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Archive for the ‘Inspiration’ Category

Not with my one pea pod. In the right light I can see the tiny peas. One for sure. Two maybe. I’m hoping for three. The whole pod is about three-quarters of an inch. The largest pea is the size of the smallest seed bead and the smallest pea like a period. Why does such a tiny thing bring me joy? Even in the midst of pain, physical or otherwise, I look at that pod and it makes me smile. And I wish I could box up that feeling, in tiny boxes of course, and mail it out to the friends and family who need some joy in their lives. Or at least a momentary smile.

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one of two stained glass windows by daniel maher stained glass

one of the two windows depicting, “pentacost,” by daniel maher stained glass

These windows at St. James’s Episcopal Church by local artisans Daniel Maher and Lyn Lovey express a creativity and diversity that is very modern. It is almost startling to look up and see them in the clerestory after viewing older works by Tiffany, Clayton & Bell, Goodhue and others in other parts of the  building. In part that’s because of my own ignorance around stained glass making today and how churches continue to commission their design and installation. Working with glass remains a popular and contemporary art. And in places like St. James, the past and present harmonize quite nicely.

one of a pair of windows designed by lyn hovey stained glass

I’ve lived in Boston for almost twenty years and I can’t even imagine how many times I’ve walked along Massachusetts Ave past this church. When I’ve been tired I’ve stepped into its adjacent garden and sat on the church steps. I’ve always wondered, what was behind the red stone? I’m grateful to the rector, sexton and other staff for allowing me to appease my curiosity and glimpse the beauty inside. Until you can make your visit, below are a few images for you to enjoy. And there’s also a link to a very interesting overview of the windows available online.

Detail from chancel windows …

Detail from one of the choir angel windows …

Detail from the Resurrection window…

Detail from David with Harp …

Detail from Dorcas window …

Detail from Saint Dorothea window …

Detail from the Greenleaf window …

Detail from the Nativity window …

 

Additional Reading and Links

St. James’s Episcopal Church

Overview of St. James Stained Glass Windows

Daniel Maher Stained Glass

Lyn Hovey Stained Glass

 

 

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detail from rice memorial window “christ the light of the world”

As you travel along Massachusetts Avenue in Cambridge, just outside of Porter Square, you will find St. James’s Episcopal Church, a beautiful stone structure designed by Henry Martyn Congdon in a Richardsonian Romanesque style. While the church was founded in 1864, the cornerstone of the particular building in which I peered today was laid in 1888.  Inside is quite a variety of stained and painted glass (and a bell re-cast by Paul Revere!).

While I visited at the wrong time of day and time of year for the best effect, the opalescent windows along the west wall still caught my attention. I visited in early morning in spring but for the windows to be seen as their designers — John La Farge and possibly Tiffany — intended, I will need to visit again in winter in the late afternoon just before sunset.

detail from "jesus the good shepherd"by john la farge

detail from “jesus the good shepherd” by john la farge

I’ve already marked my calendar. 🙂

detail from the batchelder-dexter window, “the mission of the seventy”

I’m still sorting through pictures and their stories. More to come from my delightful visit. Meanwhile you can learn more about the church, its people and the history of the building here: http://www.stjames-cambridge.org/

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In short, from front to back, each page of The Flower Workshop is a treat. Am I biased? Perhaps. This is the kind of book that I can imagine on the table in front of me as I sip sweet tea, just flipping through the pages. Strangely enough, it was my younger brother who recently reminded me that that is exactly what I used to do as a child with my mom’s gardening books. Just sit and peruse them over and over again. Well-written and beautifully photographed, the book provides step-by-step instruction for producing 45 floral arrangements. But beyond those specific projects, the reader is truly educated in how to “branch out” and experiment with how to work with flowers, foliage, fruit and more to create what I consider to be ephemeral works of art.

Will I be producing a flowering dogwood display anytime soon? No but I do have a greater appreciation for the skill as well as imagination behind such displays that I had perhaps taken for granted in churches, hotels and even the homes of friends. And I also take away a deeper understanding of everything from the rule of three to the subtle use of color to establish mood.  There’s a nice index and seasonal flower guide. Simply a lovely resource.

I received this book from Blogging for Books for this honest review. Please check out the following links for more information.

Website of Ariella Chezar

Details about the book: The Flower Workshop

Photographer Erin Kunkel

 

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Despite the fact I know very little about growing orchids, I seem to have success with this plant. As I’ve written before, I think it’s because I leave it alone to bloom as it likes. And what a wealth of blooms so far.

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At the window my one pea blossom continues to bloom reminding me of a garnet drop.

The radish seeds with which I had such early, painful adventures have leafed out. I harvested some to form this base of a salad.

The flowers, plucked from a small pot in the hallway, didn’t have much flavor. Too subtle for my palate. But for my painting palette, they were just perfect. 🙂

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Come one, come all, to the Cambridge Art Association’s Open Studios Launch Party on Thursday May 12th from 6-8 PM. Free and open to the public. Light refreshments and wine will be served.  Meet many artists from across Cambridge. Hope to see you there and during the actual Open Studios weekend. I’ll be participating at the Riverside Gallery: https://www.facebook.com/events/993823283988487/

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As I was observing tulip petals, holding them up to the light, I noticed in the tangle of oversprouted peas I have growing at my window, a single pea blossom. Will it bloom? Will a pea pod form? Time will tell. Meanwhile in a moment of whimsy I decided to photograph my blossom against a background of tulip petal. No meaning. No expectation. Just indulgence in curiosity.

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I continually learn through photography that when beautiful things fall apart – like my bouquet of tulips – that’s when you sometimes find an even greater beauty.

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It can be hard to read a coffee table sized book while sitting on a Boston subway during rush hour. But that’s what I was trying to do after a visit to the library to retrieve the book Nature’s Chaos, a collaboration between photographer Eliot Porter and writer James Gleick. I sat snugly between, on my left, an older African fellow wearing a very puffy and, I’m sure, warm coat.  On my right sat a young Chinese boy wearing a very puffy and, I’m sure, warm coat. The little boy kept getting in trouble with his dad because he was a bit hyper.

I’d been waiting a long time for this book.  Carefully, very carefully, trying to respect the space of my neighbors, I opened up the book into a narrow V-shape. I figured the text I could read later, but I wanted a peek at Porter’s vast landscapes.  I could see a little but not enough.  Wider I opened the book.  I peered closely at the sweeping patterns in cracked mud and lava flows. There were leaves on water and sunset clouds.  As I lost myself in these scenes, perhaps the book fell open wider still because all of a sudden I noticed something.

Now the African gentleman was a bit more subtle but I could tell he was looking at the book with me. He’d adjust his glasses as I turned a page and every now and then he’d bend over slightly, trying to see the cover to find out what in the world I was looking at. The little boy hadn’t learned how to be subtle. He just peered right over my arm. I didn’t bother looking at his dad. I just began pointing out features on the page to the boy. Occasionally I’d drag my finger along a seemingly mundane scene, like orange flowers in a green field or vines on a tree trunk. I’d say softly, “That’s pretty cool, hunh?” His eyes never leaving the page, he’d nod and say softly, “Yeah.”

On the last page, I made a dramatic show of closing the book and saying in a little louder voice, “And that’s it!” The little boy (and the gentleman too I suppose) slid back into his chair.  His father whispered to him.  The little boy looked up at me.

“Thank you,” he said.

I smiled. “You’re welcome.”

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