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Posts Tagged ‘creativity’

It was laziness that spurred my creativity in the kitchen. I desperately wanted a salad but I did not want to walk to the grocery store for my usual fixings, and so, I rifled through the refrigerator. In the bottom drawer I found a half a head of cabbage. The outer leaves did not look so good so I removed that layer. Then that magic thing happened. The late afternoon light shifted. All thoughts of hunger faded (for a short while) as I stared at something so beautiful.

I found a simple recipe online for shredded cabbage with lemon and garlic.  The sun hung around long enough to grace the final result with its presence.

You can find the recipe here: http://www.foodandwine.com/recipes/shredded-green-cabbage-salad-with-lemon-and-garlic

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… that’s right, Open Studios!

First up, Somerville Open Studios 2016, April 30 – May 1, 12:00-6:00 PM. A sneak preview takes place April 29, 6:00-9:00 PM.  Over 360 participating artists in over 90 sites made open to the public including private studios and public venues. Travel by foot, by trolley and this year there’s even a Bike Tour.  Group shows are already on view at the Inside Out Gallery (CVS Window) and Diesel Cafe in Davis Square, and more will open closer to the big weekend.  Be on the lookout for the detailed Somerville Open Studios mapbooks.  Learn more here: https://www.somervilleopenstudios.org/

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Exvoto Family by Adriana Prat, image courtesy of the artist

Ex-voto Family by Adriana Prat, image courtesy of the artist

After an extremely successful opening reception in February, the Riverside Gallery will be extending the Words in Our Work Exhibit into early April with a closing reception scheduled for Sunday, April 10th, from 3:00-5:00 PM.  The distinctly different works of 9 fine artists are on display, all of whom weave words into their visual arts.  In February, it was my pleasure to share a conversation with one of the featured artists, Cedric Harper.  Images in this post are provided by another featured artist, Adriana Prat. Originally from Argentina and now living in Cambridge, I first met Adriana through the Riverside Gallery at the Cambridge Community Center where she is the gallery co-director as well as co-curator of this exhibit.

Exvoto Saint N by Adriana Prat, image courtesy of the artist

Ex-voto Saint N by Adriana Prat, image courtesy of the artist

Over the course of several previous exhibits, I’d come to admire the beauty of Adriana’s bright-hued paintings often in oil and acrylic. So when I walked into the Words in Our Work Exhibit I was immediately struck by the difference of these works, the ephemeral nature of layered and textured papers, floating in their frames, and throughout Adriana’s beautiful handwritten script. When I asked her about the inspiration for these works, this is what she shared:

image courtesy of the artist

Ex-Voto Cosmos by Adriana Prat, image courtesy of the artist

The pieces installed at the WiOW show were inspired by nostalgia and gratitude.  Nostalgia because they are pieces specifically composed of “treasures” found in my studio: past paintings, materials, forgotten “souls” at some point considered inadequate, neglected or that were simply waiting for their opportunity to belong in a more introspective collection which comes up from meditations about time passing.  Things that were lost that brought much needed found to my life.”

Ex-Voto Cosmos by Adriana Prat, image courtesy of the artist

Ex-Voto House of My Dreams by Adriana Prat, image courtesy of the artist

“Why gratitude? Inspired by my attraction to ex-votos which are votive offerings made to a saint or to a divinity, in fulfillment of a vow or miracle.  I first discovered them in my beloved Mexico. My small collection of abstract “ex-votos” stretches the boundaries of the traditional narrative images telling a personal story of a miracle or favor received, and therefore rendering my own vision to express my appreciation to the world that surrounds, nurtures and inspires me.

It is a delight to interact with Adriana, to talk about art and her unique perspectives of the world. Learn more about her at www.agprat.com.  Meet her and several other fine artists in person at the closing reception for Words in Our Work, Sunday, April 10th, 3:00-5:00 PM at the Riverside Gallery.

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fashion illustration by zoe langosy

In the Shadow of the Sun is a 2013 documentary directed and produced by Harry Freeland. I saw it for the first time a few weeks ago on PBS. As described on the film’s website, it was filmed over six years and tells the story of two albino people, one a successful older man and one a young boy, both living in Tanzania. The viewer learns of the myths that have come to be associated with these white people, the taunts endured, and in recent years the ritualized mutilations and murders. You also see people overcoming oppression, children striving to learn and to be seen as equal and indeed beautiful, and parents doing all they can to make their dreams reality.

