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Posts Tagged ‘family’

I have been trying to photograph a vase of baby’s breath for quite a while now.  The stems were part of a larger bouquet, just filler for the fancier flowers.  But as those flowers passed away, the baby’s breath remained, tall and strong though with a certain fragility.

This morning as I sat at the kitchen table thinking about the chaos in many a friend and family member’s life right now, people who are bearing the weight of so much sadness, my eyes kept falling upon the vase of baby’s breath.  The light from that same sun that struck the green sage mentioned in an earlier post now fell upon fine white petals.

Against the backdrop of a window still covered in frost, the petals reminded me of fresh fallen snow with the dazzle of glistening flakes and the accompanying quiet that descends upon the land.  In those moments, I always think of snow as a beautiful thing.

I once wrote a poem about white being the color of sadness.  When I wrote those words years ago, that feeling was true.  Today I feel differently.  I don’t know what color sadness is for me today, but I know it is not white.

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Odd items, I suppose, a tiny scrapbook of family pictures, the remains of my first and probably last attempt at eating escargot and a blade of grass picked up on the way home.

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The following images are of rocks and shells and bits of colored glass found on different New England beaches this summer.  I photographed them yesterday after placing them in a bowl I had rediscovered, a beautiful dark clay vessel lined with ridges.  Eventually I filled the bowl with water.  I snapped photos throughout the day whenever whimsy struck.  Near dusk I decided I should empty the bowl before mosquitoes began to breed.  Just as I drained the last drop, the bowl cracked in my hands.  An unseen flaw had been exacerbated by the weight of water.  In an instant, I was reminded of the beauty found in fragile things.

Today, as I worked with the images, admiring the visual expression of soft colors and hard edges and glimpses of the bowl now gone, I was reminded of a series of conversations I’ve been having with people about empathy and compassion (and their lack) in a world that can appear so beautiful and yet so broken at the same time.   I was also reminded of how much I miss the wisdom of my elders as I live through these times.  They may be gone but I do have their stories … though goshdarnit, some of the stories make me ponder even more about the ways of this fragile world.

My father once told me a story of walking to work.  It was southern Virginia in the 1950’s.  He and my mother were newlywed and I think they had one child.  He couldn’t yet afford a car.  As he walked from home to the Public Works Department, he passed a yellow school bus.  The bus was stopped at a red light.  He smiled up at the young children.  The children spat down at him.  He was black and they were white.

My mother’s sister Thelma happily left the south for New York during that great migration in this country.  Though she had no car and did not drive, she could walk wherever she wanted.  One day she walked through Central Park.  She saw this beautiful redheaded woman with smooth milk-white skin.  “She looked like a movie star,” Aunt Thelma recalled.  At the woman’s side was a young boy.  As their paths crossed, eye contact was made and Aunt Thelma prepared herself to exchange a greeting.  Instead the woman tapped her son.  “Then she pointed at me,” Aunt Thelma said.  “She pointed at me and said You see, my dear, that’s a nigger.”  Many decades later, Aunt Thelma looked at me and said with a gentle chuckle, “That’s why to this day I have a hard time watching movies with redheads.”

My mother told me stories.  My brothers, both my elder ones and my younger one, have told me stories.  I have my own growing collection of stories of not being seen as an individual or of being discounted and even despised because of the color of my skin.  I read newspaper accounts of children around the world, who from my perspective look alike, who are trying to kill each other because of deeds that took place long before they were “a gleam in their mothers’ eyes,” who hate in large part because of what is shared by surrounding adults.

As I remember my parents and other elders who led challenging lives in this country, I wonder how is it that they did not plant seeds of hate in the hearts of their children?  How did they choose and succeed I hope in teaching us to lend a hand to help the fallen and not first assess if that person was white, red, black, green or purple or carried a certain bible or had a certain sized bank account?  Perhaps I oversimplify …

My younger brother still lives in Virginia with his family.  He recently called while on his way home from work.  We usually joke and laugh about silly things.  But this time he was more somber.  Finally, he said, “You know, I have a hard time watching television anymore.  Those ads by all the candidates of every party and their followers.  You know how much money some people are putting into these ads just to make me hate somebody?  Don’t they realize how that money could help so many homeless people and others dying on the streets?”

Don’t tell my brother I said this but he reminds me of the bowl that held the stones in these pictures.  To be able to ask such questions suggests to me that a person is not closed off … that there is a beautiful fissure in one’s heart, mind, soul … that helps one remain open to the life experiences of others.  Anyway, the summer is not quite done.  More rocks and shells I may collect.  A new bowl I may find.  Then we’ll see what words and images emerge.  Be well!

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I’ve been admiring the morning glories in my landlord’s garden for a while now.  Amazing how those vines progress across the yard and how the colors of the flowers morph over time.

Not sure why but today I felt compelled to slip into the garden with a pair of scissors.

Stealthy though I felt, the landlord doesn’t mind anyone cutting a bloom or two.

I may have cut a few more than that.

Handling the blooms, photographing them … it was a nice way to start the day.  Hope you have a good day too. 😉

 

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It has been a joy getting to know the Langosy family of artists.  For decades, Donald Langosy has been painting luminous works on canvas.  Wife Elizabeth Langosy is a writer and editor extraordinaire.  Daughter Hadley is a gifted photographer and sister Zoe produces illustrations gracing publications worldwide.  It is a pleasure to share the words + images of niece, Avery, embarking upon her own creative path, inspired by family and a sense of place.

