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Posts Tagged ‘musings’

My brother described a scene that I wish someone would paint.

He lives in Virginia, not in a rural place, but not an urban megalopolis either. A plain old city with a crumbling downtown and further out global firms building plants, and the accompanying fancy housing for their management, on lands that used to be working farms, if not outright plantations if you go back far enough.

It’s a city near the river and crisscrossed by highways but in the beginning it was the railroads that allowed this city to make its fortune, bridging north and south, a passage way for goods of all sorts.

It was on a literal bridge that the incident took place.

My brother was driving home on a nice new road. He was recounting stories of his day to me when he said, “Oh my God. You won’t believe …” I reacted thinking at first he was seeing a roadside accident. He calmed me down and then explained, “Overhead, the bridge that crosses the road, there are deer passing by in the night. They are walking on the railroad tracks on the bridge overhead fading in and out of the mist.”

A number of people pulled off the road to watch, like my brother, hoping no train would come before the animals could walk into the surrounding fields and woods. Nothing happened. Just the lingering memories of a beautiful sight.

 

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Creativity-Portal.com is an award-winning site offering a wealth of creative resources to viewers for fifteen years. There you will find my latest photo essay, Sightings.  Enjoy.

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… I would paint what I hear in this piece of music, Rhapsody No. 1 in D Flat Major by Herbert Howells.  The entire piece is only five minutes and 35 seconds long, but it is the segment between 1:30 and 3:00 that moves me most. I first heard it being played a few weeks ago at Trinity Church in Copley Square.  The organist, Colin Lynch, was rehearsing for Sunday services. I appreciated the beauty of his playing but at first the music itself did nothing for me … and then something happened. I was hooked.  And then released. As he kept rehearsing the piece, I wanted to dash into the church and stop him to ask what in the world was he playing but that seemed inappropriate.  I thought I’d catch him at the end of his rehearsal but I missed him.

Time passed, lots of traveling took place but I could still hear that music.  I tried to describe the piece to other musicians and people who knew classical music far better than I. Keep in mind I have no language for music (which is why I want to paint what I’m hearing). I kept saying, “It’s the kind of music that, you know, leads you someplace,” and other not especially helpful phrases.  I was about to give up my search when I did chance upon the organist. This time I stopped him in his tracks and asked, “Hey, Colin, what was that piece of music you were playing two weeks ago?”

He lifted an eyebrow but he indulged me.  He helped me find the language to describe what I’d heard. And as we narrowed down the possibilities of what he may have been playing, he finally asked, “Was it loud? Did it get really loud?” “Yes!” I said, and so he nodded and then wrote down the possibilities.

It was Herbert Howell’s Rhapsody No. 1 in D Flat.  Imagine my pleasure when I found this Youtube recording by Nigel Potts. Listen at your leisure. And that’s my random story this bright Monday morning.  Have a good day, folks. 😉

 

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“He moves in darkness as it seems to me,

not of woods only and the shade of trees.”

— excerpt from Robert Frost’s Mending Wall

Yesterday, I watched a former politician speaking with great authority, as his wife looked upon him adoringly, as he spouted hatred and nurtured fears in a subtle way.  I had to turn off the television before I put my shoe through it.  I sat for a bit trying to remember that Booker T. Washington quote, about allowing no man to belittle his soul by making him hate him.

Not long afterwards I found myself reading about current politicians and wannabe politicians, echoing the sentiments of that former politician.  They spoke with great gravity about the need for bordering walls. Southern walls.  Northern walls.  Who knows,maybe even walls within cities. Nothing new, I suppose. Throughout human history, there have been such calls. It’s the public response to those calls that I wonder most about.

In Frost’s poem, Mending Walls, as two men rebuild the wall separating their farms, one says, “Good fences make good neighbors.” The poem’s narrator replies…

Spring is the mischief in me, and I wonder

If I could put a notion in his head:

“Why do they make good neighbors? …

Before I built a wall I’d ask to know

What I was walling in or walling out,

And to whom I was like to give offence.

Something there is that doesn’t love a wall,

That wants it down! …”

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I don’t remember the details of the day, four years ago.  But I guess I was working at my desk and the sun struck a box of pins.  You just never know what’s going to catch your attention. 😉

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Some folks think I yearn for a big field to garden, but I don’t.  I enjoy my few clay pots and random mugs filled with dirt, tucked in all sorts of corners and moved about as my whim and the sun does strike.

