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Ingres Serenades The Memory Of His Late Wife's Youth by Donald Langosy

Ingres Serenades The Memory Of His Late Wife’s Youth by Donald Langosy

Walking into the studio of artist Donald Langosy is like venturing into a secret garden soaked in light and shadow.  At first, all that one can do is gaze at the surrounding forest of color-filled canvases in all sizes.  Then the individual scenes emerge, often mysterious, sometimes dark and yet filled with light and motion at the same time.  By his subject matter, it is clear his passions for family, friends and for the artists across the disciplines who continue to inspire and influence his work.  The drama, the intensity and indeed the mischievous humor, come through each piece.  Last year I asked him how music influenced his work (view here).  This year I asked if he’d share an update on recent works.  Thankfully, he shared these images and the following words about what’s new, his creative process and where he finds goodness and beauty in this world.

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“Here are recent paintings as requested.  The Titania Paintings are from my Shakespeare series:  Midsummer Night’s Dream.  This is an ongoing series of 50″x42″ canvases that were actually painted end of last year.“

Titania Sleeping by Donald Langosy

Titania Sleeping

“I thought [the above painting of artist Jean Auguste Dominique Ingres serenading his young wife] would lead into a series showing artists with their model/muses and so I began …

Mr. and Mrs. William Blake in their Garden Reading Paradise Lost by Donald Langosy

Mr. and Mrs. William Blake in their Garden Reading Paradise Lost

“... but my intentions veered with …”

John Milton Composing Paradise Lost by Donald Langosy

John Milton Composing Paradise Lost

“… and now I find myself beginning two large canvases that will deal with thoughts that have emerged out of the garden of eden…”

And as for Mr. Langosy’s muse, his wife, Elizabeth…

“Celebrating Elizabeth Turns Fifty is a painting that has been buried in my stacks for over a decade…it now shines over my shoulder as I work… reminding me that while evil and ugliness might have its moment it is rejected and fades… but goodness and beauty, an eternal delight,  endures….”

Celebrating Elizabeth Turns Fifty by Donald Langosy

Celebrating Elizabeth Turns Fifty by Donald Langosy

Learn more about this artist at his Facebook page, The Art of Donald Langosy.

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That is if you view the following video on one of those contraptions that slips in your pocket. 😉  Leading up to National Poetry in Your Pocket Day, I wanted to share with you this short stop-animation poem by hand cut paper artist Angie Pickman. I had the great pleasure of sharing the words and images of Angie last year. Check out her interview: Angie Pickman Interview 2012.  Meanwhile you can view her 2013 poem below.

 

 

Learn more about this amazing artist’s work via the following links:

http://ruralpearl.com/blog/

http://www.etsy.com/shop/ruralpearl

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This scene is a detail from the Edward Burne-Jones and William Morris stained glass window, David’s Charge to Solomon, 1882.  The window, designed by Burne-Jones and executed by Morris, is located in the baptistry of Trinity Church in Copley Square. I was drawn to this particular section because of the colors, the incredible drapery of the cloth, and the faces of the women.

The faces of these women and apparently the faces of many of the women in Burne-Jones’s post-1860’s artwork all have a similar look.  They are likely the face of his great love and muse, Maria Zambaco.  She appears to have been the muse for many of the Pre-Raphaelite artists.  This wikipedia article gives a broad overview of the Burne-Jones/Zambaco relationship, but I must say that this Oxford Today article referencing Fiona MacCarthy gives a much richer picture of a complicated man, his many muses and the influence of his art.

Study by Burne-Jones, c. 1870

Study by Burne-Jones, c. 1870

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Reading Emily Toth’s The Public Library Was My Bookstore just reinforced for me that there is no greater public institution than the public library.  As a child in Lynchburg, Virgnia, the public library was one of the few places my mother would allow my younger brother and I to walk by ourselves.  When we were older, and our young niece and nephew would visit for the summer, we would literally carry them piggyback to the library to keep them entertained.  My nephew who is now 30 with a child of his own still remembers those rides.  Once I moved to the Boston area, one of my homes away from home quickly became the Boston Public Library.

If you are ever in Boston, please visit the main branch located on Boylston Street in Copley Square.  It was the country’s first public library and remains one of its most important.  It is an expansive structure that has evolved over time.  In the “old part” you will find some of the most beautiful and unique art of John Singer Sargent.  In the “new part” you will find the books and there amidst the shelves and sitting at the tables you will find the mix of Boston’s humanity – young mothers with children, high school students studying (kind of), college students researching, business people escaping the office for a bit, the homeless resting, people learning English with tutors, tourists snapping photos (without flash), and everything and everyone in between.  It is an experience.

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That’s what flowers often are for me, vessels holding sunlight.  And that is the title of my series of images appearing in the latest issue of Blackberry: A Magazine.  Blackberry is a new digital and print literary magazine showcasing the writing and artwork of black women.  The editor did a lovely job of integrating art with words in this issue focused on “where the light is.”  Check it out by clicking on the following image.

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I am not blue today, red with anger, or green with envy.  Perhaps I am an opaque shade of brown and black and gray.  A splash of burnt orange as the sun continues to rise?

Regardless, just a thoughtful mix of darker hues.  That is what I feel as I watch the melting snow.  Perhaps it is that falling water that makes me think of tears.  Tears blur the world even as they rinse the eyes clean.

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a gold butterfly on cellophane sent via post by my cousin

for my paper work projects 😉

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Just vellum, a flower and a ray of sunlight.

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Those are the magical words that collage artist Zoe Langosy will sometimes say after viewing my nature-themed photographs.  Most recently they were uttered after showing her the following image from an impromptu hike through the Blue Hills, of deep golden light falling upon a stand of birch trees.

It is my continuing pleasure to view such images through Zoe’s eyes, to learn how to see textures and patterns, and then to imagine how such textures and patterns can become part of a larger work with its own story.  The story of this woman on a boat and a coyote, you will have to wait for Zoe to share as she continues with this work in progress.  Stay tuned! Meanwhile, you can read this post about how we’ve collaborated in the past. And you can see more of her art on this Etsy shop: http://www.etsy.com/shop/LangosyArts

 

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Stormy Weather by Cynthia Staples

Stormy Weather by Cynthia Staples

I’ve always enjoyed putting brush to paper, but I’ve never been especially disciplined about learning the right ways to do so.  But the older I grow the more I realize it is more important to just put the brush to the paper and stop worrying about the right way.  Van Gogh I will never be, but I don’t need to be Van Gogh to have fun with paint or to produce an image that might make someone’s day a bit brighter.  Random thoughts on a quiet Sunday. 😉

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