 4th is on the horizon. I already see the shenanigans starting, stories about who’s patriotic and who’s not, the flag and what does it mean today, the anthem, bending the knee and so on and so forth. My father and forefathers, once they were no longer slaves, fought for this country in the various wars and the idea of what America stood for and the potential for what it could still achieve. They fought for the idea of democracy and a United States, ever changing, where their children would have the opportunity to become their fullest self. They fought for the idea that others, as brown as them or far whiter than them, would be able to come here and do that as well. I despise this administration but I do not despise this country. I still see the potential. That is what I fight for.

The statues stand on the shore of the Hudson River, ever-changing, at least for now. They are the effort of one man who has no special goal and who with his silence invites the viewer to read the rocks, as did the author of this guest post who shared these words and images over one hot, tumultuous weekend as the nation’s ears rang with the cries of a child.

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Words and Images by Donna Stenwall

He literally balances one rock on top of another. That is it. It is amazing. Kids come by and knock them down and he keeps building. He’s been at it for 2 years. He thinks he will stop in August. The Parks Department said they wouldn’t be able to adopt it and care for it. Who knows what will happen.

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In this moment, what do I see? The gentleman in the middle reminds me of the potbellied clown tipsy as he holds on to the lamppost. A paint on velvet picture from my youth.

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The proud Victorian woman with her starched bonnet, chest held high, as they made their way from Europe to New York to start a new life.

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The Puritan escaping persecution for her beliefs. Is she waiting for another ship to arrive? Gazing towards the world she left behind to start a new life in a new world. Would she even recognize this country she held with such hope and such promise? I do not.

Like his big brother Phillips Brooks in Boston, the Reverend Frederick Brooks was making a name for himself inside and outside of the pulpit doing good works in Cleveland, Ohio.  In 1874 he returned to the Boston area to find a teacher for a school that he had founded. In the course of his travels, on a stormy night on September 15, he left a disabled train in East Cambridge and decided to walk along the bridge. As his father recounted, “The night being dark, he fell through the draw and was drowned. He was thirty-two years of age. The body was not found until the 20th in the Charles River. Funeral services were held September 24 …” In Cleveland, Frederick Brooks had served as rector of St. Paul’s, a prominent church.  And that may be why Trinity Church vestryman Charles J. Morrill. if he had a hand in the selection of theme, chose to honor the memory of Frederick Brooks by funding a memorial window depicting Three Scenes in St. Paul’s Life. The window is located on the northern wall of the nave, designed by Henry Holiday of London, 1878.

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The story begins with a young Saul sitting with his teacher Gamaliel.

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The center picture represents Saul’s conversion to Christianity.

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The final image is of Saul, now Saint Paul, preaching to the people of Athens. As a whole the window is almost overwhelming … which makes sense given that it tries to capture one of the most complicated life stories in “just” three scenes. What is it I always say? See for yourself when you have the opportunity.

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https://trinitychurchboston.org/visit/tours

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http://bit.ly/2n7vg2z

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https://rdbl.co/2Kpk9iW

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Detail from St. Luke as Physician and Evangelist, a stained glass window located in the south transept of Trinity Church in the City of Boston, designed by Heaton, Butler & Bayne of England, 1920, in memory of James Sullivan Amory (1809-1884) and his son Robert Amory (1842-1910), a noted physician.

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sunset at your window

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The online shop Redbubble promotes this item as a wall tapestry but I have to admit I use it as a sheer window drape as well. The photo is of a Somerville sunset. Your choice how to drape or hang this fluid digital print. Available here  https://rdbl.co/2KarrDm

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on a prayer book

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Christus Consolator by Ary Scheffer, 1851

Following is the last stanza of a poem by John Greenleaf Whittier written in 1859 but with a relevance for this day as well:

O heart of mine, keep patience! Looking forth,

As from the Mount of Vision, I behold,

Pure, just, and free, the Church of Christ on earth;

The martyr’s dream, the golden age foretold!

And found, at last, the mystic Graal, I see,

Brimmed with His blessing, pass from lip to lip

In sacred pledge of human fellowship;

And over all the songs of angels hear;

Songs of the love that casteth out all fear;

Songs of the Gospel of Humanity!

Lo! in the midst, with the same look He wore,

Healing and blessing on Genesaret’s shore,

Folding together with the all tender might

Of His great love, the dark hands and the white,

Stands the Consoler, soothing every pain,

Making all burdens light, and breaking every chain.

Whittier wrote the poem in response to a publisher producing a book of prayer with a cover image of Ary Scheffer’s painting Christ Consolator … but with the image of the enslaved black man removed.

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In preface to the poem, Whittier wrote: “It is hardly to be credited, yet is true, that in the anxiety of the Northern merchant to conciliate his Southern customer, a publisher was found ready thus to mutilate Scheffer’s picture. He intended his edition for use in the Southern States undoubtedly, but copies fell into the hands of those who believed literally in a gospel which was to preach liberty to the captive.

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John Greenleaf Whittier (1807-1892) and broadsheet of his poem Our Countrymen in Chains

Described as a Quaker, poet and abolitionist, Whittier wielded words as a warrior poet to fight for the end of slavery. A literary giant and inspiration to many, it was his friendship with two people that enabled me to learn about his poetic response to someone’s efforts to rewrite history by altering a work of art.

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Lucy Larcom (1824-1893) and Phillips Brooks (1835-1893)

Lucy Larcom was a respected teacher, poet and author. Based on her letters and biographies, throughout her life, she grappled with spirituality and religion. After hearing Phillips Brooks sermons at Trinity Church in Copley Square, they began a correspondence that developed into a deep friendship. He became a religious guide in her life. She was also close friends with Whittier. In one of her letters to Whittier, in 1892, she wrote:

“I have always thought of thee as a spiritual teacher. And then in late years to have had in addition the teachings and friendship of Phillips Brooks has been a great and true help. I thank God that you two men live and, “will always live,” as he says to you, and that I have known you both. When [Brooks] called at Mrs. Spaulding’s after seeing you, he told us about the Ary Scheffer poem and repeated it to us from the words “O heart of mine,” through to the end, as he went away, standing before the picture — Christus Consolator,” which hangs at her parlor door …”

All three of these literary figures died within a few months of each other. Lucy Larcom was the last and she writes … yes, poetically … about the loss of each of these men and her gratitude for their guidance in her life. It was but random chance finding her letters online that enabled me to revisit Whittier’s works and appreciate how, like Brooks in the pulpit, he used words to make a difference. An endless need across time …

Sources & Additional Reading

Lucy Larcom: Life, Letters, and Diary by Daniel D. Addison, 1894.

https://en.wikipedia.org/wiki/Lucy_Larcom

Full text of On a Prayer Book by John Greenleaf Whittier, 1859.

Our Countrymen in Chains by John Greenleaf Whittier, 1842

Christus Consolator