It has been fun this year to grow flowers, herbs and the occasional vegetable.  The trailing green growth and splashes of color have been inspiring, as well as occasionally quite tasty.  Most of the herbs have died back or faded away completely with a few exceptions like the oregano.

I planted a few new seeds on Saturday.  Spicy cress, fenugreek and more nasturtium.  The fenugreek has already started to sprout.  Perhaps I’ll be able to harvest it for Christmas. On Sunday I picked up some paperwhite bulbs with a goal to plant them in January and perhaps soon after photograph white winter blooms against a backdrop of falling snow. Until then, I have these herbs and, oh yes, that violet.

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… mad at some things that had happened around me.  Things that were kind of like bits of straw raining down upon a camel’s back.  What I felt was certainly legit but I also felt myself getting angrier than I needed to be.  I wanted to redirect that anger. A long walk, my method of choice, was out of the option because of the cold.  Yet I was determined not to do what I remember my mom having penchant for doing which was to sit in a literal and figurative dark place.  I was not ready to talk about what was bothering me.  There were no words quite formed for me to write.  What do do, what to do.  I decided to follow the advice I sometimes give to others when they tell me that they are tired of talking or that they cannot write (“I don’t know how to write. You’re the writer!”).  What do I suggest?  Draw.  So, I sat down to draw.  Now I almost stopped myself.  Why? Because I can’t draw.  Yes, I’ve dabbled in this that and the other thing but really even with the help of a ruler, I can’t make a straight line!  Then I took a deep breath and decided not to worry about straight lines. Curves can be cool.

As for what to draw … now I’ve been having this ongoing conversation with one of my little postcard penpals.  He’s my four-year old nephew living down in Virginia.  I’ve been sending him pictures of birds and squirrels and such.  He’s tasked with drawing me a fish.  Or a school of fish.  Maybe a shark.  As I sat at my desk in the bright sunlight, I drew fish for him and for myself, bright colored, imperfect, smiling fish.  My anger did not disappear but it came into perspective.  I have not sent the fishy bookmarks to the little guy.  I want to give him time to draw his fish for me and for himself in whatever colors of the rainbow he decides.

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The tree I photograph most often through the rippled window is dead.  The greenery and blooms captured throughout the seasons are mostly from vines like forsythia, ivy and something holly-like.  With each storm, more of the tree falls to the ground, whole branches and bits of bark.

For safety’s sake, at some point soon, whoever owns that particular piece of ground will have to chop that tree down.  The woodpeckers will certainly miss their perch and the insects that they dine upon will miss their home.  The vines I suspect will continue to thrive.

Even cut off at the base, they always seem to come back, finding new objects to drape upon. And the moss is ever present.

 

Adjacent is the neighbor’s garden.  He did quite well his first season with a multi-tiered, lush affair of eggplant and kale, tomatoes and cauliflower.

I expect he grew potatoes, too, like me.  And I know for sure I saw the green beans climbing up their strings.

As December looms, all that’s left are the relics of dark greens and tomatoes that I guess the city rabbits and city squirrels couldn’t figure out how to get.

There is the chain link fence but that doesn’t prevent his cat from getting out so I’d think that wouldn’t prevent other animals from getting in.  If I do my local Open Studios next year, perhaps I will focus on prints of scenes through the rippled glass.

One window, many views.  We’ll see.  Ideas are easy. It is the follow-through that’s hard. FYI, these are untouched photos of views in this early morning’s light.

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during my travels

of all the herbs and plants left behind

the marigold alone did not survive

except

there is a single blossom

autumnal orange with patches of gold

broken off I suppose as its green stem dried

that blossom it still thrives

without water or soil yet warmed by the sun

at rest where I found it upon returning home

on the tabletop next to the kitchen window

we’ll see how long it lasts

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One day, I will move from this house in Somerville with its many windows.  I will no longer be able to climb its spiral staircase to the top floor and from there to peer out the old window at the towering oak.  I will no longer be able to train my camera up through that tree’s branches into the sky.  But that day has not yet come. So on this bright September morn, I am grateful for this window, this oak and the blue of the sky beyond.  Have a good day, folks.

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