While researching the film and trying to learn more about albinism, a condition that can affect people of all ethnicities, I came across recent articles about albino fashion models. There were a sequence of images of young people with an absence of melanin in their skin, ghostly, different and fiercely defiant in their attitude to be labeled as anything but beautiful. Fashion has been on my mind a great deal given the collaboration taking place with Zoe Langosy, so I sent her a random note asking, without really expecting an answer, how would an artist illustrate an albino. She sent a note back sharing she had done so as part of her honors thesis where she had produced a book, The Marriage of Fashion and Nature.

fashion illustration by zoe langosy

“It was a year long project. I decided to do a series of images depicting fashion made out of nature. At that stage, as a young student, my purpose was to create a perfect character and for this scene I just instinctively chose an albino and dressed him in a kimono made of pussy willows.”

With each image, including that of the albino is lyrical text.  While yet unpublished, following are a few glimpses of this beautiful handmade book.

Sources & Additional Reading

The Marriage of Fashion and Nature by Zoe Langosy (unpublished)

In the Shadow of the Sun (2012)

Zoe Langosy Website

 

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Prior to my meeting with artist Cedric Harper I had emailed him a list of questions including a query about his sculpture, The Book of Truth. When we later met in a coffee shop, I noticed in his hands two pieces of paper. One was clearly the list of questions. The other I could not identify. A short slip with handwritten script. It didn’t matter. We began talking and what a wonder that was. Read more here.  But as I started to rise that day, thinking our conversation done, he stopped me. “Cynthia, ” he said with a smile.  “You haven’t asked me yet.  You haven’t asked me about the Book of Truth. Not everybody notices that one.”

book of truth sculpture by cedric harper, image courtesy of the artist

image courtesy of the artist

I told him that I had been struck by his use of color, the creaminess of the red, the smooth white upon the branches of the trees. Most of all I was made curious by the concept.  “What’s in that book?” I asked him.  As we began to talk about this book, our conversation ended where it had began, with family.

In Kansas, he’d grown up in a family with a strong oral tradition.  Stories were told often and life lessons emphasized. Those words of wisdom heard as a child and words of wisdom collected throughout adult life infuse his book of truth.

He worked on that sculpture for quite a while.  As he so frankly shared in the previous post, when his lover died in 1994, that was a pivotal moment in his life.  “I was lost. It took 15-18 years to feel like, to know that, I had a future. Part of gaining that future was creating this box of truths, of memories and experiences lived.” He handed me the slip of paper.

We may all have our book of truth. Those words and experiences garnered throughout our lives that guide us in how we try to live each day.  I appreciate the fact that Cedric Harper was moved to turn his book into sculpture. Here are some of his truths he chooses to share:

  1. Love is the escape from everything, an abyss of mind, body and soul.
  2. Every time one experiences a lapse in common sense the result makes them start over.
  3. Faith is to believe in things that we do not see and the reward of this faith is to see in what we believe.
  4. People should fall in love with their eyes closed. Just close your eyes. Don’t look … A. Warhol
  5. If you want to know your past life, look into your present condition. If you want to know your future, look into your present action. Padmasambhava
  6. Free from desire, you realize the mystery. Caught in desire, you only see the manifestations … Lao-Tsu
  7. Power is a drink that few can refuse …
  8. There is a quake that rips the soul asunder. It is the pain of remembering.

Cedric Harper Website

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As artist Zoe Langosy and I move forward on a new collaboration, I follow her lead. And what a fabulous journey it is. I’m not the most stylish person on the block but even I know of Valentino, Alexander McQueen and a few other fashion makers out there. Zoe has introduced me to a part of the fashion world I knew little about, fashion illustration. It is amazing to me how an artist can translate the signature apparel of designers like Valentino into another medium that both promotes the original work of the designer and yet expresses the unique skills and vision of the illustrator. In this visual age there appears to be a renaissance taking place with regard to fashion illustration.  Many artists, many styles. Collage is Zoe’s medium of choice.

Creative Swatch by Zoe Langosy, pairing dress by Valentino with photographs by Cynthia Staples

I want her to write more about her creative process. How she can look at this dress by Valentino and then imagine collaging an illustration using my photos.  This is a creative swatch that she has put together to layout the pictures she intends to cut up. From top to bottom they are birch trees and grasses along the Mystic River, ice crystals on a window, and sunlight shining through an icicle.

Stay tuned for future updates!

