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Posts Tagged ‘art’

As far as I know, I have no Slavic blood in me but I do not think you need to be of Slavic heritage in order to appreciate the beauty and majesty of Alphonse Mucha’s Slav Epic anymore than you need to be of African American heritage to appreciate the Singing Windows at Tuskegee.

They both employ, in vastly different ways, visual storytelling to convey the histories of peoples and their journeys from subjugation to celebration, from despair to hope. As described on the Mucha Foundation website:  “The Slav Epic (Slovanská epopej) is a series of twenty monumental canvases (the largest measuring over 6 by 8 metres) depicting the history of the Slav people and civilisation. Mucha conceived it as a monument for all the Slavonic peoples …

The idea of the work was formed in 1899, while Mucha was working on the design for the interior of the Pavilion of Bosnia-Herzegovina, which had been commissioned by the Austro-Hungarian government for the Paris Exhibition of 1900.

In preparation for the assignment he travelled widely through the Balkans, researching their history and customs as well as observing the lives of the Southern Slavs in the regions that had been annexed by Austria-Hungary two decades earlier. From this experience sprang the inspiration for a new project – the creation of ‘an epic for all the Slavonic peoples’ that would portray the ‘joys and sorrows’ of his own nation and those of all the other Slavs. ”

On that website you will find a picture of all 20 paintings, a description of the stories depicted in each painting, and “related objects” which include photographs of Mucha at work on particular canvases, working with models, etc.

I read several reviews that said do not go out of your way to see this exhibit. I would say, if you have the opportunity to visit Prague, do all that you can to go out of your way to view this exhibit.  What struck me? The scale of this creation, the source of the inspiration, the vision of the artist and the dedication to completion. And of course the use of color and the expression of light.

It took Mucha approximately five years to shop his idea around and find a benefactor and then over a dozen years to produce his epic even as he produced all of the other art — the posters, the advertisements, murals, etc. — which are considered his definitive works.

Through December 2016 the exhibit can be found at the Trade Fair Palace in the City of Prague (http://www.ngprague.cz/en/exposition-detail/alfons-mucha-the-slav-epic/) and the online exhibit can be found on the Mucha Foundation website (http://www.muchafoundation.org/gallery/themes/theme/slav-epic).

 

Sources & Additional Readings

http://www.muchafoundation.org/gallery/themes/theme/slav-epic

https://en.wikipedia.org/wiki/The_Slav_Epic

1925 Article about the Epic as a Work in Progress

a 2010 post about the troubled history of the paintings

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It was a bit of a race against time.  A storm was rolling in. So though we knew we had a few hours before the sun was due to set we didn’t have that great a window of time for light. We raced, as fast as the trolley would take us and then putting foot to pavement, from the Mucha Foundation back to Prague Castle and the St. Vitus Cathedral.  Why? Because at the Mucha Foundation we’d seen a drawing of a stained glass window that Mucha had designed for the St. Vitus Cathedral but he had passed away before seeing it executed. But then while watching a brief foundation video on Mucha we learned that a company had funded the execution of the window and it was in the cathedral.  We made it back to the cathedral in time to purchase a ticket and track down the window. And what a sight it was.

And now there is a race against time to catch a flight home and so I will simply leave you with a few images and a few links. Read more about this amazing artist here: http://www.mucha.cz/index.phtml?S=biog&Lang=EN and http://www.muchafoundation.org/

More to share when I return to the States. Until then, be well.

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Yes, I have sought out stained glass in Prague and what beauty there is to be found like these images from the St. Vitus Cathedral at the Prague Castle.

Only a quick glimpse this trip …

… I hope to visit again for a longer period of time.  The windows were breathtaking as was the light they cast upon the stone.

Learn more about this cherished structure here: https://www.hrad.cz/en/prague-castle/guidepost-for-visitors/st-vitus-cathedral.shtml

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As the previous post suggests, yes, I am on the road for a bit beginning with a return to Dublin, Ireland! A quick trip for work and pleasure, and it was certainly a pleasure to chance upon the Saint Saviour’s Dominican Priory.  I had such a short window of time to photograph that I mostly focused my attention on a few windows. These are details from one window.

Here are details from a second.

Here is the third …

Little literature could I find at the time on the church’s architecture or artwork but the stories can be discerned from the glass.

I found the building by getting lost, but if you are seeking it out, it is located at 9-11 Upper Dorset Street, Dublin 1. Learn more about the priory via the following link: http://www.saintsavioursdublin.ie/

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Here’s the lastest photo through the rippled glass.  I’m proud to have three other images, a sequence of seasonal shots through the rippled glass window, as part of the African American Artists Passion for a Lifetime 2015 Exhibit at the Riverside Gallery in Cambridge, MA. Opening reception is today 3-5. I hope you have the opportunity to visit this exhibit which runs until January 2016. There’s a wonderful range of artwork featured.  Read more about the history of this show and the Riverside Gallery here: http://www.cambridgecc.org/riverside-gallery.html

And if you’re interested in seeing more of my rippled window images, please visit HERE.  Have a good week! 😉

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Coming soon to the Book Shop at Trinity Church will be this postcard depicting The Sunday-School Windows designed and made by Clayton & Bell in 1874.

You can read an earlier post I wrote about these windows, a hidden gem, via this link: https://wordsandimagesbycynthia.com/2014/07/13/sunday-school-windows-at-trinity-church/

 

Additional Readings

https://en.wikipedia.org/wiki/Clayton_and_Bell

http://printscharmingsoho.com/collections/clayton-bell-stained-glass-window-master-drawings

www.nytimes.com/2014/11/14/arts/design/conserving-stained-glass-records-at-corning-museum-.html

 

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… they are Edward Burne-Jones angels.  Eighteen of them in a series of windows that are often referred to as the Christmas Windows, located inside Trinity Church in the City of Boston.  As I’ve written about before on this blog, these windows depict The Journey into Egypt, Worship of the Magi, and Wonder of the Shepherds.  The windows were designed by Burne-Jones and executed by William Morris in 1882.

Photographing these angels is very much a work in progress.  I’ve only captured eight so far and not all to my satisfaction.  British historian Fiona McCarthy once wrote what would Christmas be without a Burne-Jones angel.

Maybe that is the goal I can set for myself.  Before Christmas to have photographed all eighteen angels.  Wouldn’t that be something? We’ll see.  You know I’ll share if I succeed. 😉

Meanwhile, learn more about visiting Trinity Church and seeing the angels for yourself via this link: http://trinitychurchboston.org/art-history/tours

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Many things have caught my eyes in the fading autumn light. Shadows on the ground. Angels in stained glass windows. Parsley fading in my indoor garden.  I have snapped shots of them all and yet it is the detail from two leaves given by a friend that I choose to share this day.

She handed them to me as she raced out the door, baby in one hand, and two leaves in the other. She said she thought of me as she saw them, and as she’s done in the past, she added with a smile, “Now, see what you can do with these.” Encouragement is always good. 😉

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… paired with a powerful poem referencing Icarus.  It can take a while for the free version of the 52 page journal to load but it is worth it to start from page one and work your way to the end.  This Fall 2015 edition of Dirty Chai Magazine is filled with beautiful art, creative nonfiction, fiction and poetry.  As the editor Azia DuPont notes in her opening letter there are a number of sensitive pieces dealing with tough topics chosen “not for their shock value but for their humanity.”  As always I am honored to have one of my photos selected to share the page with such works. Enjoy.

https://dirtychaimag.files.wordpress.com/2015/10/dirtychaiissueviiifall2015.pdf

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http://www.cambridgecc.org/riverside-gallery.html

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