The Farm

Creation, for me, is painful. In fact, I can’t create. Not from scratch. Instead I use inspirations like collage to “create”. I’ve acquired sacred things as I make my way through life, and each one contributes to everything I make. Whenever I feel used up, dry, boring, I turn to my inspirations for hope. And one of my favorites is The Farm.

I met The Farm when I was just six years old, when my Aunt Hadley introduced me. Hadley’s family has owned The Farm (in truth just a house and land) for eighty years. She grew up wandering its fields. She loved The Farm so much, she got married there. And she loved me so much, she made me her flower girl. Hadley said her vows beneath Hansen Falls, but I didn’t hear them. I was busy scrambling up that same waterfall. They had to stop the ceremony to find me. I was just exploring.  That’s why The Farm has always captivated me. It holds such promise of exploration, adventures, and secrets. There were always fairies at The Farm, and ghosts and spirits and things you couldn’t quite see but just feel. The Farm was like a different world.

Because of The Farm I love magic, ghost stories, the feeling of goose pimples, night breezes, falling stars, I love quiet. I grew up knowing I wanted to create, but not sure what. I tried stories, photography, painting, friendship bracelets…and I found film. I had my media, but I needed my inspirations.

Now I’m embarking on a new adventure at The Farm: a short film about ghost stories, fairies, the quiet of the land, and the deeper silence of a fractured relationship. Film is my media, the Farm is my muse. I just hope I can do it justice.

Avery’s short film is called Draw Down the Moon, and will be out Winter 2012. She and her fellow filmmakers are currently fundraising. See Avery and learn more at http://kck.st/SGRHEw.

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I photograph a lot of leaves.  Today I have decided I will one day write an essay about these things.  I may reference the sensuous as an ode to Georgia O’Keeffe.

Or I may give a nod to Walt Whitman who described a leaf (or at least a leaf of grass) as the journey work of stars.

I can write of spidery patterns and blood-filled veins.

Of jagged ridges and rolling hills.

Of silhouettes in blue and green.

Of people protected and hidden half-seen.

Of autumn’s first leaves submerged and later frozen …

… and then go on to describe the new growth that emerges each spring.

And what sparked this thought of writing about leaves? A note from my brother who wrote, until he paused in his day and sat outside with his 2-year old son, he never really noticed the simple beauty of leaves blowing in the breeze.

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Okay, yes, that’s me in my mother’s arms a few days out of the hospital.  I won’t tell you how long ago. But I will share this essay, just published in Talking Writing Magazine.  People sometimes ask why do I write about a leaf blowing in the wind or photograph a sliver of light.  This essay helps to explain the why of it all.  Enjoy.

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Imagine the troubadours of old as they walked the back roads of … some quiet place, with mandolins or banjos in-hand, a song on their lips and through those songs telling stories.  Not of fantasy or fiction.  They sang stories of lives simply lived.  That is the imagery conveyed by a conversation with Clay Rice about how music influences his visual art.  You see, Mr. Rice is famed for his silhouettes of children, nature and life along the Lowcountry of South Carolina.

He carries on a family tradition, first made notable by his grandfather, Carew Rice.  Most of the biographies I found about the Rices emphasized their artistry with paper, but during our brief chat, Mr. Rice made it clear that music has always been a part of his family’s life, and that songs have always been woven into his work, especially his children’s books.  Read more of our conversation here.  Enjoy!

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Tulips are not my favorite flowers nor do I usually select pink-budded anything.  Yet over the weekend on a whim I picked up a bouquet of pink tulips, narrow heads still tightly closed, to fill an empty vase in the kitchen.  For days, as the flowers slowly opened, I kept focusing on the exterior, admiring the loving pink tones of the petals, thinking I might take a few shots at some point.  Then this morning I caught a glimpse of each flowers interior.  Of course, there went my morning. 😉

 

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A friend recently invited me to attend a one-woman, autobiographical play called “Sugar” that focuses on diabetes and race.  As I read about the play, I kept telling myself that I had no personal connection to sugar aside from the couple teaspoons I put in my coffee in the mornings.  But in seeing the play, I was reminded that, as an African American woman of southern heritage, I do indeed have connections to the sweetener.  Mostly warm memories …

When I was a child, my mother used to keep sugar in a clear glass dish on the kitchen table.  When the sun hit the dish just right, the white sugar crystals inside sparkled like diamond dust.  My dad used to add several heaping teaspoons to his very small cup of coffee.  Often there would be a layer of caramel-colored  syrup left in the bottom of the cup.  I sometimes spooned it out and ate it as if it were coffee-flavored candy.

A small box of brown sugar was kept in a cabinet but it was rarely pulled out except during the holidays to make candied yams and various pies.  Confectionary or powdered sugar was used on occasion to make frostings until my mom decided she’d splurge on Duncan Hines.

In college I learned that sugar was more varied than I had ever imagined and that it was especially cool to eat raw sugar.

I want to continue researching sugar, out of curiosity, and to see if perhaps I do have my own story to tell about the substance.  Meanwhile, I think I shall enjoy photographing the small particles in all its many forms.

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