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Art by Maya

Art by Maya

Can you guess which one is me? A lovely gift from a young friend. A drawing of us out and about in the sun. She’s part of my informal Kids Postcard Club. My next step is to turn her artwork into a postcard and give her a few, along with postcard stamps, so she can share her work with friends and family near and far. We’ll see … 😉

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Bees are not the only pollinators in this world but they are a major one. There are many different species of bees. Growing up in Virginia, I’d heard of sweat bees, and knew bumblebees on sight, but it was the honeybee with its soft gold and black coloring that I most thought of when I heard the word bee. I took for granted its production of honey and the wax harvested from colonies for my candles.  And I was quick to bat the insect away when I walked through a field of flowers. As for its role as pollinator, I didn’t think too much about that nor did many until reports of colony collapse disorder made national and international news.

photo by cynthia staples

As noted in the introduction of The Bee-Friendly Garden, “over 70 percent of the world’s plants depend on the pollination services of bees, including many nuts, fruits, tomatoes, peppers, or berries.” While the world might survive without bees, it would be a very different place to say the least.

One of the delights of this book is that the authors, a professional garden designer and an ecologist, educate, inspire and encourage.  Regarding the U.S., they describe the difference between native bee species and honeybees, and how bees and wasps look similar but behave very differently.  Honeybees with their yellow and black banded bodies are probably the most common image of bees, but native bees come in many shapes, sizes and colors, their bodies evolved to collect the pollen from a wide variety of plants, shrubs and trees.  Lists are provided by region of bee-friendly garden compositions, and in turns out that many of those same gardens — a mix of annuals, perennials and more — can attract and support other important pollinators like bats, butterflies and hummingbirds.

The book is an incredible resource and reference guide and I would suggest it as a wonderful addition to one’s gardening library.  The authors make clear with straightforward content that you don’t need to be a master gardener or landscape designer in order to create beauty around you and do some good in the world as well. As some of you know, I love to give seeds and plants to friends and family who live across the U.S.  This year I will certainly be using this book’s regional plants lists to help guide my selection of seeds.

photo by cynthia staples

I received this book from Blogging for Books for this honest review.  Detailed book information available via this link: http://www.penguinrandomhouse.com/books/243475/the-bee-friendly-garden-by-kate-frey-and-gretchen-lebuhn/

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… books by Bruno Munari on drawing trees and drawing the sun. Online descriptions suggest they were written for children but I think what is meant is children of all ages.  Unexpected finds as I walked through the library. Thank goodness I have a big backpack.

More information about Bruno Munari

Brainpickings on Munari: https://www.brainpickings.org/2012/11/22/bruno-munari-design-as-art/

drawing a tree:  http://www.artbook.com/8887942765.html

drawing the sun: http://www.artbook.com/8887942773.html

Wikipedia on Munari: https://en.wikipedia.org/wiki/Bruno_Munari

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Make your way to Cambridge this winter to view a unique printmaking exhibit at the Cambridge Center for Adult Education (CCAE) in the heart of Harvard Square.  Curated by Anulfo Baez, the exhibit features the work of artists who are also faculty with the CCAE.  On view is the most recent work by the six artists — Jason Asselin, Selma Bromberg, Janet Campbell, Susan Paladino, Susan Rice and Vinicius Sanchez.  Their prints, showcasing a range of techniques including intaglio, relief printing, encaustic collagraphs, pianographic printing and more, are arranged on walls throughout the center. It’s a small space so you can get delightfully up close and personal with the artwork.

I appreciated the exhibit labeling, not only providing basic information like name of the artist, print title, etc., but also QR codes that link to detailed artist interviews. If you’re unfamiliar with using QR codes, simple instructions are provided for how to use your smart phone to download an appropriate app.  And if you are without smartphone, you can read the interviews online at The Evolving Critic, Baez’s well-respected arts and culture blog.

Unable to visit the show firsthand? Then I highly recommend reading the insightful interviews that Baez conducted with each artist. The artists discuss specific printmaking techniques but its especially interesting to read about each individual’s distinct journey to becoming artist and teacher.  Interview links can be found at the bottom of this post: http://evolvingcritic.net/2015/12/17/new-project-an-exhibit-on-printmaking-at-the-cambridge-center/

The show has been up and running since January 11th.  An opening reception is scheduled for this Thursday, January 28th, 5:30-7:30 and an artist talk is scheduled for Wednesday, February 3rd, at 11am.  Please note that some of these original works are available for purchase. Enjoy!

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